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THE ART MUSEUM AD Baga 
PHOTOGRAPHIC STUDY BY CLARENG 


CITY ART MUSEUM 


CATALOGUE OF PAINTINGS 


WITH 
BIOGRAPHICAL DATA AND 


DESCRIPTIVE NOTES 


THIRD EDITION 


SAINT LOUIS 
MCMXXIV 


PUBLISHED, June 30, 1924, in an edi- 
tion of 2000 copies. Copyright, 1924, 


by the City Art Museum, St. Louis, 


The border upon the cover is from a 
Book of Hours published by Simon de 
Colines at Paris in 1543. The borders 
in this Book of Hours are in the style of 
Geofroy Tory, in whose establishment 
they were produced in the years immedi- 
ately following his death. The repro- 
duction here given is taken from “‘Geofroy 
Tory,” by Auguste Bernard, translated 
by George B. Ives, published by The 


Riverside Press, 297g. 


THE CITY ART MUSEUM OF SAINT LOUIS 


ADMINISTRATIVE BOARD OF CONTROL 


WILLIAM K. BIXBY Presiden 
EDWARD MALLINCKRODT Vice-President 
LOUIS LA BEAUME Treasurer 
EDWARD A. FAUST DAVID R. FRANCIS 
MAX KOTANY FREDERICK W. LEHMANN 


WILLIAM BOOTH PAPIN HUGOA. KOEHLER 


EXECUTIVE STAFF 


SAMUEL L. SHERER Director 
CHARLES PERCY DAVIS Curator 
JAMES B. MUSICK Secretary 
E.OSCAR THALINGER “ Regtstrar 
ELLA F. BARTHOLOW Docent 
BLANCHE ARCHAMBAULT Librarian 


MARY POWELL Educational Department 





TABLE OF CONTENTS 


ADMINISTRATIVE BOARD OF CONTROL 
EXECUTIVE STAFF 

TABLE OF CONTENTS 

LIST OF ILLUSTRATIONS 
INTRODUCTION 

CATALOGUE 

APPENDIX, LIST OF COLLECTIONS: 


City Art Museum Collection 


Washington University Collection 


PAGE Vv 


Vil 


1X 


X1V 


107 


113 





Piast aOe eT LEUUSTRATIONS 


THE ART MUSEUM AT NIGHT, PHOTOGRAPHIC 
STUDY BY CLARENCE H. WELCH 

PHYLLIS, BY JOHN W. ALEXANDER 

PORTRAIT OF A MAN WEARING A RED CAP, BY 
CHRISTOPHER AMBERGER 

VIRGIN AND CHILD, BY ANTONIAZZO (ROMANO) 


MADONNA AND CHILD, WITH SS. LOUIS OF TOULOUSE, 


FACING 
PAGE 


TITLE 


JOHN AND DONORS, BY BARTOLOMMEO DI GIOVANNI 8 


BIBLIOTHEQUE DU DAUPHIN, VERSAILLES, BY CHARLES 
BITTINGER 

WOOD INTERIOR, BY RALPH A. BLAKELOCK 

EDGE OF THE WOOD, BY THEOPHILE DE BOCK 

KERKE ALKMAAR, BY JOHANNES BOSBOOM 

THE RETURN OF COLUMBUS, BY FRANK BRANGWYN 

PORTRAIT OF A MAN, BY BARTHOLOMAUS BRUYN 

PORTRAIT OF A WOMAN, BY BARTHOLOMAUS BRUYN 

COAST OF MAINE, BY EMIL CARLSEN 

STILL-LIFE; THE FAN, BY EMIL CARLSEN 

STILL-LIFE; FISH, BY WILLIAM MERRITT CHASE 

A CASTILIAN PEASANT, BY EDUARDO CHICHARRO 


STILL-LIFE, BY PIETER CLAESZ 


30 


x LIST OF ILLUSTRATIONS 


PORTRAIT OF GUILLAUME GOUFFIER, BY JEAN CLOUET 

MARY MAGDALEN, BY JACOB CORNELISZ OF AMSTERDAM 

THE PLAZA AFTER RAIN, BY PAUL CORNOYER 

AN ARCADIAN HUNTRESS, BY ELLIOTT DAINGERFIELD 

THE WALLED TOWN; CONCARNEAU, BRITTANY, BY 
ANDRE DAUCHEZ 

A QUIET POOL; PICARDY, BY HENRY GOLDEN DEARTH 

BROCART DE VENISE, BY THOMAS W. DEWING 

LOCH LOMOND, BY PAUL GUSTAVE DORE 

AFTER THE GALE, BY PAUL DOUGHERTY 

STUDY HEAD, MAN WITH HAT, BY FRANK DUVENECK 

THE BRIDGES, FLORENCE, BY FRANK DUVENECK 

TORN LINGERIE, BY FREDERICK CARL FRIESEKE 

OLD AGE, BY GEORGE FULLER 

SEPTEMBER FIELDS, BY DANIEL GARBER 

PORTRAIT OF A YOUNG PATRICIAN LADY, BY 
GIANPIETRINO 

SKATING IN HOLLAND, BY JAN VAN GOYEN 

THE ENCHANTED MESA, BY ALBERT L. GROLL 

LE CREPUSCULE, BY ALEXANDER HARRISON 

THE FLAT-IRON BUILDING AFTER RAIN, BY L. BIRGE 
HARRISON 


THE EAST WINDOW, BY CHILDE HASSAM 


21 
24 


25 
26 


27 
28 
29 
30 
31 
32 
33 
34 


35 
36 


37 
40 
41 
42 


43 
44 


LIST OF ILLUSTRATIONS 


ADORATION, BY CHARLES W. HAWTHORNE 

STORM ON THE DELAWARE, BY GEORGE INNESS 

LITTLE BOY BLUE, BY CHARLES EMILE JACQUE 

CHRIST HEALING THE SICK, BY JOHANNES H. JURRES 

HEYMAN DULLAERT, BY PHILIPS DE KONINCK 

A MIGHTY FORTRESS IS OUR GOD, BY GOTTHARD KUEHL 

THE WOLF CHARMER, BY JOHN LA FARGE 

A SWEDISH FAIRY TALE, BY CARL LARSSON 

MISTY DAY, BY. WILLIAM L. LATHROP 

PORTRAIT OF CAPTAIN STEWART, BY SIR THOMAS 
LAWRENCE 

A ROAD BY THE PALISADES, BY ERNEST LAWSON 

LA CIGALE, BY JULES JOSEPH LEFEBVRE 

LA MOISSON, BY LEON A. L’HERMITTE 

THE END OF AUTUMN, BY LUIGI LOIR 

THE FLIGHT INTO EGYPT, BY CLAUDE LORRAIN 

THE READER, BY EDOUARD MANET 

HEADWATERS OF THE HUDSON, BY HOMER D. MARTIN 

BY THE RIVER, BY ANTON MAUVE 

TWILIGHT, BY ANTON MAUVE 

OLD HOMESTEAD, CONNECTICUT, BY WILLARD L. 
METCALF 


REVERIE, BY RICHARD E. MILLER 


xi 


xii LIST OF ILLUSTRATIGNS 


CHARING CROSS BRIDGE, BY CLAUDE MONET 

THE ARRIVAL OF THE GUESTS, BY A. J. T. MONTICELLI 
PORTRAIT OF A MAN, BY JAN MOSTAERT 

THE SEAMSTRESS, BY ALBERT NEUHUYS 

PORTRAIT OF MR. ORPEN, BY WILLIAM ORPEN 
PORTRAIT OF A MUSICIAN, BY SEBASTIANO DEL PIOMBO 


LA CHARITE, BY PIERRE PUVIS DE CHAVANNES 


KIRKMAN FINLEY, M. P., BY SIR HENRY RAEBURN 

NEW ENGLAND VILLAGE, BY HENRY W. RANGER 

THE BROOK, BY EDWARD W. REDFIELD 

PORTRAIT OF JOHN JULIUS ANGERSTEIN, BY SIR 
JOSHUA REYNOLDS 

PORTRAIT OF ADMIRAL SAMUEL BARRINGTON, BY SIR 
JOSHUA REYNOLDS 

SHORES OF MONTEREY, CALIFORNIA, BY WILLIAM 
RITSCHEL 

PACK MONADNOCK, BY CHAUNCEY F. RYDER 

PORTRAIT OF MRS. GEORGE AUSTEN, BY JOHN SINGER 
SARGENT 

THE EXPULSION, BY EUGENE F. SAVAGE 

THE LOCK, BY W. ELMER SCHOFIELD 

SHEEP SHEARING IN THE BAVARIAN HIGHLANDS, BY 


WALTER SHIRLAW 


8I 


LIST OF ILLUSTRATIONS 


TIRED OUT, BY EDWARD E. SIMMONS 

ANOTHER MARGUERITE, BY JOAQUIN SOROLLA Y 
BASTIDA 

BEFORE THE BATH, VALENCIA, BY JOAQUIN SOROLLA Y 
BASTIDA 

AN INCIDENT OF THE FRENCH REVOLUTION, BY JULIAN 

STORY 
PORTRAIT OF GEORGE WASHINGTON, BY GILBERT 


STUART 


THROUGH SNOW-CLAD HILLS AND VALLEYS, BY GARDNER 


SYMONS 

PREPARING FOR THE MATINEE, BY EDMUND C. TARBELL 

PORTRAIT OF ADRIAEN DE GRAEFF, BY GERARD TER 
BORCH 

BEFORE SUNRISE, BY DWIGHT W. TRYON 

MARCH WOODLANDS, BY JOHN H. TWACHTMAN 

THE RAINBOWS SOURCE, BY JOHN H. TWACHTMAN 

A SEWING BEE IN HOLLAND, BY FRIEDRICH H. K. VON 
UHDE 

THE OUTSKIRTS OF BERLIN, BY PAUL VORGANG 

PORTRAIT OF A WOMAN, BY CORNELIS DE VOS 

THE WOODCUTTERS, BY HORATIO WALKER 


THE SEA, BY FREDERICK J. WAUGH 


xiii 


82 


83 


85 


88 


100 


XiV LIST OF ILLUSTRATIONS 


WINDHAM VILLAGE, BY J. ALDEN WEIR 

LANDSCAPE, BY JOSE WEISS 

THE RAINBOW, BY CHARLES H. WOODBURY 

WINONA FALLS, BY ALEXANDER H. WYANT 

PATH TO THE CHAPEL POND, BY ALEXANDER H. WYANT 
PORTRAIT, BY ANDERS L. ZORN 


THE HERMIT, BY IGNACIO ZULOAGA 


IOI 
108 
10g 
94 
94 


IIo 


If! 


INTRODUCTION 


The paintings listed in this catalogue are in two principal groups, 
those lent by Washington University for an indefinite period and 
those owned by the City Art Museum. The paintings forming the 
first group represent the collection assembled during the period 
from 1879 to 1909, when the Museum was administered as a de- 
partment of Washington University under the title “The St. Louis 
Museum and School of Fine Arts.” When in 1909 the Museum 
became, through the enactment of state and city laws, a municipal 
institution, the title to these pictures remained in the hands of 
Washington University, but they were left upon loan for an in- 
definite period. An important division of this loan is the William 
K. Bixby Collection of American Paintings, purchased from a fund 
established in 1906 by William K. Bixby. Among these 1s a notable 
group of nine paintings by Dwight W. Tryon, as well as important 
examples by George Inness, George Fuller, Thomas W. Dewing, 
John LaFarge, Edmund C. Tarbell, Horatio Walker and others. 

The paintings owned by the City Art Museum were, in most 
instances, purchased from the income which has been derived from 
the municipality since 1909, though many important presentations 
have been received. The largest single bequest of paintings which 
has been made to the Museum was a collection of thirty examples, 
principally by modern French and Dutch artists, presented by 
Mrs. Daniel Catlin in 1917 in memory of her husband, Daniel 
Catlin, who was for thirty-seven years a member of the Board 
of Control. of the St. Louis Museum and School of Fine Arts, and 
its successor, the City Art Museum. This collection embraces 
paintings by Anton Mauve, Jean Charles Cazin, Charles Emile 
Jacque, Leon A. L’Hermitte, Rosa Bonheur, Jules Breton, Diaz 
de la Pena, Hendrick Willem Mesdag and others. Lists of these 
various collections will be found in the appendix. Edward Mal- 
linckrodt, another member of the Board of Control, has at various 
times presented important works by Jules Dupre, Sir Thomas 


xvi INTRODUCTION 


Lawrence, Jacob Cornelisz of Amsterdam and Cornelis De Vos, 
Other donors to the collection of paintings include John T. Mil- 
liken, Charles Nagel, Charles M. Rice, Mrs. A. R. Smyth, Dr. 
F. Oscar ‘Potter, Mrs. Frederick Crane, the St. Louis Art League, 
Mrs. William A. Stickney, Mrs. William Stix, Ezra H. Linley, 
Mrs. Halsey C. Ives, Mrs. Chester H. Krum, the Henry W. Ranger 
Fund, administered by the National Academy of Design, and 
William K. Bixby. 








ATALOGUE OF PAINTINGS sae 











Copyright by the Detroit Publishing Co. 


PHYLLIS 
BY JOHN Ww. ALEXANDER 


CATALOGUE 


Arranged alphabetically according 
to the artists’ names 


ped 


e 


ACHENBACH, OSWALD [1827-1905] GERMAN 


Born in Disseldorf, 1827; died in Diisseldorf, 1905. Pupil of his 
brother, Andreas Achenbach. 


At ANITALIAN COURTYARD, WITH FIGURES. A few villagers 
are grouped in an open space before an ancient church; beyond them 
a vine-clad wall that adjoins the church and encloses a garden, and 
above the wall the tops of trees against the sky. There is a late 
afternoon effect of sunshine and shadow. The coloring of the picture 
is of warm yellows, relieved by low-toned greens. 


On canvas, 22x29 inches. Signed in lower right-hand corner: Osw. 
Achenbach. 


Presented by Dr. Emil Preetorius and Charles Nagel to Washington 
University, 7896. Lent to the Museum. 


ALBRIGHT, ADAM EMORY [1862- ] 
AMERICAN 


Born in Monroe, Wis., 1862. Studied at the Art Institute of 
Chicago, the Pennsylvania Academy of the Fine Arts, Munich and 
Paris. 


A2 THE BOW KNOT. Two children, a boy and girl. The girl is 
almost arrayed for out-of-doors, and stands patiently while the boy 
ties her bonnet ribbon. The boy, bare-footed and jacketless, is seated 
upon a bench. The light is suggestive of early day, sunshine strikes 
in faintly. The dominant colors are grayish yellows, greens and browns. 


On canvas, 24x18 inches. Signed: Adam Emory Albright. 
Purchased, 1910. 


ALEXANDER, JOHN W. [1856-1915] AMERICAN 


Born at Allegheny, Pa., 1856. At the age of eighteen he went to 
New York City to begin the study of art, and entered the employ 
of Harper & Brothers. In 1877 he went to Europe, studying at Munich 
and at Polling. About 1880 he joined a class of art students under 
Frank Duveneck with whom he studied for the next two years in 


3 


Italy, returning later to America. In 1890 he again visited Europe; 
and three years later his paintings, ‘Portrait Gris,” “Portrait Noir” 
and ‘‘Portrait Jaune,’’ were given a place of honor in the exhibition 
of the Société Nationale des Beaux Artsin Paris, and the young artist 
was elected to membership in the Société the following year. After 
these distinguished honors, numerous medals and awards were re- 
ceived. He was made Chevalier of the Legion of Honor in Igot. 
The final years of his life were spent in New York City, where he 
died in I9gI65. 


A3 PHYLLIS. Study of a girl, standing by a window and holding 
before her a glass bowl. She is partly in shadow, and turns as though 
to ask or respond to a question. Her poise gives a suggestion or 
movement to the picture. Gentle light strikes the face, the draperies 
and the bowl. The color is delicate, with harmonious gradations, 
a study in soft greens and gray tones. 


On canvas, 84x46 inches. Signed in lower left-hand corner: J. W 
Alexander. 


Purchased, 1912. 


ALLSTON, WASHINGTON [1779-1843] 
AMERICAN 


Born in Waccamaw, S. C., 1779; died in Cambridge, Mass., 1843 
Studied miniature painting with Edward Malbone, and later, in 1801, 
entered the schools of the Royal Academy, London. In 1804, with 
Vanderlyn and C. R. Leslie, he went to Paris to continue his study, 
and thence to Rome. 


As PAUL AND SILAS IN PRISON. The interior of the prison 
at Philippi, lighted by a lantern hidden from view by the figure of 
a tall soldier in the foreground. The central group consists of Paul, 
Silas and the jailer. Paul, in a blue robe with an over-garment of 
yellow, stands with right hand upraised over the kneeling figure of 
the jailer, who wears a red robe. Silas, standing behind, is clad in 
white. Several prisoners, whose chains have been broken, form a 
group at the left in the foreground, and two guards with spears stand 
near archways at the right. 


On mahogany panel, 24x30 inches. Signed in lower left-hand corner: 
W. A. 2 


Presented to Washington University by Fohn T. Davis, 1885. Lent to 

the Museum. 

AMBERGER, CHRISTOPHER [1490?-1563] 
GERMAN 

Born about the year 1490 or later. Nuremberg, Ulm and Amberg 


are all given by various authors as his birthplace, and some writers 
say he studied under his father, Leonhard Amberger. Certain It is, 


4 





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VIRGIN AND CHAGY 
BY ANTONIAZZO (ROME 


however, that Augsburg was the scene of his labors. He was, Doppel- 
mayer says, the disciple of Hans Holbein the elder. He probably 
studied under Hans Burgkmair, and the paintings of Hans Holbein, 
the younger, had an evident effect upon his style; so much so that his 
works have been sometimes mistaken for those of Holbein. In 1532 
he painted the portrait of the Emperor Charles V., and Standrart tells 
us that this portrait was considered by that monarch equal to any of 
the pictures of him painted by Titian. He certainly honored the artist 
by giving him a gold chain and medal on the occasion. The original 
is in the Institute of the Fine Arts at Siena, and is there ascribed to 
Holbein. The one at Berlin is a replica, by Amberger. He died at 
Augsburg in 1563. 


A6 PORTRAIT OF A MAN WEARING A RED CAP. The head 
and shoulders are shown against a dark, gray-green background. The 
man’s coat is darker, apparently a sort of silk, with a figured pattern, 
and shows a lining of brownish pink where it is turned in front. A 
bit of white linen appears where the coat is open, and the cap of cardinal 
red is the only other raiment. The face is dark. 


On wood, 16x12 inches. Inscribed with monogram A. D. 1510. 
Purchased, 1915. 


ANDERSON, KARL [1874- ] AMERICAN 


Born at Oxford, Ohio, 1874. Pupil of the Art Institute of Chicago; 
Colarossi Academy, Paris. Studied also in Holland, Italy and Spain. 


A8 SISTERS. Two young women, one of whom is seated. The 
other stands beside her. The former is clad in a blue-figured dress 
of delicate material with trimming of blue, and the latter wears a 
gown nd filmy white. A tapestry-like wall covering forms the back-- 
groun 


On canvas 50x40 inches. Signed in lower right-hand corner: Karl 
Anderson, 1916. 


Purchased, 1917. : 
ANTONIAZZO (ROMANO) ITALIAN 


Called also Antonazzo. His true name was Antonio di Benedetto 
Aquilio. Flourished at Rome in the latter half of the 15th century 
(1460-97), working with Melozzo da Forli and Perugino. Among the 
ew pictures which remain from his brush is a Madonna between 
moe and Franciscus (1464) in S. Antonio del Aconte, at Rieti, 
taly 


A9 VIRGIN AND CHILD. The Madonna gazes downward in ex- 
pression of humble yet dignified piety. The Child stands upon a 
red cushion, placed upon her lap. The Mother is clad in a mantle 
of dark blue, embroidered in gold, with an undergarment of red. About 
the heads of both are halos, and the Virgin wears a golden crown. 


5 


Though belonging in style to the early Renaissance, the panel shows 
in many details the influence of earlier mediaeval art, notably in the 
attenuated drawing of the hands of the Virgin and in the vestiges 
of older ascetic standards exhibited in pose and expression. The free 
use of gold in the background and elsewhere is further evidence of the 
influence of earlier traditions. 


On wooden panel with circular top, 2934x194 inches. Not signed. 
From the collection in Sanford Priory, Newbury, England. 


Purchased, 1916. 


AUBERT, JEAN LOUIS [1824- ] FRENCH 
Born at Paris, 1824. Pupil of P. Delaroche and M. Martinet. 


A1io THE LESSON IN ASTRONOMY. Three figures, an elderly 
man and a younger man and woman are seated on stones by the sea- 
shore, at night. The older man points toward the sky, as the young 
couple caress. 


On canvas, 34x42 inches. Signed: Jean-Aubert. 1878. Shown at the 
Paris Salon of 1878. 


Presented by Mrs. Daniel Catlin, 1917. 
BAIL, JOSEPH [1862- ] FRENCH 


Born in Limonest (Rhone), France, 1862. Pupil of his father. He 
first came into prominence as a painter of still-life subjects, with 
technique somewhat resembling that of Vollon; later he essayed figure 
painting. 


B2 THE LINEN ROOM. The room is plain and of an institutional 
cast. It has high bare walls, shadowed beneath the ceiling, and is 
lighted from two windows, one of them hidden beyond the linen press. 
The grayish wall in the background, the brown wood closet sand trim- 
mings, and other surfaces are brightened here and there by the gray 
day light from outdoors. ‘Heaps of folded linen are piled upon a table. 
Two women standing by the linen press are counting pieces and putting 
them away. Another woman sits by the nearer window, repairing, 
with a pile of linen and work baskets about her on stools and on the 
window sill. The women wear uniforms with white aprons and bonnets. 


On canvas, 47x28 inches. Signed in lower right-hand corner: Joseph 
Bail. 


Purchased, 1911. 
BARNETT, TOM P. [1870- ] AMERICAN 


Born in St. Louis, 1870. Studied at St. Louis School of Fine Arts 
and with Paul Cornoyer. 


Bs WINTER DAY. Between snowclad banks beneath bare trees, 
6 


cold water flows and swirls in a straggling brook. Sunlight catches 
the snow here and there. There is a suggestion of vibration in the 
picture, but it is the cold glint of winter that is interpreted. 


On canvas, 36144x42% inches. Signed: Barnett. 
Presented by the St. Louis Art League, 10974. 


BARTOLOMMEO DI GIOVANNI |[ -1494] 
ITALIAN 


Florentine painter who flourished during the last two decades of the 
fifteenth century. His death occured in 1494. He was a pupil and 
assistant of Domenico Ghirlandaio, and in his later life was influenced 
by Botticelli, for whom he also worked as an assistant. He painted 
religious compositions and legendary scenes, the Jatter often on cassoni 
fronts. He was frequently intrusted with the execution of portions 
of the decorations of his master Ghirlandaio, as in the prede/le of the 
altar-piece in the Florence Academy (1485), two compartments of 
the predelle of the altar-piece at Narni (1486), and in the Church of 
the Innocenti, Florence (1488). His artistic personality has been 
reconstructed under the name Al/unno di Domenico (Disciple of 
Domenico Ghirlandaio) by Berenson, Burlington Magazine, March, 


1903. 


B29 MADONNA AND CHILD, WITH SS. LOUIS OF TOULOUSE, 
JOHN AND DONORS. The donors are thought to be Francesco 
Sassetti and wife, Nera Corsi, Florentines of wealth and influence, 
closely allied to the great banking firm of the Medici. This identi- 
fication is based upon the resemblance of the portraits of the donors 
to those of Francesco Sassetti and wife in the series of frescoes illustra- 
ting the life of St. Francis in the Capella Sassetti in Santa Trinita, 
Florence, by Domenico Ghirlandaio, completed, 1486. 


The Virgin is seated on a throne of architectural design, the dome 
of which is carved as a golden shell. She is clad in a red dress em- 
broidered with gold, and a greenish blue cloak, similarly embroidered. 
The nude Child, seated on her right knee, holds a pomegranate in 
his left hand. On the left is St. Louis of Toulouse, with bishop’s 
mitre and crozier, and on the right, St. John, a golden aureole above 
his head. At the bottom are the donors, 


On wood panel, 594x31% inches. Ancona or altar-piece. Not signed, 
dated MCCCCLXXXVI. Described and illustrated: Venturi, ‘““L’Arte,”’ 
July-August, 1910, pp. 286-288; Venturi, “Storia dell’ Arte Italiana,” 
1911, Vol. VII, pt. 1, p. 765; W. Roberts, Monograph, London, 1916; 
bulletin of the City Art Museum, January, 1924. Attribution in- 
dorsed by Bernhard Berenson, 1923. From the collections of Marchesi 
Menafoglio, Modena; Chevalier Pietro Foresti, Carpi. 


Purchased, 7022. 


BECKWITH, JAMES CARROLL, [1852-1917] 
AMERICAN 


Born in Hannibal, Mo., 1852; died, New York City, 1917. Pupil of 
the National Academy of Design, New York; 1’Ecole des Beaux Arts 
and Carolus Duran, Paris. 


B7 INGEBORG. The head of a woman, and the back of her cov- 
ered neck, and shoulders, compose the picture. The head is turned 
toward us over the shoulder so that the face is seen in profile; a face 
with clean-cut features, dark eyes, red lips, set off by a mass of brown 
hair. She wears a blue collar of soft folds and brown dress. 

On canvas, 15x12 inches. Signed in upper left-hand corner: Carroll 
Beckwith. 


Purchased, r97o. 


BENSON, FRANK WESTON, [1862- 
AMERICAN 


Born in Salem, Mass., 1862. Studied at Boston Museum School of 
Fine Arts; and in Atelier Julian, Paris, under Boulanger and Lefebvre. 


B8 SUMMER AFTERNOON. The composition is a modern idyl, 
a characteristic plein-air interpretation of American holiday life. On 
a grassy bank by the water’s edge, in the shade, three girls and a dog 
are grouped. A hot sun beats through the foliage and patterns the 
foreground with shadows. Beyond is blue water, upon which one or 
two pleasure boats are bobbing at anchor, and others are sailing in 
the distance. Further off, is land in a drapery of colorful haze, and 
above, the sky changes to a deep blue. | 


On canvas, 30x40 inches. Signed in lower left-hand corner: F. W. 
Benson, 1906. 


Purchased, 1910. 


BERNINGHAUS, OSCAR E. [1874- | 
AMERICAN 


Born in St. Louis, Mo., 1874. Pupil of the St. Louis School of Fine 
Arts. 


Bg WAITING. A wayside hostelry of the West during pioneer 
days, with several horses hitched in line before the door. It is night, 
or late afternoon, and snow is falling. 


On canvas, 2114x31 inches. Signed: O. E. Berninghaus. 
Purchased, rgro. 





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Beret) Ul Tio? os | Cot aN PAINT DY OON SOUR SS 
Beem boArRe i ©) Orie Ih. On leer Gole@sVCASINSINEL 





BIBLIOTHEQUE DU DAUPHIN, VERe2 pyr 
BY CHARLES BITTi Ga 


BINGHAM, GEORGE CALEB [1811-1879] 
AMERICAN 


Born near Weirs Cave, Va., 1811; died, Kansas City, Mo., 1879. 
He came to Missouri when eight years old and lived in Arrow Rock, 
Saline County, then in Old Franklin, serving as an apprentice to a 
cabinet maker. As a boy he came under the influence of Chester 
Harding’s paintings. He studied for three years at the Pennsylvania 
Academy and then opened a studio at Washington, where he met with 
success. Returning to Arrow Rock, he painted the life about him, 
earning the sobriquet, “Missouri Artist.”” In 1856 he went to Diissel- 
dorf, where he remained for some time. At the time of his death he 
was ‘professor of Fine Arts in the University of Missouri. His paintings 
are valuable contemporary records of the period in which he lived. 


Bi2 DANIEL BOONE ESCORTING A BAND OF PIONEERS 
INTO THE WESTERN COUNTRY. The emigration of Daniel 
Boone (1734-1820) and his family from North Carolina to Kentucky 
in 1776, passing through the Cumberland Gap. 


Along a mountain road travels a party of pioneers, men and women 
some mounted and some on foot. At the head of the band is Daniel 
Boone. He carries a gun on the left shoulder and leads a white horse 
upon which a woman rides. His clothes are of buckskin and he wears 
moccasins. The painting is in Bingham’s latest style, and the figures 
are more idealized than those of his earlier canvases. 


On canvas, 36x52 inches. Not signed. Included in the exhibition 
of Bingham’s paintings, Columbia, Mo., 1gto. 


Presented to Washington University by Nathaniel Phillips of Boston, 1890. 
Lent to the Museum. 


B13) PORTRAIT OF DOCTOR F. OSCAR POTTER. Head and 
shoulders of young man, toward the right; gray eyes and long, dark 
brown hair, reaching to the cheeks. He wears a black coat, white 
shirt and low collar with black tie. The background is olive brown. 


On canvas, 24x30 inches. Not signed. 
Presented by Dr. F. Oscar Potter, 1912. 
B33 LANDSCAPE. Said to be a scene between St. Louis and 
Alton. In a level, wooded pasture several cows are resting. Between 
the trees are vistas of atmospheric distance. In the left eae 


stands a broken tree trunk, and beyond is a small stream. A high 
hill rises in the extreme distance. 


On canvas, 39x48 inches. Not signed. 


Bequest of Mrs. Chester Harding Krum, 1923. 
9 


BITTINGER, CHARLES [1879-___] 
AMERICAN 


Born, Washington, D. C., 1879. Studied at the Ecole des Beaux- 
Arts, Delacluze and Colarossi Academies in Paris. 


B32 BIBLIOTHEQUE DU DAUPHIN, VERSAILLES. An interior 
decorated in blue and gold, with furnishings in the style of Louis XV. 
On the right is a gilded console with brown marble top on which 
stands a bust of a man. On the left, beneath a large painting, is 
another table and by it a painted chair with blue upholstery. A 
large chandelier hangs from the ceiling. 


On canvas, 401¢x2574 inches. Signed: C. Bittinger, Versailles, 1906. 
Purchased, 192}. . 


BLAKELOCK, RALPH A. [1847-1919] 
AMERICAN 


Born, New York City, 1847; died, 1919. Self-taught. Educated as 
a physician, he gave up this profession to become a painter, opening 
a studio in New York. During the period of his greatest activity, 
his paintings, with their phantasy and imaginative play, were not 
appreciated by public taste. He suffered extreme privations, and 
finally his mind gave way. An exhibition of his paintings in New 
ems 1902 marked the beginning of a more general appreciation of 
is work. 


B14 WOOD INTERIOR. A forest interior in the browns and russets 

of autumn. To the right and left are banks of trees and undergrowth. 
In the center of the foreground is a plot of bare earth upon which 

oo oun strikes warmly. Through the branches is a glimpse of dark 
lue sky. 


On canvas 16x24 inches. Signed: R. A. Blakelock (in an arrow head). 
Purchased, 1914. 


BOCK, THEOPHILE DE [1851-1904] DUTCH 


Born in Haarlem, 1851; died, 1904. Pupil of J. W. Van Borselen 
and of J. Weissenbruch. 


B1s EDGE OF THE WOOD. In the immediate foreground and 
stretching along at the left is green pasture land, with a grass-topped 
sand hill toward the distance. At the right and well across the picture, 
the woods project. The landscape is silvery, with foliage, clouds and 
sands in grayish greens and blues. 


On canvas, 28x40 inches. Signed in lower left-hand corner: Th. de 
Bock. 


_ Purchased, 19175. 


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BOGERT, GEORGE H. [1864- ] AMERICAN 


Born in New York, 1864. Studied under Thomas Eakins, Philadelphia; 
in Paris under Collin, Aime Morot and Puvis de Chavannes. 


B16 THE ENGLISH CHANNEL FROM ST. IVES TO LELANT. 
A view from the English coast; a stretch of sandy beach in the fore- 
ground, and beyond, an expanse of blue-green water under a luminous 
evening sky in which the crescent moon appears. Streaks of pink, 
reflected from the western horizon, linger among the darkening blues 
and pale greens of the sky. 


On canvas, 30!4x45 inches. Signed in lower right-hand corner: Geo. 
H. Bogert. 


Purchased by subscription and presented to Washington University, 1895. 
Lent to the Museum. 


BONHEUR, MARIE ROSA [1822-1899] 
FRENCH 


Born in Bordeaux, 1822; died in Paris, 1899. Pupil of her father, 
Raymond Bonheur. From 1849 until the time of her death she was 
Director of the Paris Free School of Design for Young Girls, of which 
she was the founder. 


B17 CATTLE IN THE HIGHLANDS. Upon a rock-strewn upland 
is a herd of cattle. Purple mountain peaks, with here and there 
gleaming stretches of snow, cut the sky-line along the horizon. The 
careful drawing and vigorous yet detailed painting of the cattle, masses 
of rock and crimson heather, are characteristic of the latter period 
of the work of the artist. 


On canvas, 39x24% inches. Signed in lower left-hand corner: Rosa 
Bonheur, 1888. 


Purchased by subscription and presented to Washington University, 1898. 
Lent to the Museum. 


B27 RELAY OF HUNTING. In the center of a rural road stand 
three hunting horses, bridled and saddled and under the care of a 
groom who rests at the side of the road. The well-kept coats of the 
horses glisten in the light, the white color of the central one contrasting 
with the dappled gray on the right and the bay on the left. 


On canvas, 18x26 inches. Signed in lower left-hand corner: Rosa 
Bonheur, 1887. 


Presented by Mrs. Daniel Catlin, 1077. 
BOSBOOM, JOHANNES [1817-1891] DUTCH 


Born at The Hague, Holland, 1817; died at The Hague, 1891. Pupil of 
B. J. Van Bree and Van Hove. Best known for his views of church 


pa | 


interiors, painted with a command of light and shade which is remi- 
niscent of Rembrandt and Pieter de Hoogh, though Bosboom is usually 


ranked as one of the founders of the modern Hague school of Dutch 
Painters. 


B18 INTERIOR OF A DUTCH CHURCH. One looks diagonally 
across the main aisle, over pews, and through two archways to the 
farther walls and into the corner of the church. At the left, by a 
column in one of the archways a canopied pulpit rises. Accessory 
details afford notes of color. 


On wood panel, 13x1o:inches. Signed in lower right-hand corner: 
J. Bosboom. 


Presented to Washington University by Professor Halsey C. Ives. Lent 
to the Museum, 


B30 KERKE ALKMAAR. The Groote Kerke of Alkmaar was con- 
structed between 1470 and 1489. 


An interior view through a pointed arch flanked by Norman columns 
in warm brown shadows. Beyond the arch is a cross aisle, the far 
wall of which is gently suffused with warm light. The wall is inter- 
rupted by an arched recess, dimly lit, with a suggestion of stained 
glass at the end, through which the light faintly filters. Beneath the 
arch of the foreground are three figures. 


On wood panel, 1234x10% inches. Signed: J. Bosboom. 
Purchased, 19178. 


BRANGWYN, FRANK [1867- ] ENGLISH 


Born, Bruges, 1867, of Welsh parentage. With the exception of three 
years under William Morris, he is practically self-taught. 


B31 THE RETURN OF COLUMBUS. The foreground is occupied 
by a group of figures in brilliant costumes of red, orange and yellow. 
In the middle distance-are two vessels with sails hanging loosely. At 
the right is a row boat and men carrying chests upon their backs, 
At the left above the heads of the people a group of varicolored standards 
hang idly in the air. 


On wood, 3334x44 inches. Signed F. B. 
Purchased, 192}. 


BRETON, JULES-ADOLPHE-AIME LOUIS 
[1827-1906] FRENCH 


Born, 1827, at Courrieres, Pas de Calais; died, 1906. Studied in 
Ghent under the historical painter, De Vigne; in 1846 with Baron 
Wappers at Antwerp; finally in Paris under Drolling. His first efforts 
were on historical subjects, but in 1853 he exhibited “Return of the 
Harvesters”’ at the Paris Salon and the “Little Gleaner” at Brussels; 


12 


and thenceforward he was essentially a painter of rustic life, working 
especially in the province of Artois. His numerous subjects may be 
generally divided into four groups—labor, rest, rural festivals and 
religious festivals. 


B28 THE WOUNDED SEA GULL. A young peasant woman of 
Normandy, her dark-garbed, robust figure silhouetted strongly against 
a background of sea and clouds. She holds in her hands a sea gull 
which has apparently been wounded. About her head is a cap of 
filmy material, and she wears a cape of dark cloth and a dark red 
waist and blue skirt. 


On canvas, 37x31 inches. Signed in lower left-hand corner: Jules 
Breton. 


Presented by Mrs. Daniel Catlin, 7917. 


BRISSOT DE WARVILLE, FELIX SATURNIN 
[1818-1892] FRENCH 


Born in Sens (Yonne), France, 1818; died in Versailles, 1892. Pupil 
of the Ecole des Beaux-Arts and of Leon Cogniet. 


Boat THESHEEPFOLD. Ina barnyard interior, sheep are gathered, 
some lying down, others standing about in the quiet light; the coloring 
of the picture is harmonious and mellow. Chickens add touches of 
more vivacious color. The general tone of the picture is of browns 
and grays with here and there a bit of brighter green or yellow. 


On wood, 15x23 inches. Signed in lower right-hand corner: F. Brissot. 


Presented to Washington University by William F. Lemp, 1896. Lent 
to the Museum. 


BRUNIN, LEON [1861- ] BELGIAN 
Born in Antwerp, Belgium, 1861. Pupil of Charles Verlat. 


B22 THE ANTIQUARY. Interior of a room. An old man with 
white hair and beard examines a jeweled badge. The room is crowded 
with vases, books, manuscripts, jewel boxes and other objects. 


On canvas, 28x36 inches. Signed: Leon Brunin, Anvers, 1887. 


Bequeathed to Washington University by Gerard B, Allen, 1890, Lent 
to the Museum. 


BRUYN, BARTHOLOMAUS [14932-15562] 
GERMAN 


Born at Cologne about 1493; died there about 1556. Painter of the 
Lower Rhine School, and possibly a pupil of the Master of the Death 
of the Virgin. He followed the style of the Van Eycks in his earlier 


I3 


paintings; but, to his detriment, eventually yielded to the influence 
of the conventional Italian style of the period, remaining spirited and 
natural only in his portraits. A considerable number of his works 
may be found in Essen, Berlin, Frankfort, Munich and other German 
cities. 


B23. PORTRAIT OF A WOMAN. Three-quarter length figure, 
standing against a dark olive background, and well filling out the 
canvas. She wears an over-dress or mantle of dark brown, fur-trim- 
med, close-fastened around the neck, and with wide-mouthed sleeves 
that show a lining of white; stiff ruffed collar and ruffles at her wrists, 
a cap or bonnet of white linen, a belt of gold and pearls clasps her 
waist and hangs down in front. Her hands brought together before 
her, hold a book. The face and hands are developed carefully. 


On wood, 22%x17 inches. Not signed. 
Purchased, 1915. 


B24 PORTRAIT OF A MAN. A companion picture to the portrait 
of a woman, the man’s picture perhaps shows more detailed study. 
The long brown fur collar of a sur-coat or cloak rather dominates 
the color scheme and is a good piece of texture painting. Darker 
brown is the rest of the garb, and like the woman, the man wears 
fine linen ruffles at neck and wrists. He has gray hair and long divided 
gray beard. 


On wood, 21%x17 inches. Not signed. 
Purchased, 19175. 


CAMPBELL, EDWARD MORTON [1858-1911] 
| AMERICAN 


Born in Hannibal, Mo., 1858; died in St. Louis, Mo., 1911. Pupil 
in the St.Louis School of Fine Arts, and the Julian Academy under 
Lefebvre and of Otto de Thorne, Paris. For several years instructor 
in the St. Louis School of Fine Arts, and at one time on the staff of 
the City Art Museum. 


C1 WHEN THE EVENING SUN IS LOW. An after-glow lights 
the central part of the sky and spreads in darker reds, purples and 
browns over scattering clouds on either hand. The landscape is dark 
against the after-glow, except where the ruddy light is reflected in 
eran On the right is a grove of trees, their tops outlined against 
the sky. 


On canvas, 11x15 inches. Signed: E. M. Campbell. 
Purchased, 191}. 
CARLSEN, EMIL [1853- ] AMERICAN 


Born in Copenhagen, Denmark, 1853. Came to the United States 


14 





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in 1872. Studied architecture at the Danish Royal Academy; painting 
independently. 


C2 COAST OF MAINE, On the left is a precipitous cliff of yellow 
stone against which the water strikes in a mass of white spray. The 
sky is light and the water deep blue, changing to light green at the 
crest of the waves. 


On canvas, 40x50 inches. Signed in lower left-hand corner: Emil 
Carlsen, 1914. 


Purchased, 1915. 


C31 STILL LIFE. A large brass platter with handles, a silver pot 
and three lemons with twigs, upon a gray surface with darker gray 
brown background. 


On canvas, 24x20 inches. Signed: Emil Carlsen, 
Purchased, rozé. 


C32 STILL LIFE, THE FAN. Group of a fan with blue floral 
decorations and carved openwork ribs; a white bowl; and a few dry 
chestnut burs, against a vibrant gray background. 


On canvas, 15x18 inches. Signed: Emil Carlsen. 
Purchased, 1979. 


CARPENTER, FREDERICK GREENE 
[1832- ] AMERICAN 


Born in Nashville, Tenn., 1882. Studied in St. Louis School of Fine 
Arts, Julian and Colarossi Academies, Paris; and under Jean Paul 
Laurens, Simon Baschet, Royer, Prinet and Richard Miller. 


C4 A BRITTANY MAID. A young woman is seated, her body 
turned partly toward the spectator, her hands in her lap. She wears 
a yellow apron, and above it an embroidered red jacket over a white 
waist; from her white lace cap broad ribbons of red flow down. The 
hair is dark, the eyes gray, the flesh color clear. The background is 


gray. 
On canvas, 33x24% inches. Not signed. 
Purchased, r97o0. 


CASANOVA y ESTORACH, ANTONIO 
[1847-1896] SPANISH 

Born in Tortosa, Spain, 1847; died, 1896. Pupil of Lorenzale at 

Barcelona and of Don Federigo Madrazo in Madrid. He later studied 


at the Spanish Academy in Rome, where he came under the influence 
of Fortuny’s style. He settled in Paris in 1876. 


1) 


C27 THE SICK MONK. An interior scene, with three monks in 
the garb of the Franciscan order. The sick brother sits in an arm 
chair, while another, watch in hand, stands before him counting his 
pulse, with an air of great solicitude. A third monk is entering through 
an open door, his arms and the pockets of his apron filled with bottles. 
The surface textures, especially of the flesh and garments of the monks, 
are painted with much detail. 


On canvas, 17x22 inches. Signed in lower right-hand corner: A 
Casanova, Paris, 1880. 


Presented by Mrs. Daniel Catlin, 1917. 


CASSATT, MARY [1855- ] AMERICAN 


Born, Pittsburgh, 1855. Pupil of the Pennsylvania Academy of the 
Fine Arts, continuing her studies after 1875 in Europe. She travelled 
in Spain, Italy and Holland, settling finally in Paris, where she was 
for a number of years a pupil of Degas. The French school of Im- 
pressionists, particularly Manet and Degas, have influenced her work. 


C33 PORTRAIT OF AGIRL IN GREEN. Three-quarter length 
portrait of a young girl seated in a chair. She wears a green, pleated 
dress and light colored waist. Her brown hair falls over her shoulders, 
as she regards intently an object which she holds in her hands. 


On canvas, 32x26 inches. Signed Mary Cassatt. 


Presented by an anonymous donor through the Metroplitan Museum of 
Art, 1922. 


CAZIN, JEAN CHARLES [1841-1901] FRENCH 


Born in Samer, Pas-de-Calais, 1841; died in 1901. Studied art under 
Lecoq de Boisbaudran in Paris; later in England, where he was affected 
by the pre-Raphaelite movement. He painted religious pictures, as 
“The Flight Into Egypt,” “Hagar and Ishmael;” later developed an 
individual landscape style peculiar for its soft and sympathetic lumi- 
nosity. He made the “Cazin sky”’ a distinct and beautiful thing 
in the interpretation of nature. From London, in 1876, he sent 
his first contribution to the Salon. 


C28 SUNRISE. The sun is just beginning to appear over a low, 
flat horizon, its brilliance dimmed by the mists of early morning. 
Across the whole distance of the composition stretches a level, low- 
lying plain. A body of opalescent water, upon which the first rays 
of the sun are striking, occupies the greater part of the foreground. 


On canvas, 18x22 inches. Signed in lower right-hand corner: J. C. 
Cazin. 


Presented by Mrs. Daniel Catlin, 1917. 


Cog SUNSET. A road runs diagonally toward the center of the 
composition from the lower right-hand corner. Beyond this highway 


16 


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is a grassy bank surmounted by trees; and on the nearer side is a field, 
enclosed by a rude fence. In the middle distance are low farmhouses. 
The last rays of the sun have imparted a rosy red to the sky, and 
this color is reflected throughout the whole landscape. 


On canvas, 18x22 inches. Signed in lower left-hand corner: J. C. 
Cazin. 


Presented by Mrs. Daniel Catlin, 1917. 


CHAPMAN, CARLTON THEODORE 
[1860- ] AMERICAN 


Born in New London, Ohio, 1860. Pupil of Art Students’ League 

and National Academy, New York, and of Academie Julian, Paris, 

ppest Boulanger and Lefebvre; also studied in South Kensington 
useum. 


C6 BONHOMME RICHARD CAPTURING THE SERAPIS. 
Naval engagement of the Amercian Revolutionary War off Flam- 
borough Head, England, 1778. The nearer ship is the British Serapis, 
the other the Bonhomme Richard, commanded by John Paul Jones. 
The third ship in the middle distance is the American ship, Alliance, 
commanded by the traitor Landais who is firing into the Bonhomme 
Richard. The distant ships are the Pallas, one of Jones’ fleet, en- 
gaging the Countess of Scarborough. 


On canvas, 60x84 inches. Signed: Carlton T. Chapman. 


Purchased, r9ro. 


CHASE, HARRY [1853-1889] AMERICAN 


Born in Woodstock, Vt., 1853; died, 1889. Studied under J. M. 
Stuart in St. Louis; National Academy, New York; Royal Academy, 
under Bolonachi in Munich; under Soyer in Paris; and finally with 
Mesdag at The Hague. 


C7 DUTCH FISHING VESSELS OFF THE COAST OFF 
SCHEVENINGEN. On the shallow waters of a flat coast, at nearly 
high tide, boats are tossing at anchor, or careening along under sail. 
There is a fresh breeze, and a gray sky, with bright-edged clouds. 
A boat has rounded to, her keel on the sands and the sea beating 
upon her hull, while two men carry her anchor and anchor yoke ashore. 
Several men on deck are hauling ropes and attending to the details 
of the landing. 


On canvas, 36x61 inches. Signed in lower left-hand corner: H. Chase. 


Bequeathed to Washington University by Miss Ellen F. McKee. Lent 
to the Museum. 


17 


CHASE, WILLIAM MERRITT [1849-1916] 
AMERICAN 


Born in Franklin, Ind., 1849; died in New York City, 1916. He 
studied art in Indianapolis under B. F. Hayes, and then in New York 
as a pupil of Wyatt Eaton and of the National Academy under Wil- 
marth. He came to St. Louis in 1871, where he had a studio for sev- 
eral years. A number of St. Louis business men became interested in the 
young artist and enabled him to carry on further studies under Wagner 
and Piloty in Munich. When he returned to America, his reputation 
was well established. He opened a studio in New York and started 
the Chase School of Art. He also taught in the Pennsylvania Academy. 


Cg STILL LIFE. A composition of a brass ewer, a codfish, a flounder 
and a bowl containing a mackerel arranged on a table of dark, polished 
wood. The fish glisten as though still wet. The background is dark. 


On canvas, 32x39 inches. Signed: Wm. M. Chase. 
Purchased, 191}. 


CHICHARRO, EDUARDO [1873- 
SPANISH 


Born in Madrid, 1873. Pupil of the School of Fine Arts, Madrid, 
of Manuel Dominguez, and later of Sorolla. He also held a govern- 
ment scholarship in the Spanish Academy in Rome, 1899 to 1904. 
He is a painter of genre, portraits and landscapes. 


C12 A CASTILIAN PEASANT. Full length, standing figure of a 
man, near life size. His features are rugged and weatherbeaten. He 
wears a long, black cape, broad-brimmed black hat and white sandals. 
At his right, a plow of primitive design stands against the plastered 
wall which forms the background of the picture. 


On canvas, 87x86 inches. Signed: E. Chicharro—Avila—tg1II. 
Purchased, 1914. 


CHURCH, FREDERICK STUART [1842-_—] 
AMERICAN 


Born in Grand Rapids, Mich., 1842. Studied in the School of the 
National Academy and the Art Students’ League, New York, under 
Lemuel E. Wilmarth and Walter Shirlaw. 


C13. BLACK WOLVES. A young woman accompanied by a number 
of wolves. Her hands rest upon the neck of two of the animals, the 
heads of the others appear on the right. Green light pervades the 
picture. 


On canvas, 40x27 inches. Signed: F. S. Church; "N. -¥.,. 1961s 
Purchased from the W. K. Bixby American Art Acquisition Fund for 
Washington University, 1917. Lent to the Museum. 


18 





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CLAESZ, PIETER [15973-1661] DUTCH 


Born, Burg-Steinfurt, Westphalia, 1597-98; died Haarlem, 1661. 
Painter of still life, active in Haarlem from 1617. There are two 
still life paintings by him in the museum at Berlin, and he is represented 
aoe Rotterdam, Budapest, Kassel, and the Reichsmuseum, Am- 
sterdam. 


C34 STILL LIFE. A glass flagon half filled with amber colored 
liquid, stands on a table beside a plate of-oysters and a metal tripod 
vessel. A knife, a piece of fruit and a bit of paper containing a brown 
substance, complete the composition. Painted principally in warm 
grays and browns, on a warm gray background. 


On wood panel, 24%x19 inches. Signed with monogram: PC An 1615. 
From the Holscher Collection, Milheim. 


Purchased, 1922. 


CLAYS, PAUL JEAN [1819-1900] BELGIAN 


Born in Bruges, Belgium, 1918; died in Brussels, 1900. Pupil of 
Gudin, Paris. Marine painter. 


Cis ON THE SCHELDT. A number of sailing vessels are grouped 
in a luminous setting of still blue water and warm, grayish sky, their 
canvas and rigging silhouetted against the fluffy clouds. In the dis- 
tance on the right are other vessels near a low coast on which are 
a lighthouse and other structures. ! 


On canvas, 29x43 inches. Signed: P. J. Clays 72. 


Purchased by subscription and presented to Washington University. 
Lent to the Museum. 


CLPEF, JOOST VAN [XVI CENTURY] 
FLE MISH 


Called ‘‘Zotte Cleef’ (Mad Cleef.) Born, Antwerp, circa 1520; 
died, circa 1556. Pupil of his father, Willem van Cleef, the elder. 
His paintings are in the Italian style rather than the Flemish. He 
came to England in 1554 and was introduced by Sir Antonio Moro 
to King Philip. 


C37 MADONNA AND CHILD. The Madonna, seated beneath a 
canopy with tasselled covering, holds the nude Child. On either side 
in the distance are minutely painted landscapes; on the right, a stream 
crossed by a footbridge, a farmhouse and several figures; on the left 
a hunting scene in a forest. On a table before the Madonna are an 
apple, a pear, grapes and other fruit. On the right an earthenware 
Jug. 

On wood panel, 2114x15% inches. Not signed. 


Purchased, 1924. 
19 


CLOUET, JEAN [1485-15412] FRENCH 


Born, c. 1485; died, 1540-41. Little is known of his early life, but 
he was possibly of Flemish origin. The year 1516 found him at the 
court of Francis I, where he was enrolled as one of the royal painters. 
Here he was known as “‘Janet’’, written also “Jeannet”’ or “Jehamet”’. 
This name in passing on to his son, Francis Clouet, has caused con- 
siderable confusion. Following the deaths of Bourdichon (1522) and 
Perreal (1528), Jean Clouet became the principal court painter with 
the title of Groom of the Chamber, a position which he retained by 
careful and conscientious work until his death. He enjoyed a high 
reputation and had as sitters almost the entire court of Francis I. 
His portrait of the king, now in the Louvre, is perhaps the best known 
work ascribed to him. 


C35 PORTRAIT OF GUILLAUME GOUFFIER. Guillaume 
Gouffier, Seigneur de Bonnivet (born c. 1488) was Admiral of France 
under Francis I. He was killed at the battle of Pavia, 1525, where 
he commanded the French troops. Two other portraits of him by 
Clouet are extant, a drawing at the Musee Conde, Chantilly (see 
Gaz. B-A. Vol. XV, 1896, p. 243) and a miniature in the Bibliotheque 
nationale, Paris, (ms. fr. 13429, ill. Germain, les Clouets.) 


The face is turned three-quarters to the left. The subject has blue 
eyes and light brown hair and beard. He wears a soft, black hat, 
a red vest and a green coat trimmed in fur. In his right hand is a 
roll of paper and in the left a bouquet of pansies. The background 
is green. At the top of the panel on a banderole is the motto FOL 
DESIR NOS ABVZE. 


On wooden panel, 14x10!4 inches. Described and illustrated by S: 
Reinach, Tableaux Inedits ou Peu Connus, pl. 16; illustrated S. Reinach, 
Repertory of French Paintings of the Middle Ages, Vol. II, p. 310; 
Lefenestre, Gazette des Beaux-Arts, No. 566, Aug. 1904, p. 133; P 
Vitry, Les Arts, 1904, No. 28, p. 44. Exhibited: Palais-Bourbon, 
Paris, 1874; Exposition of French Primitives, Paris, 1904 (No. 145.) 
From the Collections of Prince of Valori; Eugene Richtenberger, Paris. 


Purchased, 1921. 


COCK, CAESAR DE [1823-1904] BELGIAN 


Born, Ghent, 1823; died, Ghent, 1904. Landscape painter, singer and 
etcher. Studied drawing in the Academy under Felix de Vigne who 
encouraged him to take up etching. He went to Paris in 1855 where 
he came under the influence of the Barbizon school, working for a 
time in the vicinity of Fontainebleau Forest and later in Normandy. 


C16 A WOOD INTERIOR. A still, clear stream runs between 
young trees. The latter interlace against the sky, and form an arbor 
above the water, their foliage veiling in the scene. 


On canvas, 19x25 inches. Signed in lower left-hand corner: Caesar 
de Cock, 1870. 


Presented by Halsey C. Ives to Washington University. Lent to the Mu- 
seum., 


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COLMAN, SAMUEL [1832- ] AMERICAN 
Born in Portland, Me., March 4, 1832. Studied under Asher B. 


Durand in New York, and also in Europe. He traveled abroad in 
1862-1869, and in 1867 he founded, with James D. Smillie, the American 
Society of Painters in Water Color, now the American Water Color 
Society, and was its first president. In 1871, he again went abroad 
for four years, traveling extensively. His work shows the influence 
of these travels. 


C18 AUTUMN PASTURES. Arugged pasture country with broken 
levels and bluffs. Cattle grazing, a house behind a knoll, a glimpse 
of distant sea and a narrow band of grayish sky complete the view. 
There are long shadows of ending day. The ground is covered with 
autumn grasses, and the distance softened with thin blue haze. 


On canvas, 11x21 inches. Signed in lower right-hand corner: Sam. 
Colman, 1880. 


Purchased from the W. K. Bixby American Art ACCRETION Fund for 
Washington University. Lent to the Museum. 


CONSTANT, JEAN JOSEPH BENJAMIN 
[1845-1902] FRENCH 


Born in Paris, 1845; died, 1902. Pupil of 1’Ecole des Beaux Arts and 
of Cabanel. 


C1g HEAD OF A SPANISH WOMAN. Head and bust turned to 
the left. She wears a veil of open black lace over her head and a 
yellow scarf about her shoulders. The background is gray. 


On canvas, 17x13 inches. Signed: B. Constant. 


Presented to Washington University by William F. Lemp, 1896. Lent 
to the Museum. 


COOPER, COLIN CAMPBELL [1856- | 
AMERICAN 


Born in Philadelphia, Pa., 1856. . Studied at the Pennsylvania Academy 
of the Fine Arts, Philadelphia, and the Julian and Delacluze Academies, 
in Paris. 


C20 FESTIVAL HALL, LOUISIANA PURCHASE EXPOSITION 
(1904). A view from near the Palace of Electricity across the lagoon 
toward Art Hill and the cascades. In the distance is the dome of 
Festival Hall with the colonnades of states on either side. On the 
left is the German, National Building and two or three state buildings. 
On the right is a music pavilion. 


On canvas, 24x32 inches. Signed: Colin Campbell Cooper, 1904. 
Purchased by subscription and presented to Washington University, 1905. 
Lent to the Museum. 


21 


Cor THE PLAZA, NEW YORK. Fifth Avenue at Fifty-ninth 
Street, with the Savoy and Netherlands hotels, the Metropolitan 
club, the Gerry residence and other buildings on the east side of Fifth 
Avenue. The street in the foreground is occupied by vehicles and 
pedestrians. 


Water color, 26x28 inches. Signed: Colin Campbell Cooper. | 


Purchased by Washington University from the Wayman Crow Acquisition 
Fund, 1906. Lent to the Museum. 


CORNELISZ, JACOB [14702-15332] DUTCH 


Born, Oost-Zaan, North Holland, ca. 1470; died, Amsterdam, ¢a. 1533. 
He lived at Amsterdam during the first quarter of the sixteenth century 
and distinguished himself as a painter and designer of wood-cuts. 
He was one of the masters of Jan van Scorel. The greater part of 
his numerous pictures for the churches of Holland perished during the 
Reformation. His wood-cuts were as much admired as the copper 
plates of his contemporary, Lucas Van Leyden. 


C36 MARY MAGDALEN. A half-length figure, turned to the left, 
standing behind a balustrade over which lies a figured textile. She 
is richly dressed with much gold lace and holds in her hands a glass of 
flagon shape. Through an opening at the left is a landscape. 


On wood panel, 1936x1534 inches. Inscribed: ANNO DNI 1519. 
From the collections of Brenken, Wewer, Westphalia; R. von Kauf- 
mann, Berlin; and Chillingworth, Lucerne. 


Mentioned, Thieme-Becker, Allgemeines Lexikon der Bildenden 
Kunstler, Vol. VII, page 429. Described and illustrated, Catalogue 
of the Chillingworth Collection, No. 25; Bulletin of the City Art 
Museum, October, 1923. 


Presented by Edward Mallinckrodt, 1922. 


CORNOYER, PAUL [1864-1923] AMERICAN 


Born in St. Louis, Mo., 1864; died, 1923. Pupil of the St. Louis School 
of Fine Arts, and of Lefebvre, Benjamin Constant and Louis Blanc 
in’ Pars: 


C23 THE PLAZA AFTER RAIN. One looks down the broad side- 
walk of Fifth Avenue, past the corner of Central Park, St. Gaudens 
statue of General Sherman, and across the plaza,to the Cornelius 
Vanderbilt residence in Fifty-eighth Street. At the left the avenue 
stretches away until lost in the mist, with many towering buildings. 
At the right, across the park, the Plaza Hotel; on the opposite side 
are the Savoy and the Netherlands. Vehicles are in the avenue 
pedestrians on the walk and crossings. 


On canvas, 59x59 inches. Signed in lower left-hand corner: Paul 
Cornoyer. 


Purchased, 1910. 


22 


CRAEYER, GASPAR DE [1585-1669] 
FLE MISH 


Born at Antwerp, 1585; died at Ghent, 1669. Studied art under 
Raphael van Coxis at Brussels, Was a contemporary of Rubens and 
Van Dyck, and was influenced to a considerable degree by their work. 
His coloring, in particular, has something of the warmth and glow 
of that of Rubens. He was court painter to the Cardinal Infant 
Ferdinand, governor of the Netherlands. Most of his works are 
altarpieces and other religious subjects. 


C25 PORTRAIT OF FATHER ANDREAS ROSA. Following in- 
scription in Latin at bottom of canvas: “Father Andreas Rosa, the 
first son of this Monastery, at one time Subprior at Brussels and 
Hasselt, [later] Prior at Ypres, Senior Jubilarian of the Profession in 
his province—where by the Grace of God he held the Offices of Pastor, 
Fae and Preacher during 18 Advent seasons and 30 seasons 
of Lent.” 


Life-size, half-length portrait. The subject, clad in the plain brown 
habit of a monk, stands before a crucifix. He holds a book with red 
edges in his right hand. 


On canvas, 4214x29 inches. Attribution by Dr. C. Hofstede de Groot. 
From the collection of Baron Paul Van Hoorde. 


Purchased, 1915. 


CRANE, FREDERICK [1847-1915] AMERICAN 


Born in New Jersey, 1847; died, 1915. Began the study of painting 
at the age of forty-four. Later took lessons in Dresden and Paris. 
The first painting which he publicly exhibited was a small moonlight 
in oil, shown in the National Academy, New York, 1901. Afterwards 
showed oils, pastels and water colors in various exhibitions. Special- 
ized in mountain painting. 


C30 AMONG THE MOUNTAINS OF NORTHERN NEW 
JERSEY. Beyond a stretch of comparatively level foreground, rises 
a chain of low mountains, stretching into the distance. They are 
covered with grass to their summits, with patches of stunted shrubbery. 
On canvas, 30x40 inches. Signed in lower left-hand corner: Fredk. 
Crane. 


Presented by Mrs. Frederick Crane as a memorial to her husband, 1916, 


CURRIER, J. FRANK [1843-1909] AMERICAN 


Born in Boston, 1843; died near Boston, 1909. Pupil of the Academy 
of Fine Arts in Munich. Went to Europe in 1868, studied at Ant- 
werp for one year‘and a half, then in Munich, where he studied for 
nearly thirty years. He was a leader in the American Colony there, 
which included Chase and Duveneck. 


C26 CANAL AT DACHAU. Crossing the composition diagonally 
at the right is a canal on the near bank of which grows a large tree. 


23 


Beyond is a flat meadow and in the distance a number of houses at 
the foot of a line of hills. 


On canvas, 21x35 inches. Signed: Frank Currier. 
Purchased, 1910. 


DABO, LEON [1868- ] AMERICAN 


Born in Detroit, Mich., 1868. Studied in Rome and Florence, also 
was a pupil of Daniel Vierge, Pierre Galland, 1’Ecole des Beaux Arts 
and Julian Academy in Paris. 


D1 DAWN; THE HUDSON RIVER. A view from a rather high 
hill across the river. The foreground is shrouded in mist, which is 
less dense toward the further shore. Cool, silvery gray tones, in 
broadly applied masses, predominate in the color scheme. 


On canvas, 36x41 inches. Signed: Monogram and Leon Dabo. 
Presented by a friend of the artist, r9Z0. 


DAINGERFIELD, ELLIOTT [1859- | 
AMERICAN 


Born in Harper’s Ferry, Va., March 26, 1859. Studied art in New 
York and abroad. 


D2. AN ARCADIAN HUNTRESS. The landscape is a romantic 
composition, rich in color, with open foreground, and gnarled, wind- 
modeled trees beyond, and a decorative sky. Relieved against the 
distant trees, is the figure of a woman, leaning upon a bow. 


On canvas, 20x30 inches. Signed near center of lower margin: Elliott 
Daingerfield. 


Purchased, 1914. 
D16 SWIRLING MISTS. One gazes across the rim of a wide basin 
or valley, up which rolls a high bank of mist, its edges eddying in the 


breeze. On the nearer brink, the forms of stunted trees are silhouetted 
sharply against the light gray of the mist. 


Water color, 914x134 inches. Signed in lower left-hand corner: 
Elliott Daingerfield. 


Purchased, 1977. 
DAUCHEZ, ANDRE [1870- | FRENCH 


Born in Paris, 1870. Began his career as an etcher, reproducing the 
works of other artists. Later studied painting with Lucien Simon. 
About 1890 he began to make original etchings, and has since produced 
many plates. Both as a painter and etcher he has been strongly 
attracted by the landscape along the coast of Brittany. 


Di17 THE WALLED TOWN; CONCARNEAU, BRITTANY. A 
view of the older section of Concarneau, showing the picturesque 


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ramparts, portions of which are believed to date from the fourteenth 
century. Beyond and above the ramparts are dwellings, their white 
walls glistening in the sunlight. At the extremity of the group of 
houses is a church spire, and beyond is the open country. In the 
right-hand corner is a smooth expanse of water, an arm of the Bay 
of La Fornet. 


On canvas, 3814x57% inches. Signed in lower right-hand corner: 
Andre Dauchez. 


Purchased, 19106. 


DAVIS, CHARLES H. [1856- ] AMERICAN 


Born in Amesbury, Mass., 1856. Pupil of Otto Grundmann and the 
Boston School of Fine Arts; and of the Academie Julian under Boulanger 
and Lefebvre, Paris. 


D3 CLOUDS AND HILLS. A summer landscape with a wide ex- 
panse of deep blue sky across which roll masses of clouds. Below 
is a hilly landscape in strong summer greens, with tree-lined valleys, 
roads and houses. 


On canvas, 42x34 inches. Signed: C. H. Davis. 
Purchased, 19/0. 


DEARTH, HENRY GOLDEN [1863-1918] 
AMERICAN 


Born in Bristol, R. I., 1863; died, New York, 1918. Pupil of |’Ecole 
des Beaux-Arts and Aime Morot, Paris. 


D4 A QUIET POOL, PICARDY. A grassy slope in the foreground 
leads down to a small, sheltered pool, on the smooth surface of which 
are reflected at right and left groups of white walled thatched farm- 
houses and trees. The sky is filled with pale, vaporous clouds. 


On canvas, 32x48 inches. Signed: H. Dearth. 
Purchased, 1970. 


DE CAMP, JOSEPH [1858-1923] AMERICAN 


Born in Cincinnati, Ohio, 1858; died, 1923. Pupil of Duveneck; 
Cincinnati Academy; Royal Academy in Munich. 


Ds ROSES. A young woman, in profile, seated before a table upon 
which are vases and roses, which she is arranging. Some of the roses 
she has placed in a pottery vase; one flower she holds in her hand. 


On canvas, 40x32 inches. Signed in lower left-hand corner: J. De 
Camp. 


Purchased, rgro. 


25 


DEFREGGER, FRANZ VON [1835-1921] 
GERMAN 


Bornineastern Tyrol, Austria, 1835; died, 1921. When twenty-four years 
of age, he entered the atelier of the sculptor Stolz at Innsbruck, and 
later studied painting in Munich under different masters. About 
1865, he entered the atelier of Piloty, where he remained for five years, 
having Makart and Gabriel Max as fellow students. In 1878, he was 
a professor in the Munich Academy. His favorite subjects were genre 
pictures, in which he frequently depicted the peasants of the Tyrol. 


D18 BEAUTY OF TYROL. Head and shoulders of a young 
woman; facing toward the front; dark foreground. Her dark brown 
hair is held in place by a black ribbon. She wears a dress, or coat, 
of dark material over a lighter waist, which fits closely about her 
neck, where it is trimmed with bands of white and dark-colored fabric. 


On canvas, 22x18%%4 inches. Signed on the right-hand side: Defregger, 
1880. 


Presented by Mrs. Daniel Catlin, 19177. 


DE HAAS, MAURICE F. HENDRICK 
[1832-1895] AMERICAN 


Born in Rotterdam, 1832; died in New York, 1895. Pupil of the 
Academy of Fine Arts of his native city, and studied under Louis 
Meyer at The Hague for two years. In 1857 he received the appoint- 
ment of artist to the Dutch Navy. In 1859 he settled in New York. 


D7 SANDGATE, ENGLISH CHANNEL. There is a windstorm 
on the coast which is lined by precipices and lower shelves of rock 
that run into the water. The gray-green sea beats in, and throws 
its spray high on a projecting table or point of rugged stone from 
which the returning water pours down in cascades. Through the 
thick air, a few sails appear. In the foreground, with the dangerous 
point of rock to the windward, a yawl-rigged open boat pointed sea- 
ward, is hoisting sail. 

On canvas, 25x41 inches. Signed in lower left-hand corner: M. F. 
H. de Haas (with an anchor after the name). 


Purchased from the W. K. Bixby American Art Acquisition Fund for 
Washington University. Lent to the Museum, 


DELORT, CHARLES EDOUARD [1814-1899] 
FRENCH 


Born in Nimes, France, 1814; died, 1899. Pupil of Gleyre and Géréme, 
Paris. 


D8 THE FUGITIVES. View on the coast of France. A young 
man and a young woman have just emerged from a yellow coach 
with armed outriders, and stand on the beach, in the wash of the 


26 


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waves, awaiting a boat—seen in the distance—to take them to a 
vessel which appears on the horizon. A young man on horseback 
looks out across the water and signals to the men in the boat. 


On canvas, 32x44 inches. Signed in lower left-hand corner: C. Delort. 


Bequeathed to Washington University by Gerard, B. Allen, r890. Lent 
to the Museum. 


DESSAR, LOUIS PAUL [1867- ] AMERICAN 


Born in Indianapolis, Ind., 1867. Pupil of the National Academy of 
Design, New York; Bouguereau, Robert-Fleury and 1’Ecole des 
Beaux-Arts, in Paris. 


Do OXEN DRINKING. It is the end of day and the oxen have 
come down into a pool. Behind them is a cart in which a man is 
seated. The group is relieved against a slope or knoll, that is covered 
with brown grass and outcropping boulders, over which one looks 
into the half-shrouded descending sun. The color composition is a 
harmony of soft browns. 

On canvas, 24x30 inches. Signed in lower right-hand corner: Dessar, 
1908. 


Purchased, 1910. 


DEWING, THOMAS W. [1851- | AMERICAN 


Born in Boston, Mass., 1851. Pupil of Lefebvre, Paris, 1876 to 1879; 
‘and of Boulanger. 


Dio BROCART DE VENISE. Two women are seated in an in- 
terior. One is in an armchair, her hands hanging over its sides, the 
other plays upon the spinet. Both are in evening gowns of delicate 
shades. The wall beyond is covered with Venetian brocade faintly 
patterned in greens and yellows. The room is softly lighted and the 
atmospheric values are sensitive. 

On canvas, 20x26 inches. Signed: T. W. Dewing. 


Purchased from the W. K. Bixby American Art Acquisition Fund for 
Washington University. Lent to the Museum. 


Di1 THE WHITE BIRCH. In fading light appears a bit of grassy 
ashen green slope, with a vague cluster of bushes from which rises 
a thin white birch trunk. There are vague suggestions of color and 
form in the grass; a few white blossoms are suggested. In the garden- 
like spot, two women appear, in evening attire. The picture is slightly 
painted, but very sensitively. 

On canvas, 42x54 inches. Not Signed. 

Purchased from the W. K. Bixby Amercian Art Acquisition Fund for 
Washington University, 1908. Lent to the Museum. 


Dig LADY IN YELLOW. Full-length standing figure of a woman 
holding a fan. Drawn in delicately contrasting colors on neutral 


brown paper. 


27 


Pastel. drawing, size 1014x714 inches. Signed in lower right-hand 
corner: T. W. Dewing, ’Io. 


Purchased, 1910. 


D20 LADY WITH A LUTE. Full-length standing figure of a 
woman holding a lute, her form suggested with a few strokes of the 
crayon. On neutral brown paper. 

Pastel drawing, size 1014x74 inches. Signed in lower right-hand 
corner: T. W. Dewing. 


Purchased, 1916. 


D2z1 LADY IN GREEN. Figure of a woman seated in an arm 
chair. Executed in delicately contrasting colors on neutral brown 
paper, the tint of which has been utilized by the artist as the middle 
tone of the drawing. 

Pastel drawing, size 1014x714 inches. Signed in lower right-hand 
corner: T. W. Dewing, ’9. 


Purchased, 19106. 


DIAZ DE LA PENA, NARCHSSE 9 pa 
[1807-1876] FRENCH 


Born in Bordeaux, of Spanish parents, 1807; died at Mentone, 1876. 
Studied art first as a decorator in the porcelain factory at Sevres, 
which he entered in his fifteenth year; then as a figure painter under 
the influence of Delacroix, independently; and later as a landscape 
painter under Rousseau. 


D22 FIGURE COMPOSITION. Beneath overhanging trees are 
three girls, in garments of brilliant color. The two larger girls appear 
to be discussing the third and smaller one who stands beside them, 
her arms about the neck of a dog. Rich color and idyllic treatment 
of subject characterize the work. 


On wooden panel, 1214x116 inches. Signed in lower left-hand corner: 
N. Diaz, 


Presented by Mrs. Daniel Catlin, 1977. 


DICKINSON, SIDNEY E. [1890- ] 
) AMERICAN 


Born, Wallingford, Conn., 1890. Pupil of Bridgman, Volk and Chase, 
in New York. 


D26 THE YOUNG PAINTER. Standing figure of a man facing 
toward the left; half-length. He is clad in a dark blue-green shirt 
open at the neck and dark blue trousers, the left hand clasping the 
belt. He has blue eyes, a short mustache and brown hair combed 
back from the forehead. The background is dark with suggestion 
of cloud forms. 

On canvas, 3934x34 inches. Not signed. 


Purchased, 1920. 


28 


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D27 THE BLACK CAPE. Standing figure of a woman, shown to 
the knees; body facing the left, head turned to the front. Her hair 
and eyes are black, and she wears a long, black cape, white waist 
and tan glove upon the left hand, which is held at the hip. The 
simple treatment on the dark background and drapery serves to con- 
centrate attention upon the face. 


On canvas, 4934x3134 inches. Not signed. 
Purchased, 1920. 


DORE, PAUL GUSTAVE [1832-1883] FRENCH 


Born in Strassburg, 1832; died in 1883. He went to Paris in 1845, 
and finished his studies at the Lycee Charlemagne; and in 1848 was 
employed with M. Bertall on the “Journal pour rire.” 


His works are very numerous—sketches, fantastic drawings, illustra- 
tions for journals, in addition to paintings and statues. His plates 
for the works of Rabelais and Legend of the ‘‘ Wandering Jew,” “‘Les 
Contes drolatiques”’ of Balzac, the essays of Montaigne, the Voyage 
in the Pyrenees by Taine, Don Quixote, the Bible, the Inferno of 
Dante, the Fables of la Fontaine, Poems of Tennyson, etc., have 
given him a wide reputation. 


D13 LOCH LOMOND. The largest of the Scottish lakes, situated 
in the counties of Stirling and Dumbarton. . Loch Lomond is set 
among the mountains, in a glen that widens out and forms a basin 
whose rugged, rock-formed walls sparsely covered with grasses and 
heather in bloom, slope down to the edge of the water. Over the 
scene, tumultuous clouds are pouring; mist and rain descend into the 
valley and beams of sunshine strike through dramatically, marking 
their pathway in the atmosphere. 


On canvas, 48x75 inches. Signed: G. Doré, 1875. 
Purchased, 191}. 


DOUGHERTY, PAUL [1877-.  ] AMERICAN 


Born in Brooklyn, N. Y., 1877. Studied independently in Paris, 
London, Florence, Venice and Munich. 


D23 AFTER THE GALE. In the foreground is a rocky coast 
upon which break white-capped waves, sending clouds of spray into 
the air. The sea beyond is comparatively calm. 


On canvas, 36x48 inches. Signed: Paul Dougherty. 
Purchased, 1916. 


DUPRE, JULES [1811-1889] FRENCH 
Born, Nantes, 1811; died, L’Isle Adam, 1889. He commenced his 


career as a pottery decorator in his father’s porcelain factory, later 
working at Sévres. At eighteen he took up art study in Paris; two 


29 


years later, in 1831, exhibited several landscapes at the Salon. He 
went to England and studied with Constable by whom he was deeply 
impressed. He studied also with Jules Andre and Troyon at Berry, 
later joining Rousseau, Corot, Troyon and their companions near 
Barbizon, and becoming one of the important members of the Fon- 
tainebleau group or school. 


D24 LANDSCAPE. On either side and beyond a pool of water in 
the foreground are cattle. At the further edge of the pool is a small 
group of trees and at the left in the distance is a low-walled cottage. 


On canvas, 16x13 inches. Signed: Jules Dupré. 
Presented by Mrs. Daniel Catlin, ror7. 


D28 LANDSCAPE. In the foreground is a small pool or stream, 
reflecting darkly on its surface the trees and wind-tossed clouds. In 
the middle distance is a level meadow upon which cattle are grazing. 
A somber and foreboding atmosphere pervades the composition. 


On canvas, 27x21 inches. Signed: Jules Dupré. 
Presented by Edward Mallinckrodt, rorg. 


DUPRE, JULIEN [1851-1910] FRENCH 


Born in Paris, 1851; died, 1910. Pupil of Pils, Laugée and Lehman. 
Nephew of Jules Dupré. Was first a landscapist, but later devoted 
himself almost entirely to animal painting. Exhibited at every Salon 
from 1876 until his death. 


Dis IN PASTURE. A young peasant woman, with blue blouse 
waist, black and gray striped dress and with spotted red handkerchief 
about her head, is striving to pull back a black and white cow which 
is walking toward the left. Across a stream through the middle 
ground several cattle are standing under the trees. 


On canvas, 55x78 inches. Signed in lower left-hand corner: Julien 
Dupré, 1881. 


Purchased by subscription and presented to Washington University, 1886. 
Lent to Museum. 


D25 HAYING SCENE. In the foreground, a peasant girl, with a 
rude wooden fork, is collecting the hay in piles. In the middle distance 
are several other workers and a heavily laden wagon to which four 
horses are hitched. 


On canvas, 48x59 inches. Signed in lower right-hand corner: 
Julien Dupré, 1884. 


Presented by Mrs. Daniel Catlin, ror7. 
30 


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DUVENECK, FRANK [1848-1919] AMERICAN 


Born, Covington, Kentucky, 1848; died, 1919. He went to Munich 
in 1870, where he became a pupil of Dietz, and where he resided for 
ten years. His work soon became popular, his first great success 
being the exhibition held in Boston in 1875. He was for many years 
a teacher of painting in Munich, Florence, Venice and more recently 
at the Cincinnati Art Academy. Among his pupils were John W. 
Alexander, John H. Twachtman, Joseph DeCamp, Oliver Dennett 
Grover, Julian Story and William M. Chase. 


D29 STUDY HEAD, MAN WITH HAT. A man of rugged features, 
with bare neck and unshaven face. The shaded portions of the face, 
which is turned slightly to the left, merge into the dark background. 
Modelling and textures are developed with a full, flowing brush. 
The color scheme is dominated by the dark warm earth pigments, 
—the siennas and umbers—which Duveneck used freely in his portraits. 
The painting has the appearance of having been developed upon a 
dark background at a single sitting. 


On canvas, 20x15 inches. Not signed. An inscription on the back 
of the canvas states that it was presented in 1881 to Walter MacEwen 
Described and illustrated in the Bulletin of the City Art Museum, 
April, 1921. 


Purchased, 1922. 


D3o THE BRIDGES, FLORENCE. A view along the River 
Arno, with the Ponte Santa Trinita (16th century) in the foreground. 
Through one of the arches of the latter is visible the Ponte Vecchio 
constructed about 1360, by Taddeo Gaddi, with its overhanging 
goldsmiths’ and jewelers’ shops and arched gallery. Opposite the 
left approach of the Ponte Vecchio is the square battlemented tower 
of the Palazzio Vecchio. In the extreme distance is the Ponte Alle 
Grazie (1237.) The painting is almost a monochrome in thin, warm 
washes of brown pigment, enlivened by passages of blue in the sky 
and water. 


On canvas, 1534x23% inches. Signed with monogram “FD.” Prob- 
ably painted about 1879 or 1880 when the artist was at Florence. 
Described and illustrated in the Bulletin of the City Art Museum, 
October, 1921. 


Purchased, 1927. 


FAULKNER, HERBERT W. [1860- ] 
AMERICAN 


Born, Stamford, Conn., 1860. Pupil of the Art Students’ League, 
under J. Carroll Beckwith and H. Siddons Mowbray, in New York, 
Collin in Paris. 


B31 


Fi GONDOLA STATION, VENICE. At the top of the picture 
is a line of buildings before which gondolas are grouped about a landing. 
The lower half of the composition is filled with rippling water. 


On canvas, 18x24 inches. Signed: H. W. Faulkner. 


Purchased by Washington University from the Crow Acquisition Fund. 
Lent to the Museum. 


FOSTER, BEN [18$2- ] AMERICAN 


Born, North Anson, Maine, 1852. Pupil of Abbott H. Thayer, New 
York; Luc Olivier Merson and Aime Morot, Paris. 


F2 OCTOBER END. A level meadow through which a small 
stream follows a winding course, opening in a pool in the foreground. 
In the middle distance is a long hill, its shady slopes violet in the 
fading light. 


On canvas, 48x42 inches. Signed: Ben Foster. 
Purchased, 1910. 


FRENCH, ALICE HELM [1864- ] 
AMERICAN 


(Mrs: William M. R. French). Born in Lake Forest, Ill., 1864. Pupil 
of the Art Institute of Chicago. 


F,4 THE PATH THROUGH THE DRIFTS. In the foreground 
is a stone walk from which the snow has been cleared and piled on 
either side. Two fir trees mark the gateway in a hedge through which 
the walk passes. In the distance, beyond a level plain, are many 
buildings. 


Pastel, 22x30 inches. Signed: Alice H. French, 1908. 


Purchased by Washington University from the F.G. Chapman Fund. Lent 
to the Museum. 


FRIESEKE, FREDERICK CARL [1874-  ] 
AMERICAN 


Born, Owosso, Mich., 1874. Pupil of the Art Institute of Chicago; 
Art Students’ League of New York; Constant, Laurens and Whistler 
in Paris. 


F8 TORN LINGERIE. A young woman, in negligee and wearing 
pink ballet slippers, sits in her boudoir mending the edge of her skirt. 
At the right is a small dressing table on which are a brush, a mirror 
and various other toilet articles. The contrasting textures of the flesh, 
the various fabrics and other accessories, are skillfully rendered. The 
predominating colors are blues, violets and pinks. 


32 





MANY WIEDER. HAT 


SLY AU A Be aaa Sl 2 Be 


DUVENECK 


FRANK 


Me 


oto MN AS) Ce” SION VW a = Ara ON aL Oe Sly Cea ed EE ep 





On canvas, 5134x5134 inches. Signed in lower right-hand corner: 
F, C. Frieseke, 1915. Awarded the W. M. R. French Gold Medal, 
the Edward B. Butler Popular Prize and the Potter Palmer Gold 
Medal, at the Art Institute of Chicago, 1920. 


Purchased, 1916. 


FULLER, GEORGE [1822-1884] AMERICAN 


Born, Deerfield, Mass., 1822; died, Brookline, Mass., 1884. At the 
age of twenty he entered the studio of the sculptor, H. K. Brown, 
at Albany, N. Y., where he drew from the cast and modeled heads. 
Afterwards went about the country painting portraits, charging about 
fifteen dollars for a likeness. Settled at length in Boston, where he 
studied the works of Copley, Stuart and Allston. After living in 
that city and later in New York for a number of years, he went to 
England for a brief visit and for study. Having so far received little 
recognition, upon his return, he settled on his farm at Deerfield, where 
he continued to paint during his spare time. In 1876, a number of 
pictures sent to Boston were favorably received; and from that time 
until his death his success was continued. 


Fs BRINGING HOME THE COW. A twilight scene in dark, 
warm brown tones. A woman and a cow appear indistinctly toward 
the left against a dark hillside. The brow of the hill is fringed with 
vaguely painted trees. 

On canvas, 30xSo0 inches. Signed: G. Fuller. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1908. Lent to the Museum. 


F6 THE FULLER BOY. Half-length portrait, toward the left, of 
a child. He wears a long, gray blouse, with white collar and red 
tie. The colors, principally tones of brown, are low in key. The 
background is dark. 


On canvas, 27x22 inches. Not signed. 
Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, roro. Lent to the Museum. 


F7 OLDAGE. A portrait of Mrs. Weatherbee. Head and shoulders 
of an elderly, gray-haired woman, facing toward the right. She wears 
a white cap with ribbons tied under the chin. Her dress is of dark 
material, against a dark background. The painting is in the artist’s 
usual low key. 


On canvas, 27x32 inches. Nor signed. Painted about 1877. 
Purchased, 1975. 


GARBER, DANIEL [1880- ] AMERICAN 


Born in North Manchester, Ind., 1880. Pupil of Cincinnati Art 
Academy under V. Nowottny and L. H. Meakin; Pennsylvania Academy 
of the Fine Arts under Thomas P. Anshutz. 


33 


G2 SEPTEMBER FIELDS. Beyond a narrow body of water, on 
the banks of which grow weeping willows and other trees, is a large, 
partially wooded hill, divided into fields. The season is suggested by 
orange and brown in trees and grass, set off against violet blue shadows. 
The atmosphere is filled with delicate haze. 


On canvas, 42x50 inches. Signed: Daniel Garber. 
Purchased, 1914. 


GEGERFELT, WILLIAM VAN [1844- 
SWEDISH 


Born in Gothenburg, Sweden, 1844. Pupil of the academies at Copen- 
hagen, Stockholm and Diisseldorf (1861-62), after which he resided for 


a time in Paris. 


G4 VENICE. A scene on one of the quays of Venice. The canal 
curves away in the distance with the buildings lining it in sunlight, 
under a light sky broken with clouds. The foreground is in shadow 
which includes the lower part of the buildings. There is the usual 
life of the streets;a woman is seated on the stones with baskets of oranges. 


On canvas, 17x13 inches. Signed in lower right-hand corner: W. 
Gegerfelt. 


Presented by Mr. and Mrs. William F. Lemp to Washington University. 
Lent to the Museum. 


GEROME, JEAN LEON [1824-1904] FRENCH 


Born in Vesoul, France, 1824; died, 1904. Studied art at Atelier 
Delaroche which he entered on his arrival at Paris in 1841; and at the 
same time at l’Ecole des Beaux-Arts. In 1844 he accompanied 
Delaroche to Italy and in 1856 visited Egypt and Turkey. 


He first exhibited at the Salon of 1847, ““A Combat of Cocks” (now 
in the Luxembourg), for which he received a medal of the third class. 
In 1863 he was made professor at 1’Ecole des Beaux-Arts, where he 
gave instruction to many American students. His work included 
sculpture as well as painting, and among the latter not only easel 
pictures, but also large decorative composition. 


Gs THE SENTINEL AT THE SULTAN’S TOMB. By the side 
of the red painted sarcophagus, over which droop a number of standards , 
of various colors, three figures are praying—two seated on a rug and 
one standing behind them. At one end of the sarcophagus, in the 
shadow, a figure in yellow and white is seated; to the right at the other 
end or base of the tomb another figure in blue is standing. 


On canvas, 32x26 inches. Signed on a slab at the base of the tomb: 
J. L. Géréme. 


Purchased, 1915. 
34 





OUR ON Le te eRe Le 
Wye RE DERICK CARD FRIESERE 





OL DeTALGHs 
BY GEORGE FU Likes 


GIANPIETRINO [XVI CENTURY| ITALIAN 


Known also as Giovanni Pedrini or Pietro Rizzo (Ricci.) A painter 
of the Lombard school who flourished at Milan about 1520 to 1530. 
The dates of his birth and death are not known. He was not only 
an imitator of the style of Leonardo daVinci; but was, with Boltraffio, 
Marco d’Oggionno, Salaino, Giovan Bazzi and Cesare de Sesto, a 
direct pupil of the master. The gentle, smiling countenances of 
Gianpietrino’s female heads are immediately recognized as reproduc- 
tions of Leonardo’s enigmatic smile as typified in the Mona Lisa. 
Of all the members of the Lombard school Gianpietrino was perhaps 
most successful in retaining this expression. He usually painted only 
half length figures, rarely large altar pieces, and many of his works 
were until recently attributed to his master or to Sodoma, Luini or 
Marco d’Oggionno. His paintings are characterized by cold, gray 
modelling and by drapery of a peculiar golden red. 


Gi3 YOUNG PATRICIAN WOMAN. Head and bust of a young 
woman, facing slightly to the left. She wears a low cut bodice with 
full sleeves, of a rich, orange color, and a gold necklace of intricate 
design with a Renaissance ornament. Her golden colored hair hangs 
in minutely painted ringlets, and is confined at the brow by a dark 
ribbon from which jewels are pendant. The rendition of the features 
is accomplished with delicacy and precision, the modelling, with its 
cool, a shadows, having a sculpturesque quality. The background 
is dark. 


On wood panel, 24x19% inches. Not signed. Described in Bulletin 
of the City Art Museum, April, 1922. 


Purchased, 1921. 


GILBERT, VICTOR GABRIEL [1847- — ] 
FRENCH 


Born in Paris 1847. Pupil of Adan, Busson and Levasseur in Paris. 


Gio FLOWER MARKET, PARIS. A flower-strewn market-place, 
in which a few patrons are leisurely inspecting the flowers, offered 
them. Some enjoy the display of color, while others engage in gossip. 
' Three fashionably dressed women and a little girl have received much 
attention at the hands of the artist. The costumes are very carefully 
painted, no detail being neglected. 


On canvas, 31x47 inches. Signed in lower left-hand corner: Victor 
Gilbert, 1881. 


Presented by Mrs. Daniel Catlin, 1917. 


GOYEN, JAN VAN [1596-1656] DUTCH 


Born at Leyden in 1596; died at The Hague, 1656. After studying 
under several masters of no great power, he became a pupil of Esaias 
van de Velde. He traveled extensively in France, subsequently 
residing at Haarlem and later at Leyden. About 1631 he went to 


35 


The Hague, and 1640 was elected a member of the Painters’ Guild. 
He was one of the earliest of the Dutch painters to essay the depiction 
of landscape. His earlier works were rather genre pictures than land- 
scapes, but the landscape interest gradually came to predominate 
in his scenes of Dutch villages, rivers and canals. 


G16 SKATING IN HOLLAND. A winter scene on a frozen stream 
near Dordrecht. On the left are three sleighs with two or three pas- 
sengers each, drawn by horses. On the right are a number of figures 
engaged in a game of golf on the ice. Beyond are numerous other 
skaters. The city of Dordrecht is visible in the distance on the left. 
The tower of the Groote Kerke, a Gothic cathedral dating from 1399. 
rises prominently into view. Above a low horizon is a broad ex- 
panse of clouds and sky, occupying fully three-fourths of the composi- 
tion. There is little suggestion of naturalistic coloring, the picture 
being almost a monochrome in dun colored pigment. 


On wooden panel, 1434x13™% inches. Signed: V. G., 1643. From 
the San Donato Collection of Prince Demidoff, Plotence. 


Purchased, 1916. 


GROLL, ALBERT L. [1866- |] AMERICAN 


Born, New York, 1866. Pupil of Gysis and Loefftz in Munich. Land- 
scape painter since 1895, his characteristic subjects being scenes in 
the American desert. 


G14 THE ENCHANTED MESA. A precipitous rock, having an 
altitude of 430 feet, situated in the Acoma basin, Valencia County, 
New Mexico; called by the Indians, Katzima. Its summit was the 
site of a prehistoric Indian village, and its present name is derived 
from the traditions of the Keres Indians. 


The level desert foreground is in deep shadow, as is also the left portion 
of the mesa, though warm sunlight illuminates the central and upper 
portion of the formation. The greater portion of the sky is filled 
with dark clouds. 


On canvas, 3934x51¥% inches. Signed: A. L. Groll. 
Presented by fames F. Ballard, 1922. 


GROLLERON, PAUL LOUIS NARCISSE | 
[1848-1901] FRENCH 


Born at Seignetay (Yonne), 1848; died, Paris, 1901. At first devoted 
himself to decorative art; but subsequently enterd the studio of Bonnat, 
exhibiting genre pictures in the Salon of 1875 and 1877. Took up 
military painting in 1882. Was granted a medal of the third class 
at the Salon of 1886, and a medal of the second class in 1891; both 
for paintings of military subjects. 


Git THE BIG GUN. A number of French officers and artillery- 
men, in the uniforms of the period of the Franco-Prussian War (1870-71), 


36 





Sh TEMBER FIELDS 
BY DANTE L GARBER 





PORTRAIT OF A YOUNG PATER Gee soe 
BY GIANPIED RES 


are grouped around a field gun of large caliber. The cannon has 
been wheeled into position behind an opening in a stone wall. In 
the distance are files of red-trousered soldiers. 


On canvas, 1534x24 inches. Signed in the lower right-hand corner: 
P. Grolleron, ’81. 


Presented by Mrs. Daniel Catlin, 1917. 


GROVER, OLIVER DENNETT ([1861- | 
AMERICAN 


Born, Earlville, Ill., 1861. Pupil of Frank Duveneck, in Florence 
and Venice; of the Royal Academy in Munich; of Boulanger, and 
later of Jean Paul Laurens, in Paris. 


Gis EMERALD LAKE. A vista between groups of trees toward 
a lake and distant blue hills. In the foreground, which is alternately 
in deep blue green shadow or warm sunlight, are groups of figures. 
Touches of orange and brown in the foliage. 


On canvas, 18x2334 inches. Signed: Oliver Dennett Grover, 1920. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1920. Lent to the Museum. 


GUIDO, RENI [1575-1642] ITALIAN 


Born at Bologna, 1575: died there, 1642. Guido Reni first studied 
art under Calvaert and later in the rival studio of the Carracci at 
Bologna. About the end of the sixteenth century he went to Rome 
where he was a rival of Caravaggio. His fame grew rapidly, and 
Pope Paul V and the Cardinal Borghese showered commissions on him, 
The well-known “Phoebus and Aurora” was executed during this 
period as a fresco for one of the palaces of the Cardinal. Becoming 
dissatisfied with his treatment in Rome, he made a number of visits 
to Bologna and other cities. On account of his love for gambling, 
he became involved in difficulties which exerted a weakening influence 
upon the art of his latter years; but despite this, he is ranked as one 
of the foremost artists of his century—the period of incipient de- 
cadence in Italian painting. 


Gi2 SAINTE MARIE MADELEINE. The Madgalen is seated 
and gazes up with penitent expression. She wears an outer mantle 
of red and an undergarment of white, both of which have partially 
fallen from her body. Her left hand rests upon a skull, while her right 
hand holds her mantle above her shoulder. Above are two cherubs. 


On canvas, 66x52 inches. Not signed. From the collection of the 
Countess Zbiziersska, Poland. 


Presented by Ffohn T. Milliken, 1917. 
37 


GUILLEMET, JEAN-BAPTISTE-ANTOINE 
[1843-1918] FRENCH 


Born, Chantilly (Oise), 1843. Died, Dordogne, 1918, Pupil of Corot 
and later of Daubigny and Courbet. During his youth he associated 
with members of the Impressionist school, and 1s among the men re- 
presented in Manet’s picture, The Balcony. He painted landscapes 
and seascapes: views from the neighborhood of Paris, and the shores 
of the Channel, and at Morét-sur-Loing. 


Go A FISHING VILLAGE. A stretch of sandy beach backed by 
rocky cliffs, above which the tops of fishermen’s houses and the steeple 
of a village church are visible. A narrow strip of sea is seen on the 
horizon. The blue sky is filled with drifting clouds, and pools in the 
foreground reflect the blue of the sky. The cliffs are brown, with 
patches of scant green herbage. 


On canvas, 24x32 inches. Signed in lower left-hand corner: A. 
Guillemet. 


Presented to Washington University by William F. Lemp, 1896. Lent 
to the Museum. 


HAMILTON, J. WHITELAW [1860- ] 
BRITISH 


Born, Glasgow, Scotland, 1860. Pupil of Dagnan-Bouveret and Aime 
Morot, Paris. 


Hi: A CLYDE SHIPYARD. View across the river Clyde in the 
early evening toward a shipyard where a large vessel is in course of 
construction. In the foreground at the left are several lighters, and 
there is a sailboat in mid-stream at the right. 


On canvas, 16x24 inches. Signed: J. Whitelaw Hamilton. 


Purchased by subscription and presented to Washington University, 1896. 
Lent to the Museum. 


HARRISON, ALEXANDER [1853- J 
AMERICAN 


Born, Philadelphia, Pa., 1853, Studied in the Pennsylvania Academy of 
the Fine Arts, and later in 1’Ecole des Beaux-Arts, and under Géréme, 
Paris. 


H4 LE CREPUSCULE (TWILIGHT). A view from the shore out 
over the open sea attwilight. The full moon has lately risen and throws 
a shining pathway across the water, touching the crest of the waves 
with flecks of gold. The influence of the recent sunset lingers in the 
sky and is reflected in the water, giving a purple tone. 


38 


On canvas, 59x126 inches. Signed in lower right-hand corner: Alex. 
Harrison, 1885. In 1885, for this painting, Mr. Harrison was awarded 
a cash prize of $2,500 at a Competitive Prize Fund Exhibition held 
in New York, and honorable mention, Paris Salon. 


Presented to Washington University by the artist, 1886. Lent to the 
‘Museum. 


HARRISON, L. BIRGE [1854- ] AMERICAN 
Born in Philadelphia, Pa., 1854. Pupil of Cabanel in Paris. 


Hs THE FLAT-IRON BUILDING AFTER RAIN. The view is 
across Madison Square southward past the Flat-iron building, down 
Broadway to Twenty-third street. The painting is an atmospheric 
study, much of the incidental detail being lost in the haze and de- 
clining light. 


On canvas, 30x41 inches. Signed: Birge Harrison. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1907. Lent to the Museum. 


HART, WILLIAM [1822-1894] AMERICAN 


Born in Paisley, Scotland, 1822; died, 1894. Brought to America by 
his parents in 1831. Worked at Albany, New York, for a coach- 
maker, painting panels, etc. Finding that his artistic ability was 
greater than that required for this sort of work, he became a pro- 
fessional artist, painting portraits in. various parts of the country. 
After a brief sketching tour in northern Scotland, he opened a studio 
in Albany in 1848, moving to New York in 1855. 


H16 AUTUMN. A small stream flows along the left and through 
the center of the composition, dividing it into two nearly equal parts. 
On the right is a tangled mass of tree trunks and branches with foliage 
in reds, browns and yellows. On the left, a glimpse is afforded into 
the distance, where shadowy tree forms are silhouetted against the 
warm evening sky. 


On wooden panel, size 6%xg% inches. Signed in the lower right- 
hand corner: Wm. Hart, 1875. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1977. Lent to the Museum. 


HARTMANN, KARL [1861- ] GERMAN 


Born, Hépfingen in Baden, 1861. Studied in the Stuttgart Art School 
from 1881 to 1887, under Gruenwald, Keller and Schraudolph. 


H6 THE APPLE OF DISCORD. Three boys in an open space in 
an orchard, are struggling for an apple, which lies upon the ground, 
where apparently it has been thrown forward by one of the urchins. 


3Y 


Near a tree at a little distance a girl stands holding her apron, another 
boy is in the branches, dropping fruit. 


On canvas, 23x31 inches. Signed in lower right-hand corner: Karl 
Hartmann, Miinchen. 


Presented to Washington University by Mr. and Mrs. William F. Lemp. 
Lent to the Museum. 


HASSAM, CHILDE [1859- |] AMERICAN 


Born in Boston, Mass., 1859. Studied in Boston and in Paris under 
Boulanger and Lefebvre. 


H7 DIAMOND COVE, ISLE OF SHOALS. Across a shallow cove 
is a headland of bare, gray stone extending seaward in several broken 
points. The shallow ‘water ruffled slightly by the wind, reflects broken, 
prismatic color. 


On canvas, 25x30 inches. Signed: Childe Hassam, 1908. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1914. Lent to the Museum. 


Hi17 THE EAST WINDOW. Beyond a circular table stands a 
young woman, her figure shown in profile against the light, as she 
gazes from a curtained window. A tall, yellow screen, with a decora- 
tion of birds and tree branches, occupies ‘most of the background. The 
window curtain serves to render less dazzling, but does not exclude 
the bright out-door light, which plays over the form of the young 
woman, outlining her features and the folds of her garments in silvery 
tones, and producing contrasts of light and color suited for translation 
in impressionistic technique. 


On canvas, 5614x47% inches. Signed on the left-hand side, near the 
center: Childe Hassam, 1913. 


Purchased, 1916. 


H18 THE FETE OF LANNION. A view of a portion of one of 
the streets of the village of Lannion adjoining the river Léguer, during 
the celebration of a féte. The street is crowded with suggestively 
indicated groups of people, and the tricolor floats from houses and 
numerous staffs along the highway. In the background on the left 
is a Gothic church, and on the right are old fashioned dwellings. The 
scene is enveloped in gray, evening atmosphere. 


Water color, 614x9% inches. Signed in lower left-hand corner: Childe 
Hassam. 


Purchased, 1917. 


HAWTHORNE, CHARLES W. [(1572- ] 
AMERICAN 


Born in Maine, 1872. Pupil of William M. Chase and H. Siddons 
Mowbray, New York. 


40 





ReceleleNn' Gi liNec HO AND 


S 


BYyoal AN. VAIN: -G.OlY EN 


TPO 2) a eb Cel Ve VSAW GHINVHONG FHL 





Hs ADORATION. A young mother with an infant in her arms 
receives the homage of three elderly men, two of whom kneel at right 
and left, while the third, at the back of the group, is less distinctly 
seen. The man at the left presents a platter containing a fish. Other 
fish are in the foreground. The mother wears a pale blue dress, the 
infant is in white. The other members of the group appear to wear 
the costumes of fishermen. 


On canvas, 60x49 inches. Signed: C. W. Hawthorne. 
Purchased, 1914. 


HENRI, ROBERT [1865- ] AMERICAN 


Born, Cincinnati, 1865. Studied at the Pennsylvania Academy of 
the Fine Arts, 1886-1888; at the Academie Julian and 1|’Ecole des 
Beaux-Arts, Paris 1888-1891; and independently in France, Spain 
and Italy for several years. 


Hig BETALO RUBINO, DRAMATIC DANCER. Full length 
figure in costume, near life size, stepping forward with the left foot, 
hands resting on the hips. She wears a white scarf, orange bands 
over her bosom, a black skirt with four wide yellow stripes parallel 
with the hem, and red stockings. The background is in various tones 
of blue and green, merging into brown at the bottom. 


On canvas, 77x37 inches. Signed: Robert Henri. 
Acquired by purchase, 1920 


HITCHCOCK, GEORGE [1850-1913] 
AMERICAN 


Born in Providence, R. I., 1850; died in Maarken, Holland, 1913. 
Pupil of Lefebvre and Boulanger in Paris; Mesdag in Holland. 


He resided at Egmond, near Amsterdam, where the surrounding tulip 
fields furnished material for many of his pictures. During his residence 
at Egmond, three hundred pupils came to him. 


Hio FLOWER GIRL. An early summer landscape, with an airy 
clouded sky, in which a little blue appears behind the grays, with 
a foreground of field, pond and path, and in the distance a florist’s 
garden, a house set behind trees, a windmill and a group of farm build- 
ings. In the garden stands a young woman in blue, with a yoke 
upon her shoulders from which hang baskets, piled with blossoms. 


On canvas, 28x31 inches. Signed in lower right-hand corner: G. 
Hitchcock, Copyright, 1905, by Detroit Photographic Co. 


Purchased by Washington University from the F.G. Chapman Fund. Lent 
to the Museum. 


41 


HORNEL, EDWARD ATKINSON [1864- #} 
BRITISH 


Born in Bacchus Marsh, Australia, 1864, of Scotch parents. Studied 
with William Mouncey, Edinburgh, and at the Antwerp Academy 
under Verlat. Worked at Cockburnspath, Scotland, with George 
Henry, collaborating with him at times. Their work has been de- 
scribed as “uniting impressionism with Japanese painting and Monti- 
celli’s splendor of color.” 


H11 PRIMROSES. Two small girls sit in a grassy pasture sur- 
rounded by primroses. One of them holds a bouquet of the flowers. 
Beyond are sheep and lambs. The tapestry-like landscape is conceived 
in a romantic, fairyland spirit. 


On canvas, 30x35 inches. Signed: E. A. Hornel, 1905. 


Purchased by Washington University from the Crow Acquisition Fund. 
Lent to the Museum. 


HOWE, WILLIAM HENRY [1846- _—_] 
AMERICAN 


Born in Ravenna, Ohio, 1846. Pupil of Otto de Thoren and Vuillefroy 
in Paris. ' 


H13 A NORMAN BULL. Astable interior, with cattle and chickens. 
On straw, in the foreground, lies the Norman bull, a mottled animal, 
dark brown and white, short horns, large alert ears, piebald face. 
Another animal is just beyond; further back a broken partition crosses, 
and through it is seen a cow standing in another compartment. 


On canvas, 52x82 inches. Signed in lower left-hand corner: William 
H. Howe, Paris, 1886. 


Purchased by subscription and presented to Washington University, 1887. 
Lent to the Museum. 


Hi4 IN THE MEADOW. Two cows are lying down in the corner 
of a field by a fence. Beyond the fence are trees and foliage and 
suggestion of sunlit distance. This setting, with a touch of sunshine 
on the pasture, is faithfully portrayed. The animals, one red and 
white, the other black and white, are carefully drawn. 

On canvas, 36x52 inches. Signed in lower right-hand corner: William 
H. Howe, Paris, 1889. 


Presented by Daniel Catlin, 1913. 


HUNT, WILLIAM MORRIS [1824-1897] 
AMERICAN 
Born at Brattleboro, Vt., 1824; died in Appledore, Isle of Shoals, 1897. 


In 1846 he entered the Academy in Disseldorf. It was his original 
intention to become a sculptor, but he soon abandoned this design 


42 


NOS Tea Vo ae Ny Xa VOSA dd aoa OD Sh del Ween 








THE FLAT-IRON BUILDING QA® Tee 
BY *L. BIRGE HAR RG 


and studied painting under Couture in Paris. After completing his 
art studies, he lived and painted much in Europe. In America, his 
studios were in Boston and Newport, R. I. 


Hrs FONTAINEBLEAU FOREST. One looks between tall trees 
in a park-like forest, along a level smooth road, which soon is lost 
in the wooded depths. Passages of sunlight contribute to a sense of 
spaciousness. In a shadow a figure stands. Above, the sky is warm 
and gray. A rich brown tone is on the picture. 


canvas, 2134x14% inches. Signed in lower right-hand corner: W. 
unt. 


Purchased by Washington University from the Crow Acquisition Fund. 
Lent to the Museum. 


INDONI, FILIPPO ITALIAN 


Exhibited in Rome, “Le Gioie del Viaggio,” in 1883; in Turin, “Cos- 
tumi dell’ Impero,” 1884. 


Is GARDEN BORGHESE. Near the pretentious entrance of a 
garden are three women and a man, amusing themselves by watching 
the antics of a small dog which the man holds in leash by means of 
a red ribbon. They are clad in gay attire, with an abundance of 
jewels, delicate lace and elaborately figured silk and satin, all of which 
is painted in a very detailed style. Beyond the garden entrance are 
the figures of three attendants, clad in long red coats. The distance 
is screened by a dense grove of trees. 


On canvas, 30x25 inches. Signed in the lower right-hand corner: F. 
Indoni, Roma, 1870. 


Presented by Mrs. Daniel Catlin, 1917. 


-INNESS, GEORGE [1825-1894] AMERICAN 


Born in Newburgh, N. Y., 1825; died at Bridge of Allan, Scotland, 
1894. Studied art, for the most part, independently, beginning with 
engraving at about the age of sixteen. Worked for a short time with 
Regis Gignoux, a French artist of note who was staying in New York. 
Also had some instruction from Durand, whose works werea principal 
early influence. Spent the years 1847-48 studying and painting in 
Rome. Traveled-and painted in Italy and France from 1871 to 1875, 
where he came under the influence of the poetry and atmospheric charm 
of the Barbizon School. His later years were spent in Montclair, 
New Jersey, where many of his best known works were executed. 


I1 THE APPROACHING STORM. A foreground of rugged, 
sparsely-herbaged pasturage, with farm buildings half within the 
picture at the right, partly sheltered by trees, an expanse of rolling 
country beyond, with cattle here and there, and one or two human 
figures. The clouds are dark and hanging low, and the cattle seem 
to be aware of the impending storm. 


43 


On canvas, s50x120 inches. Signed in lower left-hand corner: G. 
Inness, 1893. 


Purchased, 19/0. 


I2 STORM ON THE DELAWARE. It is summer, and the soft, 
rich greens glow with light where sunshine breaks in from the sky. 
The river broadens out into the foreground, beaten smooth by the 
rain, colorful as it reflects the cloud masses, the struggling blue between, 
or the sun-touched foliage of the foreground, at the left. A crossing 
ferryboat, red cattle standing in the shallows, houses picturesquely 
nestling, all are developed with sympathetic hand. ~The distant hills 
are half obscured and above them at the left the sky is dark, with a 
heavy threatened storm that is passing. Segments of a double rain- 
bow pass down from the clouds above the farther shore. The painting 
is executed very loosely, developed by glazings and scumblings that 
produce an effect of great solidity. 


On canvas, 30x45 inches. Signed in lower left-hand corner: G. Inness, 
18qQ1. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, roro. Lent to the Museum. 


ISHAM, SAMUEL [1855-1914] AMERICAN 


Born in New York, 1855; died, 1914. Pupil of Jacquesson de la 
Chevreuse, Boulanger and Lefebvre in Paris. Author of “History of 
American Painting”’ (1910). 


I3 A FAIRY TALE. A decorative canvas in purples and yellows 
illustrating the fairy tale of the young princess whose brother has 
been transformed into a fawn. She is seated at the foot of a beech 
tree holding in her hands a shallow blue and white bowl from which 
the fawn brother has been drinking. Both turn inquiring looks toward 
the spectator. 


On canvas, 78x48 inches. Signed in lower left-hand corner: S. Isham, 
190]. 


Presented from the estate of Samuel Isham, 1914. 


IVES, HALSEY C. [1847-1911] AMERICAN 


Born in Montour Falls, N. Y., 1847; died, 1911. Studied art for 
several years in this country and abroad. The Polish artist, Piatowski, 
was one of his instructors; attended lectures in the schools of the 
South Kensington Museum, London. Professor Ives founded in 1879 
the St. Louis Museum and School of Fine Arts, of which he was director. 
He was also director of the City Art Museum from the time of its 
organization in 1909 until his death. He was chief of the Depart- 
ment of Fine Arts of the Columbian Exposition, Chicago, 1893; and 
of the Louisiana Purchase Exposition, St. Louis, 1904. 


44 





pts HAYS ST Wei NeD OW 
aN ete fied LT) is LACS SA IM 





ASDYO ROAYT DON 
BY CHARLES W. HAW TR Oes 


I, WASTE LANDS. Sparsely covered, rolling country beneath a 
leaden sky. A marshy pool in the middle distance, little clumps of 
trees, small vegetation in the foreground, fill in the composition. The 
treatment is suggestive of impressionistic breadth. 


re canvas, 8x15 inches. Signed in lower right-hand corner: H. C. 
ves. 


Presented by Charles Nagel, 1909. 


JACQUE, CHARLES EMILE [1813-1894] 
FRENCH 


Born in Paris, 1813; died in 1894. Early in life, he entered a lawyer’s 
office, where for diversion, he copied lithographs. Later, he enlisted 
as a soldier, and for five years served his country, and made drawings, 
which he sold for a franc apiece. In 1836 he went to England and 
there worked for the wood engravers. Returning to France two 
years later, he assisted in the illustration of several important works, 
and began to work as anetcher. It was not until 1845 that he began 
working in oils, as a painter of rustic subjects—mostly from the sheep- 
folds and poultry yards. He was the neighbor of Rousseau and Millet 
at Barbizon, and is recognized as an important member of the group 
of painters included under the term “The Barbizon School.” 


J4 LITTLE BOY BLUE. In the foreground a young shepherd, 
barefoot and wearing a blue shirt, is on his hands and knees dipping 
water from a pool, from which some of the sheep are drinking. At 
a little distance the greater number of the flock are resting in the 
shade of an old, weatherbeaten tree. Beyond, the country is level, 
with passages of sunlight. 


On canvas, 3134x25 inches. Signed: Chs. Jacque. 
Presented by Mrs. Daniel Catlin, 1917. 


JOHANSEN, VIGGO [1851- ] DANISH 


Born in Copenhagen, 1851. Pupil of the Academy of Fine Arts, 
Copenhagen. 


J2 CHILDREN AT THEIR EVENING WORK. A dining room 
in which six children are seated about a large round mahogany table, 
intently engaged upon various tasks. The light comes from a lamp, 


not visible in the picture, which hangs above the table. The facial 


expressions and the gradations of light are carefully but broadly ex- 
pressed. 

On canvas, 19x29inches. Signed in lower left-hand corner: V. Johansen. 
Purchased by subscription and presented to Washington University, 1895. 
Lent to the Museum. 


45 


JURRES, JOHANNES HENDRIK [1875- 
DUTCH 


Born in Leeuwarden, 1875. Studied at the Rijks School, Amsterdam. 


J3 CHRIST HEALING THE SICK. At the right a group of 
afflicted people assume various attitudes of appeal toward a figure 
at the left; some kneel, others hold out their hands. Christ stands - 
a little back in sympathetic attitude with outstretched hand. The 
picture is freely and suggestively painted in rich brown and orange 
tones, with passages of red in the costumes. 


On canvas, 43x71 inches. Signed: J. H. Jurres. 
Purchased, 1973. 


KNAUS, LUDWIG [1829-Ig91!10] GERMAN 


Born at Wiesbaden, Prussia, 1829; died, 1910. Pupil of Jacobi. 
Studied at the Dusseldorf Academy under Sohn and Schadow, 1846 
to 1852; and later in Paris until 1860. 


Ks HEAD. Head and shoulders of a young woman; her face turned 
toward the front; her body toward the left; on a gray background. 
She is brunette in type with dark brown hair, and wears a red waist 
with wide, low-cut collar of white chiffon-like material. 


On wooden’ panel, 11xg inches. Signed in lower left-hand corner: 
L. Knaus, 84. 


Presented by Mrs. Daniel Catlin, 1917. 


KONIG, HUGO [1856- ] GERMAN 


Born in Dresden, 1856. Studied under Oechme and in the Munich 
Academy under Seitz, Loefftz and Lindenschmit. 


K3. BY THE RIVERSIDE.. Red-roofed houses and characteristic 
Dutch boats by the side of a sluggish little river. The artist, by 
repeated scrapings and retouches, has produced a soft and atmospheric 
quality. 


On canvas, 13%x18% inches. Signed in lower right-hand corner: 
Hugo Konig, 1892. 


Purchased by subscription and presented to Washington University, 1893. 
Lent to the Museum. 


KONINCK, PHILIPS DE [1619-1688] DUtaew 


Born, Amsterdam, 1619; died there, 1688. Pupil of his brother, 
Jacob de Koninck, and one of the best known followers of Rembrandt. 
Painter of portraits, Biblical scenes and landscapes. 


46 


SSA N NI aS LO ee ol AUVMV LAO AHL NOTA OLsS 





Sauani- H SANNVHOL Ad AJIS HHL ONITVaAN LS Law 





K8 HEYMAN DULLAERT (1636-1684). Dutch artist and poet. 
Head and bust, full face, life-sized, of a young man with long curly 
hair. He wears a brown beret and brown doublet faced with lighter 
brown and with a narrow strip of white at the throat. 


On canvas, 25x22 inches. 
Purchased, 1923. 


KROLL, LEON [1884-  } AMERICAN 


Born, New York, 1884. Pupil of the Art Students League, New York, 
National Academy of Design, New York; and Laurens in Paris. In- 
structor at the National Academy of Design 1911-18. 


Kg SLEEP. The setting is Central Park, New York. An un- 
dulating, wooded landscape with outcroppings of stone and a pool 
of water. In the foreground two women and a child are sleeping, 
beside them stands a young girl, another sleeping figure in the middle 
distance. Along the skyline are the tops of tall buildings. 


On canvas, 36x48 inches. Signed: Leon Kroll. 
Presented from the Henry Ward Ranger Fund, 192}. 


KRUSHITSKY, CONSTANTIN J. RUSSIAN 


Born in Russia. 


K6 A NIGHT IN LITTLE RUSSIA. Ai’ brilliant moonlit and 
starlit night. The landscape takes on a blue tone from the deep 
luminous sky. In the foreground and stretching to some distance 
is a grass field, which is criss-crossed by paths, and hemmed in at 
the immediate left and across the picture beyond by farm buildings, 
stacks and forms less defined. 


On canvas, 19x31 inches. Signed’ in lower right-hand corner: K. 
Krushitsky. 


Purchased by subscription and presented to Washington University, 1893. 
Lent. to the Museum. 


KUEHL, GOTTHARD [1851-1915] GERMAN 


Born in Lubeck, Germany, 1851; died, 1915. Studied in the Munich 
Academy under W. Dietz. 


K7 ‘“A MIGHTY FORTRESS IS OUR GOD”. In the organ-loft 
of a large church a number of young girls are singing, evidently in 
rehearsal. They all wear the same distinctive costume—red dresses 
with blue aprons. There is a devotional spirit in the expression of 
all the faces. Those in the foreground are in shadow, while those 
beyond are in full light, in relief against a white wall with gilded 
stucco ornament. Especial brilliancy has been given the few notes 
of warm color in the picture by the prevailing grayness of tone in 
the composition. 


47 


On canvas, 50x38 inches. Signed in lower left-hand corner: G. Kuehl. 


Presented to Washington University by Adolphus Busch, 1894. Lent 
to the Museum. 


LA FARGE, JOHN [1835-1910] AMERICAN 


Born in New York, 1835; died in Providence, R. I., 1910. Received 
his first lessons in art at the age of six from his grandfather, who was 
a miniature painter. Studied law and architecture, and entered the 
atelier of Couture in Paris, giving special attention to the studying 
and copying of old masters at the Louvre. Worked at Newport, 
R. I., with William M. Hunt, who exercised a strong influence upon 
him. At first he painted landscapes, figures and still life; but later 
took up decorative work, especially designs for stained glass windows, 
executing many important commissions. Traveled extensively in Japan 
and the South Sea Islands, making many paintings and water color 
sketches. Was also well known as a writer and lecturer on art. 


Li THE WOLF CHARMER. Coming from’ between large fore- 
ground rocks, in a forest landscape, a pack of wolves and the figure 
of a man with pipes are seen. The setting is mystic, in keeping with 
the subject. The color likewise does not assume to be realistic. All 
the shapes have something of grotesqueness, redolent of uncanny char- 
acter, and suggestive of the natures assumed for them. 


On canvas, 78x54 inches. Signed in lower right-hand corner: John 
La Farge, 1907, Copyrighted. ; 
Purchased from the W. K. Bixby American Art Acquisition Fund for 
Washington University, 1907. Lent to the Museum. 


LARSSON, CARL [1853- | SWEDISH 


Born, Stockholm, 1853. He began as a retoucher of photographs, 


progressing to illustration and caricature, and finally to decorative 
and allegorical compositions in water color, pastel or oil. 


L3 A SWEDISH FAIRY TALE (JACK THE GIANT KILLER). 
Two canvases, separated by a carved panel. The composition at the 
right represents a light-haired boy in a blue blouse with a leather 
apron over it, a faded black cap on his head and a long sword: over 
his shoulder. The left panel shows a girl in the garb of a princess. 
She wears a red dress with green collar, embroidered in quaint de- 
signs in violet, yellow and white. A jeweled golden crown rests upon 
her head, from which depend long braids of golden hair. About her 
waist is a heavily jeweled girdle. In her hands she holds one end 
of a sheet in which lies the livid, decapitated head of a Giant, with 
open mouth and staring eyes. The princess does not look at this 
gruesome object, but straight into the eyes of the spectator. The 
carved, gilded panel between the canvases represents the crowned 
heads of the King and Queen. | 


48 





HEYMAN DULLAE RT 
Bees rts aD eK OLN UN GK 





THE WOLF CHARAPEK 
BY JOHN LA FARGE 


Two canvases, each 54x18 inches. with carved panel separating them. 
Signed in monogram in lower left-hand corner of left panel; dated 
1893 in lower right-hand corner of right panel. 


Purchased by subscription and presented to Washington University, 1893. 
Lent to the Museum. 


LATHROP, WILLIAM L. [1859- ] 
AMERICAN 


Born in Warren, IIl., 1859. Self-taught. 


L4 MISTY DAY. A canal fills the foreground and recedes through 
the middle distance, where it disappears in mist. The banks are 
covered with grass, and the mist veils green foliage. The water smooth- 
ly undulates and mirrors the gray sky, green banks and buildings in 
limpid placidity. At a little distance ducks are crossing the stream, 
and further off men seem to be unloading a canal boat tied up at a 
large derrick. The nearer distances are seen through a film of mist, 
and further objects are hazily shown through the thickened atmosphere. 


On canvas, 25x30 inches. Signed in lower right-hand corner: W. L. 
Lathrop. 


Purchased, 1975. 


LAWRENCE, SIR THOMAS [1769-1830] 
ENGLISH 


Born, Bristol, 1769; died, London, 1830. He was a precocious genius, 
having at the age of ten set up as a portrait painter at Oxford. He 
was a pupil of W. Hoare, Bath, and of the Academy at London. In 
1791, though under the statutory age, he was elected an Associate 
of the Royal Academy, and in 1794, he became a member of that 
body and in 1820 its President. He at first essayed classical art, but 
at the age of twenty-one his success with the portraits of Miss Farren, 
afterwards Countess of Derby, induced him to take up portraiture. 
To enumerate the subjects of his portraits is to name all who were 
pre-eminent at the time for beauty or talent. Famous among his 
works is the series of portraits at the Windsor Galleries of the ‘“Victors 
of Waterloo” from the Duke of Wellington to the Emperor Alexander. 
To execute these pictures he travelled throughout Europe and was 
received everywhere with acclamation. Famous among his works 
are the portraits of Pope Pius VII, Sir John Moore and the young 
King of Rome, son of Napoleon. 


L24 CAPTAIN STEWART. Half length portrait toward the right; 
broad-shouldered, with ruddy cheeks and grizzled hair. His pict- 
uresque uniform, with its swallow-tailed coat of brilliant scarlet, high 
choker collar and broad sash, has been rendered in a decorative style. 
One hand holds a pair of gloves at the hip, the other supports a sword. 
The background is painted to suggest a landscape, with masses of clouds, 
against which the figure stands out in relief. 


49 


On canvas, 49}4x39% inches. Not signed. From the collection of 
Major D’Arcy Irvine of Fermanagh. 


Presented by Edward Mallinckrodt, 1922. 


LAWSON, ERNEST [1873- ] AMERICAN 


Born in California, 1873. Studied in Kansas City; Art Students’ 


League, New York; and in Paris. 


Lz2o A ROAD BY THE PALISADES. In the foreground is a 
level roadway, which, crosses a rustic stone culvert and disappears 
on the left. On the further side of the road is a precipitous boulder- 
strewn hill on which grow a number of small trees. The season is 
winter and patches of snow lie here and there. In the distance, screened 
by leafless tree branches, a stretch of the Hudson River is visible. 


On canvas, 3934xs0 inches. Signed on the lower left: E. Lawson. 
Purchased, 1916. 


LEEMPOELS, JEF [1867-_] BELGIAN 
Born, Brussels, 1867. 


L21 THE CHILD JESUS. He stands with uplifted gaze and ele- 
vated hand as though engaged in prayer. A red mantle, which hangs 
from the left shoulder, covers the body with the exception of the right 
shoulder and arm, which are bare. Grassy pasture lands form a 
background for the figure. In the distance is a range of mountains. 


On canvas, 21x1534 inches. Signed in lower right-hand corner: 
Jef. Leempoels, 1899. 


Presented by Mrs. William A. Stickney, 1917. 


LEFEBVRE, JULES JOSEPH [1834-1912] 
FRENCH 


Born in Tournon (Seine-et-Marne), France, 1834; died, 1912. Pupil 
of Leon Cogniet. 


L6 LA CIGALE. (The Grasshopper, the title alluding to the 
grasshopper of the Fables of LaFontaine, which, having done nothing 


but sing throughout the summer, found herself destitute upon the 
arrival of winter). 


The figure of a woman, nude, with black hair unfastened and falling 
across her bosom, her chin resting on her left hand and her right hand 
grasping a bit of scanty drapery, which has fallen away from her. 
The background is a gray wall at the side of which, through a mass 
of leaves discolored by the early frost, one obtains a glimpse of a deep 
blue hill in the distance and a bit of cold blue sky with a touch of 
rosy cloud near the horizon. On the ground, strewn with fallen leaves, 
there is light frost. 
50 





AD SWEDISH FAIRY »FALE 
Be CARL LARSSON 





MT SsISYee DAY 
BY WILLIAM -L, LA TIDR@e 


On canvas, 74x34 inches. Signed in upper-left hand corner: Jules 
Lefebvre, 1872. 


Presented to Washington University by Daniel Catlin, 1893. Lent to 
the Museum. 


L22 MORNING GLORY. A young girl, clad in filmy drapery, a 
yellow sash about her waist and a garland of morning glories intwined 
in her hair and falling over her left shoulder. The modeling is delicate 
and the coloring soft. 


On canvas, 46x29 inches. Signed in the lower’ right-hand corner: 
Jules Lefebvre, 1879. 


Presented by Mrs. Daniel Catlin, 1917. 


L’HERMITTE, LEON AUGUSTIN [1844-1921] 
FRENCH 


Born in Mont Saint Pere (Aisne), 1844; died, 1921. Studied under Lecoq 
de Boisbaudran, and made his debut at the Salon with charcoal drawings 
reflecting the life of his native village. 


L8 LA MOISSON. (The harvest.) Men and women are cutting 
and binding the grain. In a cleared space in the foreground a scythe- 
man pauses and lifts his arm to his forehead. Kneeling beside him, 
a woman is binding a sheaf with a wisp of long straw. At a little 
distance another woman is also binding the grain, and two men are 
plying the scythe. 


On canvas, 84x105 inches. Signed: L. L’Hermitte, 1883. 


Purchased for Washington University from the Charles Parsons Fund, 
1912. Lent to the Museum. 


L23_ END OF DAY. A shepherd, followed by his flock, traverses 
the fields in the failing light. At the right are hayricks and on the 
left a row of pollarded trees. Executed principally in scumblings of 
dark brown pigment, 


On canvas, 27x30 inches. Signed: L. L’Hermitte. 
Presented by Mrs. Daniel Catlin, 1917. 


LILJEFORS, BRUNO ANDREAS [1860- ] 
SWEDISH 


Born in Upsala, Sweden, 1860. Pupil of the School of Fine Arts at 
Stockholm. 


Lg WILD GEESE. The composition gives a broad expanse of 
marshy land with low-lying hills in the distance, at the opposite side 
of a river reflecting the blue sky. The picture has the effect of the 
evening of a day late in winter. In depressions of the ground patches 


51 


of snow linger in the midst of the tangled brown grasses. The in- 
terest cen ters in a flock of wild geese flying, in a long semi-circle, to- 
ward the spectator and alighting in the foreground. | 


On canvas, 58x87 inches. Signed in lower left-hand corner: Bruno 
Liljefors, 1892. 


Presented to Washington University by the Fall Festivities Association of 
St. Louis, 1893. Lent to the Museum. 


LITT ULES PRICEY 186 7- ] AMERICAN 


Born in Swampscott, Mass., 1857. Studied at Boston Museum of 
Fine Arts, and independently. 


Lio WHERE HAWTHORNE WROTE AND DERBY TRADED. 
Street scene in Salem, Mass., with the custom house in the distance. 
Nathaniel Hawthorne, American novelist, was surveyor of the port 
of Salem, 1846-1849. Elias Haskett Derby (1739-1799) was an Amer- 
ican merchant in the India and China trade, prominent in the equip- 
ment of privateers during the Revolutionary War. 


The view is up a side street to where it enters the main thoroughfare, 
at the custom house. A throng of people pass in the main street; 
nearer, a few figures are standing. In the foreground are several 
barrels which have afforded the artist interesting color masses. The 
picture is interpretative of summer day, and though the visible sky 
is clouded, the view is suffused with sunlight. 


On canvas, 36x29 inches. Signed in lower right-hand corner: Philip 
Little, 1904. 


Purchased, ori. 


LOEB, LOUIS. [1866-1909] AMERICAN 


Born in Cleveland, Ohio, 1866; died at Canterbury, N. H., 1909. 
Pupil of Géréme, Paris. 


L11 HEAD OF A GIRL. Head and bust,, facing the front. Her 
hair is red and her shoulders and chest bare above loose, white drapery. 
The background is a landscape, with a figure suggested at the right. 


On canvas, 26x20 inches. Signed in lower left-hand corner: Louis 
Loeb, Copyrighted, 1906. 

Purchased, 1913. 

Li2 SUMMER. An idyllic summer landscape. A soft blue sky is 
filled with large light clouds, while groups of little figures are bathing 
and resting near the large trees which dot the semi-level country. 


Over all, there is a silvery tone which increases the poetical feeling of 
the composition. 


On canvas, 37x46 inches. Signed in lower left-hand corner: Louis 
Loeb, 1909. 


Purchased, 191}. 
52 


LOIR, LUIGI [1845- ] FRENCH 


Born in Goritz, Austria, 1845, of French parents. Pupil of the School 
of Fine Arts at Parma, Italy, and of M. Pastelot. 


L13 THE END OF AUTUMN. View near the end of the Pont 
d’Austerlitz, on the right bank of the Seine, looking across the river 
towards the Jardin des Plantes, Paris. In the distance, at the right, 
is the dome of the Pantheon. The general color of the picture is gray. 
The sky is filled with luminous clouds, against which the limbs of the 
leafless trees are silhouetted. Brilliant touches of color in the news- 
stands, advertising kiosques and the numerous boutiques enliven the 
general effect. 


On canvas, 58x117 inches. Signed in lower right-hand corner: Loir 
Luigi, 1882. 


Purchased by subscription and presented to Washington University, 1883. 
Lent to the Museum. 


LOISEAU, GUSTAVE [1865- ] FRENCH 


Born in Paris, France. 1865. 


L14 LA POINTE DU JARS (Cape Frehel). From the left, a pre- 
cipitous rocky shore stands out into the sea; the light plays upon the 
strong ridges, and fissures, clefts and projecting surfaces. The sea 
is green, nearby, and lively where it sweeps the rocks; farther, the 
atmosphere partly shrouds it. The color scheme is grayish, strongly 
toned with bluish greens, the rocks forming notes of browns and purples. 


On canvas, 26x36 inches. Signed in lower left-hand corner: G. Loiseau, 
1905. 

Presented to Washington University by Messrs. Durand-Ruel. Lent to 
the Museum. 


LORRAIN, CLAUDE [1600-1682] FRENCH 


Real name, Claude Gellée; known also as Le Lorrain. Born, Chateau 
de Chamagne near Charmes, 1600; died, Rome, 1682. Pupil of 
Agostino Tassi in Rome, of Deruet at Nancy. The greater part of 
his life was spent in Italy, where he became master of the style called 
“Ttalian Landscape”, in which nature, dramatically manipulated, 
serves as a background for historical or mythological subjects. These 
heroic landscapes, in which the figures are usually secondary, are 
marked by poetic feeling for space and light. 


L2s5 THE FLIGHT INTO EGYPT. The Holy Family is traversing 
a road in the foreground of a spacious and imposing landscape. A 
herd of goats grazes about them; and just beyond, a stream crosses 
the landscape, tall trees rising from its opposite bank. At the right 
is an arched stone bridge across which shepherds drive goats and 


§3 


cattle. The landscape, interspersed with forests and houses, stretches 
away to distant mountains. 


On canvas, 38x52 inches. Not signed. 
Lent by William K. Bixby, 1923. 


LOW, MARY FAIRCHILD [1866- ] 
AMERICAN 


Born in New Haven, Conn., 1866. Pupil of St. Louis School of Fine 
Arts; Carolus-Duran and Julian Academy in Paris. 


Lis GATHERING FLOWERS. A young woman and a child are 
at the edge of an orchard, by a brown path that leads through a field, 
past a wall, and along a slope. The child is seated in the bright green 
grass among many wild flowers, with apple blossoms in her lap. The 
girl stands against a fence, and reaches down a branch with more 
blossoms upon it to the little one. Figures and landscape are in a 
high key. 

On canvas, 25x32 inches. Signed in lower left-hand corner: Mary 
Fairchild M., Paris, 1890. 


Presented by the artist, 1909. 


L17 GATHERING APPLES. In a low-toned landscape, a peasant 
woman, under an apple tree, is filling a bag with apples. A brown 
house, the eaves of which are on a level with the hillside, and a patch 
of sky form the background. 


On canvas, 26x32 inches. Signed in lower left-hand corner: Mary 
L. Fairchild, Paris, 1886. 


Presented by the artist, 1900. 


L18 FIVE O’CLOCK TEA. The scene is upon a rustic balcony, 
or porch, screened in with vines and given féte-day atmosphere by 
Japanese lanterns and flowers. One of two young women is seated 
at an Oriental tabaret. She leans forward holding a tea cup with 
one hand, resting her chin upon the other. The other girl, in a negligee 
gown of flowered stuff, stands back against the paling, in more passive 
attitude. 


On canvas, 61x96 inches. Signed in lower left-hand corner: Mary 
Fairchild MacMonnies, Paris, 1891. 


Presented by the artist, 1909. 
MAIGNAN, ALBERT PIERRE RENE 
[1835-1908] FRENCH 


Born in 1835 in Beaumont sur Sarthe; died, 1908. Pupil of Noél 
and Luminais. 


54 


M21 HEAD. Head and bust of a woman; shoulders facing the 
front; head in profile toward the right; pink toned background. Her 
hair is held in place by a thin veil, the ends of which are loosely fastened 
at the back of her neck. Over her shoulders is a cape of light green 
fabric. She wears a low-cut waist of dark color. 


On wooden panel, 13x9% inches. Signed in upper right-hand corner 
Albert Maignan. 


Presented by Mrs. Daniel Catlin, 1917. 


MAKOWSKI, VALDIMIR EGOROVITCH 
[1846- ] RUSSIAN 


Born in Moscow, Russia, 1846. Pupil of the Academy of Fine Arts, 
Moscow. 


M1 THE MISER. An elderly, grizzled man huddles over a desk 
where he has been going over money and documents. He ts disturbed, 
and clasps down his hands over a pile of coins and bills while his eyes 
glare inquiringly and apprehensively at the intruder. His desk is 
of rich wood, with many drawers. ‘Textures and qualities of material 
are well suggested. 


On canvas, 28x28 inches. Signed in upper right-hand corner: V. E. 
Makowski, 1891. 


Presented to Washington University by Gustav Cramer, 1894. Lent to 
the Museum. 


MANET, EDOUARD [1832-1883] FRENCH 


Born at Paris, 1832; died, 1883. First studied under Thomas Couture, 
in whose studio he remained for six years. Leaving France, he traveled 
in various European countries, studying the works of the masters, 
especially Hals, Rembrandt, Velasquez and Goya. For some years 
his work was alternately influenced by Couture and by Velasquez. 
About 1863, he became chief of the ‘‘Ecole des Batignolles,” where 
Degas, Monet, Sisley, Pissarro and others were wont to assemble. 
In the same year, he aroused a storm of criticism and comment with 
his painting, “The Picnic,” which was exhibited in the first Sa/on 
des Refusées. In 1864 his “Olympia” was accepted at the official 
show. In these pictures, Manet first gave free expression to his in- 
dividual idea of painting; and, from this time on, his work was known 
as “impressionism.” But the Salon continued to frequently refuse 
his pictures, and they were not received generally with much favor 
until the latter years of his life. In 1882, one year before his death, 
he was decorated with the Legion of Honor. 


M22 THE READER. An elderly bearded man is shown, seated 
in a chair and reading from a large volume which rests upon a table 
before him. His attitute and the expression of his features are sug- 
gestive of concentration. He wears a gray coat, the outlines of which 


55 


are scarcely distinguishable against the gray brown background and 
the pervading neutral tones of chair, book and table. A stronger 
and more assertive color note appears in the flesh tints of the face 


and hands. 


On canvas, 3834x314. inches. Signed 1 in the lower left-hand corner: 
Ed. Manet. Mentioned in Duret’s book on Manet as No. 65, “Le 
Liseur’’ (The Reader). From the collection of M. Faure, who pur- 
chased it from the artist, about 1865. 


Purchased, 1975. 


MARR, CARL [1858- | AMERICAN 


Born in Milwaukee, Wis., 1858. Pupil of Schuas at Weimar; Gussow 
at Berlin Academy; Otto Seitz, Gabriel Max and W. Lindenschmidt 
at Munich. 


M3 EVENING. The clouds in the sky and a building at the sum- 
mit of a distant hill reflect the rosy afterglow of the setting sun. In 
the foreground is a cow, tended by a young girl in peasant costume. 
The figures of the girl and cow are almost lost in the gathering shadows 
and but faintly separate themselves from the red-brown of the hill- 
side. 


On canvas, 30x23 inches. Signed in lower right-hand corner: Carl 
Marr, 1892. 


Presented to Washington University by Miss Ellen F. McKee. Lent 
to the Museum. 


MARTIN, HOMER D. [1836-1897] AMERICAN 


Born in Albany, N. Y., 1836; died in St. Paul, Minn., 1897. He 
was self-taught, except for a short period when he received instruction 
from William Hart. He made frequent sketching trips to the Adiron- 
dacks and White Mountains, recording his impressions in pencil 
drawings. First exhibited at the National Academy of Design, New 
York, in 1857; and five years later came to New York, working for 
a time in the studio of James Smillie. In 1876 he went to England 
and France, and studied the old masters, whose pictures influenced 
his color. In 1861 he was sent to England by the Century Magazine 
to sketch ‘“‘George Eliot’s Country.” The period between 1882 
and 1886, known as his “ Villerville-Honfleur period,’”” was spent in 
Normandy, where some of his best works were executed, including 
the “Harp of the Winds,’’ now in the Metropolitan Museum. For 
five years before his death he was almost totally blind. 


M4 THE HEADWATERS OF THE HUDSON. An effect of late 
autumn. A row of trees across the foreground have bright-colored 
foliage in shadow; the remainder of the painting is in low tones, only 
slightly touched with light on distant hills, between which and in 
the foreground the river glistens with the light from a patch of tur- 
quoise sky. 


56 


On canvas, 18x32 inches. Signed in lower right-hand corner: H. D. 
Martin, 1869. 


Purchased, 1974. 


MAURY, CORNELIA F. [1866- | 
AMERICAN 


Born in New Orleans, 1866. Studied at the St. Louis School of Fine 
ih and under Jules Lefébvre, Benjamin Constant and J. P. Laurens, 
aris. 


Ms THE LITTLE SISTER. A little girl is seated, her back to 
a window, holding a baby, who looks over her shoulder and out of 
doors. Another baby, half sketched in outline on the floor, is fingering 
its toes. The colors are quiet grayish blues and browns, with mild 
reds in the flesh. 


Pastel, 18x14 inches. Signed in lower left-hand corner: C, F. Maury, 
1895. 
Presented by Mrs. Halsey C. Ives, 1912. 


MAUVE, ANTON [1838-1888] DUTCH 


Born at Zaandam, 1838, and died, 1888. He was a pupil of Peter 
Frederich Van Os, but early developed individual traits that con- 
stituted him a figure in the landscape art of his country. His draughts- 
manship was sound, his technique was simple, his color was his own— 
and Holland’s. He was a master in the representation of atmospheric 
effects, and his work was permeated with poetic feeling. He painted 
animals with knowledge and affection. In certain of his works, Mauve 
suggests Troyon; if not always so powerful a painter, he was usually 
more sympathetic. The works of Millet exercised a considerable 
influence upon him. 


M23 BY THE RIVER. A flock of sheep grazes along the bank 
of a stream, under the care of a shepherd who is seen in the distance 
leaning upon his staff. The trunk of a large tree which stands in the 
foreground divides the flock into distinct groups in foreground and distance, 
A drooping branch of this tree extends obliquely across the top of 
the composition, its autumn tinted foliage screening the opposite 
shore of the stream. The sheep are painted in substantial fashion; 
but are so treated that they are a part of the composition, which 1s 
rather a landscape than a study of animals. 


On canvas, 24x36 inches. Signed in lower right-hand corner: A. 
Mauve. 


Presented by Mrs. Daniel Catlin, 1917. 
M24 TWILIGHT. A study in subtle tonalities. Darkness is de: 


scending over a summer landscape. In the middle distance are the 
almost indistinguishable forms of a girl and a goat. Trees and greens- 


57 


ward are illuminated only by the reflected light of the sky. Dark 
shadows obscure the foliage. The predominating colors are warm 
gray greens. The indefiniteness of tree forms in the waning light 
has been effectively expressed. 


On canvas, 2314x35% inches. Signed in lower right-hand corner: 
A. Mauve. 


Presented by Mrs. Daniel Catlin, 1917. 


M2s COWS. Two cows stand beneath a small tree at the edge of 
a shallow pool, from which one of them is drinking. Nearby stands 
the figure of a man. A level, monotonous landscape, characteristic 
of many sections of Holland, stretches away to the horizon. In the 
distance other cattle are grazing; and an occasional house or tree 
rises above the sky line. This painting is an example of Mauve’s 
earlier style. 


On canvas, 1514x24 inches. Signed in lower left-hand corner: A. 
Mauve. 


Presented by Mrs. Daniel Catlin, 19177. 


MELCHERS, J. GARI [1860- ] AMERICAN 


Born, Detroit, Mich., 1860. Studied at Academy, Disseldorf, Ger- 
many, and in "Paris, at l’Ecole des Beaux-Arts, under Boulanger and 
Lefébvre. 


M26 VESPERS. A study of effects of light in a church interior. 
A section of pews is shown, and beyond these the gray church wall, 
pierced by two large stained glass windows. The pews are occupied 
by a number of figures, but they are subordinate in interest to the 
broader theme of light. Rays of yellow sunlight filter in from above 
and strike against the wall, mingling their illumination with the more 
subdued light from the windows. Complex problems of reflection 
and diffusion are thus created. 


On canvas, 2134x2234 inches. Signed in upper right-hand part of 
canvas: Gari Melchers. Study for the larger composition “Easter 
Sunday.” 


Purchased, 1916. 


MENZLER, W. GERMAN 


M27 WOMAN. Three-quarter length figure of a young woman 
shown in profile, head facing toward the right. She wears a close- 
fitting hat and a dress of mauve material, with collar of green velvet. 
Just beyond her is a hedge of rose bushes, a blossom from which she 
holds in her hand. 


On wooden panel, 13%xg inches. Dated and signed in lower right- 
hand corner: W. Menzler. 


Presented by Mrs. Daniel Catlin, 19177. 
58 


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. MESDAG, HENDRIK WILLEM (1831-1915] 
DUTCH 


Born in Groningen, Holland, 1831; died at The Hague, 1915. Did 
not begin to paint until after the age of thirty-five, when he studied 
for a while under Roelofs and Alma-Tadema. Before this he had 
accumulated a competence as a banker. Upon essaying the career 
of a painter, his rise was rapid. 


Ms IN DANGER. Dutch fishing boats in a strong gale. The 
foremost boat has been driven in upon the sands, and white-capped 
waves, breaking over her stern, threaten to destroy her. A _ rope, 
attached to a buoy, has been thrown over the side of the vessel, and 
two men on horses have gone out into the water to secure this rope 
to pull the boat ashore. The sea is a warm gray-green. The sky 
is luminous, with light drifting clouds in the upper portion and dark- 
gray cloud masses along the horizon. Several boats may be seen in 
the far distance, making toward the shore. 


On canvas, 70x54 inches. Signed in lower right-hand corner: H. W. 
Mesdag, 1892. 


Presented to Washington University by the Fall Festivities Association 
of St. Louis, 1893. Lent to the Museum. 


M28 SHIPS. Two small sail boats are apparently trying to effect 
a landing, but are hindered by the roughness of the sea. A small, 
heavily laden row boat stands by the side of one, while two sailors, 
waist deep in the water, try to take a line to the other. In the dis- 
tance are a number of other small craft. The sun is just sinking, 
and the sky is overcast with dark clouds, whose colors are reflected 
in the sea below. 


On canvas, 27!4x35 inches. Signed in lower right-hand corner: H. 
W. Mesdag, 


Presented by Mrs. Daniel Catlin, 1917. 


METCALF, WILLARD L. [1858- 
AMERICAN 


Born, Lowell, Mass., 1858. Studied with George L. Brown in Boston; 
Boulanger and Lefebvre in Paris. 


M29 OLD HOMESTEAD, CONNECTICUT. Beyond a sunken 
country road is an old-fashioned two-story farmhouse of the type 
frequently seen in New England. A large elm stands before the 
house. It is night, but the entire scene is suffused with moonlight. 
The trunk and branches of the elm cast deep, half-obscuring shadows 
across the house. The sky is luminous and full of depth. The light- 
ing of the composition has much of the cool, mysterious sheen which 
constitutes the charm of moonlight. 


On canvas, 26x29 inches. Signed in lower right-hand corner: W. L. 
Metcalf. 


Purchased, 1915. 
59 


MILLER, RICHARD E. [1875- ] AMERICAN 


Born in St. Louis, Mo., 1875. Pupil of the St. Louis School of Fine 
Arts; Benjamin Constant and Laurens in Paris. 


Mir REVERIE. A young woman seated in a wicker lounging 
chair on a veranda which is screened with Venetian blinds. She 
wears a purple waist and pleated skirt of thin, gauzy material. High 
keyed, scintillating colors impart a vibrant atmospheric effect. 


On canvas, 45x58 inches. Signed: Miller. 
Purchased, 1914. 


M1o AT HER DEVOTIONS. An elderly woman, seated, her face 
toward the left, her hands clasping a Bible which lies upon her lap. 
She gazes forward with contemplative expression. Her dress is black 
and the background is in tones of dark brown. 


On canvas, 34x28 inches. Signed: R. E. Miller, Paris, 1900. 
Presented to Washington University by the artist. Lent to the Museum, 


M12 LANDSCAPE. On a hillside, with bare patches of earth 
showing against the low tones of green, are a few tall slender trees, 
their dark masses of foliage against a gray sky. The light centers 
over the hilltop, behind the open branches of the farthest tree. 


On canvas, 21x15 inches. Signed in lower right-hand corner: Richard 
Miller, 1901. 


Bequest of Halsey C. Ives, 1912. 


MONET, CLAUDE [18 40- ] FRENCH 


Born in Paris, France, 1840. He early inclined toward an artistic 
career, but was strenuously opposed by his people—his father being 
a wealthy merchant at Havre. Like Manet, he was sent away on 
a foreign tour, which only intensified his devotion to art. In Havre 
he spent much of his time with the painter, Boudin. Later he entered 
the atelier of Gleyre. He exhibited in the Salons of 1865 and 1867, 
but not since the latter date. Monet’s early days in art were filled with 
disappointments, but during recent years he has enjoyed great success 
and exceptional prosperity. For many years he has been regarded 
as the head of the Impressionist movement and the ablest exponent 
of its principles. . 


M13 CHARING CROSS BRIDGE. An effect of sky and water 
under sunlight tempered by vapor. A bridge crossing the glistening 
track of sunlight gives the title;in the distance is another of the 
Thames bridges, faintly suggested. On the Charing Cross Bridge 
the smoke or steam from a passing train is blown down towards the 
water. The colors are kaleidescopic, but the predominating tone is 


60 





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blue. In the foreground a small lighter with its sail raised gives 
the scale of the great space suggested. 


On canvas, 29x39}4 inches. Signed in lower left-hand corner: Claude 
Monet, 1903. 


Purchased, 1915. 


MONTICELLI, ADOLPHE JOSEPH [1824-1886] 
FRENCH 


Born: in Marseilles, 1824, of Italian parents. Monticelli went to 
Paris in the middle forties, where he was a friend of Diaz, and achieved 
a considerable degree of popularity. He returned to Marseilles during 
the Franco-Prussian war, and remained there, leading an eccentric 
existence, until his death, in 1886. 


The most distinctive quality of his work is its exuberant and fan- 
tastically brilliant color. His drawing is merely suggestive; his figures 
are seen only as masses, serving to form glittering color combinations. 


M14 THE ARRIVAL OF THE GUESTS. The scene is near the 
entrance to an estate, and ladies are gathered to welcome people on 
horses. One rider has dismounted and stands by his horse, talking 
to a lady in blue, the nearest figure at the right. Opposite, a lady 
in yellow satin holds up a hand to allay the enthusiasm of a dog. Fill- 
ing up the central picture, come the guests, two or three of whom 
have dismounted. Arich and romantic scene, replete with poetic 
fantasy. 


On wood panel, 18x3134 inches. Signed in lower left-hand corner: 
J. Monticelli. Formerly owned by Miss Mary H. Whitwell, who 
purchased it from the artist. 


Purchased, 191}. 


MORET, HENRY [1856-1913] FRENCH 


Born in Cherbourg, France, 1856; died, 1913. Pupil of Corroller and 
Laurens, Paris. 


Mrs CALM WEATHER ON THE BRITTANY COAST. On the 
left a high cape of pink stone slopes down to the sea, partly enclosing 
a small bay. The foreground is the brow of a cliff, high above the 
water, its surface partly covered with patches of grass. On the bay 
is a sailboat. The water is blue near the shore, merging into green 
in the deeper portions and violet as it approaches the haze-obscured 
skyline. 


On canvas, 29x36 inches. Signed: Henry Moret, 1906. 


Presented 10 Washington University by Messrs. Durand-Ruel. Lent to 
the Museum. 


61 


MORO, SIR ANTONIO [1512-15822] DUTCH 


Born at Utrecht in 1512; died at Antwerp before 1582. Called also 
ABEL Mor (or Moor); in England, Sir Antonio More; in Spain 
oro 


He was a pupil of Jan van Scorel, studying afterwards in Italy. Re- 
turned to Holland and began to paint after the style of Holbein. His 
art was patronized by Charles V and Philip II of Spain, and later 
by the Duke of Alva. Painted many portraits of members of royal 
families, including Philip II of Spain, and his wife, Donna Maria; 
John III of Austria, and his queen, Catherine; and Queen Mary of 
England. Did not confine his efforts to portraits, but painted a 
number of historical subjects also. 


M30 PORTRAIT OF A BOY. Head and shoulders of a boy, facing 
outward and slightly toward the right. He wears a suit of armor, 
highly ornamented with gold. Around his left shoulder is a red band, 
probably for the support of a sword. A white frilled collar extends 
above the high neck piece of the armor. 


On wooden panel, 174%4x13™% inches. Notsigned. From the collection 
of Senateur M. Colin, Paris, France. Attribution by C. Hofstede 
de Groot. 


Purchased, 1915. 


MORTON, THOMAS CORSAN [1859- _] 
BRITISH 


Born in Glasgow, Scotland, 1859. Studied at the Glasgow school. 


M16 THE TURNING OF THE PLOW. The composition is of 
softly-moulded country in the twilight hour, beneath a sky lighted 
from a departed sun, and with a plowman and his horses. The land- 
scape is decoratively arranged, a bit of winding stream comes into 
view at the right, palely reflecting the yellow clouds, and over it an 
old tree spreads its gray branches and brown leaves. 


On canvas, 14x27 inches. Signed in lower left-hand corner: T. Corsan 
Morton. 


Presented to Washington University by the artist. Lent to the Museum, 


MOSTAERT, JAN [14702-15552]. DUTCH 


Born in Haarlem, Holland, about 1470; died in Haarlem, 1555 or 
1556. He was a disciple of Jacob Janszen of Haarlem, under whom 
he became a painter of history and portraits, which talents recom- 
mended him to the patronage of Margaret, sister of Philip I of Spain. 


M18 PORTRAIT OF A MAN. A half-length portrait toward the 
right. The subject is of about middle age. His hair is brown and 
he is dressed in a black cap and coat, the latter trimmed with gray 


62 





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fur. The background is a landscape with houses, trees and high 
mountains, minutely painted. 


On wood panel, 1634x13 inches. Not signed. 
Purchased, 1915. 


MUNTHE, GERHARD [1849-___ 
NORWEGIAN 


Born in Elverum, Norway, 1849. Studied in the Academies of Diissel- 
dorf and Munich. 


M19 EVENING, EGGEDAL, NORWAY. A mountainous land- 
scape stretches to the far distance. Rugged, rock-strewn pastures 
form the foreground, varied by red farm buildings, fences, paths, a 
little winding stream that reflects the blue above. The middle dis- 
tance is a wide reach of slopes and valley, with trees and open patches 
of field. But little raised above the mountains, is the yellow moon. 
The equally low sun is to the right of the fir trees, hinted at by the 
growing luminosity of sky in that direction. 


On canvas, 78x63 inches. Signed in lower right-hand corner: Gerhard 
Minthe. 


Presented to Washington University by Charles Parsons, 1894. Lent 
to the Museum. 


MURPHY, J. FRANCIS [1853-1921] AMERICAN 
Born, Oswego, N. Y., 1853; died, New York, 1921. Self-taught. 


Meo AT SUNSET. A summer landscape in yellow green merging 
into darker tones of green and orange near the horizon. The effect 
is centered in a somewhat pale sunset behind a mass of dark trees in 
the middle distance, toward which a path leads. Wheel tracks filled 


with water showing the reflection of the yellow in the sky, assist the 
impression of wet weather suggested by the various colors. 


On canvas, 25x36 inches. Signed in lower right-hand corner: J. 
Francis Murphy, 1904. 


Purchased, 1973. 


MYTENS, DANIEL (The Elder) [ACTIVE: 
XVII CENTURY] DUTCH 


Born at The Hague toward the end of the sixteenth century. Was 
a student of the work of Rubens, whose influence is traceable in the 
landscape backgrounds of certain of his portraits. Came to England 
during the reign of James I, and was painter to the king in the time 
of Charles I. The fame of Mytens was overshadowed by the arrival 
of Van Dyck at the English Court; although the former continued in 


63 


high favor with the king, who gave him numerous commissions. Be- 
came an intimate friend of Van Dyck, who painted his portrait. 
Returned to his native country, where he died about 1656. 


M31 PORTRAIT OF CHARLES I. (Charles Stuart, 1600-1649, 
King of England, 1625-1649. Executed.) Full length portrait, nearly 
life-size. He is dressed in elaborate fashion with the collar and George 
of the Order of the Garter about his neck. His hat is surmounted 
by plumes. A long cloak falls from his shoulders. He wears an 
elaborate jacket, white gauntlets, dun colored knee breeches, green 
stockings and white, square-toed slippers. His left arm rests lightly 
upon a table on which repose the royal scepter, orb and crown. 


On canvas, 9034x57 inches. Not signed. Inscribed, “Carolus, D. G. 
Mag. Britanniae, Franciae et Hiberniae Rex. Fidei Defensor. Aet. 
33) Ane 

Purchased, 1916. 


NAUDIN, J. [1824- FRENCH 


Born in Paris, 1824. Pupil of l’Ecole des Beaux-Arts, Paris. 


Nr ECCE HOMO. The head and shoulders are shown, and part 
of the upstretched arms, of the well-known type of the Ecce Homo. 
A crown of thorns presses into the brow, and the muscles of heck 
and body are tense with pain. 


On canvas, 18x13 inches. Signed in lower right-hand corner: J. 
Naudin, 1861. 


Presented to Washington University by Mr. and Mrs. Fohn Scullin, 
7896. Lent to the Museum. 


NEUHUYS, ALBERT [1844-1914] DUTCH 


Born in Utrecht, 1844; died in 1914. Pupil of Gijsbertus Craeyvanger 
and of the Antwerp Academy. 


N2 THE SEAMSTRESS. In a homely Dutch interior, a woman 
sits by a table near a window sewing. AA little girl, also sitting at 
the table, is threading a needle. A child just out of babyhood stands 
at the woman’s knee. The light from the window reveals forms and 
textures effectively. In color, the arrangement is warm, a variety of 
browns and grays predominating, with no decided or definite color, 
save the blue of the child’s apron and the red of the material on which 
the woman is working. 


On canvas, 51x42 inches. Signed in lower left-hand corner: Albert 
Neuhuys. 


Purchased, 1970. 


64 


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NEUVILLE, ALPHONSE MARIE DE 
[1836-1885] FRENCH 


Born at St. Omer, France, 1836; died at Paris, 1885. He was a pupil 
of Picot. His best known works are scenes in the Franco-German 
War of 1870-71. 


Associated with his friend Detaille, who was a pupil of Meissonier, 
he painted the well-known panorama of the Battle of Champaign, 
and each artist enjoyed the friendship and companionship of the 
other. Though he died comparatively young, he left behind him a 
serious collection of works. 


Ns THE PRUSSIAN DESERTER. Two mounted French officers 
are questioning a Prussian deserter whom they have met on the march. 
Two French soldiers, who are guarding the Prussian, stand nearby, 
their muskets with fixed bayonets slung over their shoulders. In the 
background, a column of French infantry, headed by mounted officers, 
marches along the snow-covered highway. 


On canvas, 2534x20 inches. Signed in lower right-hand corner: A. 
de Neuville, 1879. 


Presented by Mrs. Daniel Catlin, 1917. 


NOBLE, THOMAS SATTER WHITE [1835-1907] 
. AMERICAN 


Born in Lexington, Ky., 1835; died in 1907. After studying under 
General Samuel Price Noble, Thomas Satterwhite became a worker 
in Paris in 1856, he was a pupil of Couture, and it was about 1865 
that he arrested attention, after his return to Western America, by 
painting ““The Slave Market,” “ Margaret Garner”? and ‘‘The Price 
of Blood.” 


N4 HEAD OF A BAVARIAN GIRL. A one-third length portrait, 
a character study, of a peasant type, in low tone. The subject wears 
a brown dress, with a dark gray shawl enveloping her shoulders, and 
a dark bonnet-like hat. Heavy dark hair falls over her shoulders. 


On canvas, 26x22 inches. Signed on back of canvas: T. S. Noble. 


Purchased by Washington University from the 7. G. Chapman Fund. Lent 
to the Museum. 


OCHTMAN, LEONARD [1854- ] AMERICAN 


Born, Zonnemaire, Holland, 1854. Came to United States in 1866; 
entered a wood-engraver’s office at Albany, N. Y. Self-taught. 


Or FROSTY ACRES. A landscape in gray tones below thinly 
clouded early morning sky. The effect of quietly diffused morning 
light is on the picture. From under a covering of frost, the grass 


65 


in parts of the picture shows green and brown. A pool in the fore- 
ground is ice covered. The ground is flat in the nearer picture, and 
rises on either hand; a few trees support thin lacework of brown leaves 
and branches. 


On canvas, 31x41 inches. Signed in lower left-hand corner: Leonard 
Ochtman. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund. Lent to the Museum. 


ORPEN, SIR WILLIAM [1878- ] BRITISH 
(Irish) 


Born, Stillorgan, Ireland, 1878; lives in London. Studied at the 
Dublin School of Art and at Slade School in London. 


O03 PORTRAIT OF MR. ORPEN. Three-quarter portrait toward 
the left. He wears a long gray coat, black knit cap and white collar. 
In his right hand are a number of brushes. The background, which 
shows a landscape with figures in bright orange, blue, red and green, 
is Mr. Orpen’s painting, “Sowing the Seed of the Irish Free State.” 


On canvas, 48x35 inches. Signed: Orpen, 1913. 
Purchased, 1975. 


OTT, RALPH ‘CHESL EW aoa. ] 

AMERICAN 
Born in Springfield, Mo., 1875. Pupil of the St. Louis School of 
Fine Arts and of John Fry, St. Louis; Jean Paul Laurens and Benjamin 


Constant at the Julian Academy, Paris. Studied later in Spain and 
Italy. 


O04 PORTRAIT OF TAXILE DOAT. French ceramist (b. 1851). 
A collection of his work is owned by the Museum. 


Seated figure, shown to below the knees. He has a long white beard 
and white hair and is clad in a linen duster, white waistcoat and dark 
trousers. 


On canvas, 42x28 inches. Signed: R. C. Ott, tgrt. 
Purchased, 1914. 


PARK, STUART [1862- ] BRITISH 
Born in Bidderminster, England, 1862. 


P1 WHITE VIOLETS. A small bouquet of white flowers in a low 
brown vase, against a warm, brown ground. Slightly but expressively 
painted. 


On canvas, 12x1§ inches. Signed: Stuart Park. 


Purchased by subscription and presented to Washington University, 1896. 
Lent to the Museum. 


66 





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PARRISH, MAXFIELD [1870- ] AMERICAN 


Born in Philadelphia, Pa., 1870. Pupil of the Pennsylvania Academy 
of the Fine Arts and of Howard Pyle. 


P2 A VENETIAN NIGHT’S ENTERTAINMENT. A number of 
people are grouped in an open corridor, from which through archways 
one looks out into the blue sky. It is an evening scene, and large 
yellow paper lanterns furnish the light within. People in fancy costume 
are at tables, with refreshments. Behind them, move waiters. In 
the foreground, seated upon the floor, musicians in fanciful costume 
are playing. 


On canvas, 16x12 inches. Signed in lower left-hand corner: M. P. 
Executed as an illustration for a book. 


Purchased by Washington University from the Crow Acquisition Fund. 
Lent to the Museum. 


PATERSON, JAMES [1854- J BRITISH 


Born in Glasgow, August 21, 1854. Studied in Paris and in Italy. 


P3 COAST OF TENERIFFE. A rock-bound bay, whose shore 
from the viewpoint chosen forms the foreground, fills the left, and ex- 
tends across in the distance. A bit of sky in warm diffused light, 
is seen over it. The rocks are rugged and storm worn, their upper 
surfaces covered by grass, mosses and shrubbery. At the foot of 
the winding cliff, the water breaks, and forms a long, zig-zag fringe 
of white at the edge of the deep blue. 


Water color on paper, 14x21 inches. Signed in lower left-hand corner: 
James Paterson, El Burgoo Teneriffe. 


Purchased by Washington University from the Crow Acquisition Fund, 
Lent to the Museum. 


PATRICK, JOHN DOUGLAS [1863- ] 
AMERICAN 
Born, Hopewell, Pa., 1863. Pupil of Boulanger, Lefebvre, Moret 


and Chatran in Paris. At one time instructor in painting in the 
St. Louis School of Fine Arts. 


P4 LUNA. Head and upper torso of a woman painted on a pale 
blue disk faintly outlined against a darker blue ground. One arm 
is raised above the head, the other holds an open book. 


On canvas, 22x30 inches. Signed: Douglas Patrick. 
Presented by Charles Nagel, 1921. 


67 


PELOUSE, LEON GERMAIN [1838-1891] 
FRENCH 


Born at Pierrelaye, Seine-et-Oise, 1838; died there, 1891. 


P6. SAND DUNES, SOUTHERN FRANCE. An expanse of un- 
dulating sparsely-covered country, levels out to meet luminous, cool 
sky. On the left hand, trees and shrubs rise above the horizon. In 
the foreground two donkeys stand, and a trifle farther off, in the shadow 
of a tree is a cart. One animal wears a pack-saddle, and a woman 
stands by him with a bundle. 


On canvas, 64x94 inches. Signed in lower left-hand corner: G. Pelouse. 
1878. 


Presented to Washington University by Mr. and Mrs, Henry Hitchcock, 
1883. Lent to the Museum. 


PERRAULT, LEON BAZILE [1835- ] 
FRENCH 


Born in Poitiers, 1835. Pupil of Picot and Bouguereau. 


P7 EVENING PRAYER. A dark-haired peasant child kneels with 
clasped hands in attitude of prayer. Her figure is shown in profile 
toward the right, against a landscape background. She wears a white 
waist, an outer skirt of red, a light brown apron and an underskirt 
of dark brown. 

On canvas, 40x26 inches. Signed in lower right-hand corner: Se 
Perrault, 79. 


Presented by Mrs. Daniel Catlin, 1917. 


PETERS, CHARLES ROLLO [1862- ] 
AMERICAN 


Born in California, 1862. Pupil of Virgil Williams in San Francisco; 
l’Ecole des Beaux-Arts, under Géré6me and of Boulanger and Lefebvre 
in Paris. 


Ps NOCTURNE. In quiet, dark water in the middle picture the 
forms of trees and a house, white in daytime, now blue-gray in quiet 
moonlight, are reflected. The colors are warm grays and gray browns, 
with orange light from the window of the house. 

On canvas, 24x16 inches. Signed in lower left-hand corner: Charles 
Rollo Peters. 

Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1908. Lent to the Museum. 


68 





Por Pied ip OF sR: OR PEN 
TOY Wolo. 1s 1 aM yO Por 





PORTRAIT: OF A. MUS i Gia. 
BY SEBASTIANO,. DEL PAG 


PICARD, GEORGES [1857- | FRENCH 


Born in Remiremont, Vosges, France, 1857. Pupil of Jean Leon 
Gérome and of 1’Ecole des Beaux-Arts, Paris. 


P11 A BOOK IN THE HAREM. A girl is posed upon a rug, 
propped up by other fabrics, and holds a book upon her knee and reads. 
- Rich decorative fabrics in blues and reds surround her; they are ar- 
ranged to fill the large spaces about the figure, without distracting 
too much attention from it. 


On canvas, 31x18 inches. Signed in lower left-hand corner: G. Picard. 


Presented to Washington University by William F. Lemp. Lent to the 
Museum. 


Pi2 SISTERS. On a small stream overgrown with plant forms, a 
row boat is against the bank, an oar idling in the row-lock. A little 
girl upon a thwart has fallen back as though asleep and rests in the 
lap of a young woman in the end seat of the boat. About them the 
country is quietly picturesque. There are houses beyond, the sug- 
gestion of a bridge and higher ground in the distance. The tones 
run through greens and grays. 


On canvas, 17x31 inches. Signed in lower left-hand corner: G. P. 


Presented to Washington University by William F. Lemp. Lent to the 
Museum. 


PIOMBO, SEBASTIANO DEL [1485-1547] 
| ITALIAN 


Born, Venice, 1485; died, Rome, 1547. Sebastiano was educated by 
his father, Luciani, as a musician, but abandoned this profession to 
study painting under Giovanni Bellini. He soon forsook this master 
to become a follower of the more colorful style of Giorgione. About 
IS1I or 1512, he accepted the invitation of Agostino Chigi to go to 
Rome, where the latter gave him employment in the decoration of 
the Farnesina Palace. In Rome Sebastiano came into intimate con- 
tact with Raphael and Michael Angelo, and his impressionable nature 
was influenced by both. Michael Angelo collaborated with him in 
the production of a number of paintings, notably the Resurrection 
of Lazarus. In 1531 the artist was invested by Pope Clement VII 
with the office of Frate del Piombo. Wis work has often been con- 
fused with that of Lorenzo Lotto, Bronzino, Pontormo and even 
Raphael. 


P23 PORTRAIT OF A MUSICIAN. Supposed portrait of the lute 
player, Alberto della Ripa, Sieur of Carois, a native of Mantua, who 
removed to France and was pensioned by Francis I until his death 
about 1544. 


He is dressed in a black tunic with light gray sleeves and a black hat. 
The face is turned three-quarters to the right. He has a brown beard, 


69 


pointed at the end and his hair is long. On the left hand, which rests 
on a musical instrument, is a ring set with agate. In the right hand 
he holds a small plectrum. A gold chain supports the apron which 
protects his coat. The background is of green cut velvet. The 
painting is distinguished by an air of elegance and refinement character- 
istic of the mature Renaissance. 


On wood panel, 3434x2314 inches. Not signed. Illustrated and de- 
scribed, S. Reinach, Paintings Unknown or Little Known, pl. 42; 
Bulletin of the City Art Museum, January, 1923. From the collec- 
tion of Eugene Richtenberger, Paris, (No. 64.) 


Purchased, 1922. 


PISSARRO, CAMILLE [1830-1903] FRENCH 


Born at St. Thomas in the Antilles, 1830; died in Paris, 1903. Showed 
artistic promise at an early age. In 1837 his parents went to Europe 
and the talent of the boy was noted by the Danish painter, Melbye, 
who took him into his atelier as a pupil. Later came under the in- 
fluence of the Barbizon movement and worked with Corot at Ville 
d’Avray. Was also for a time under influence of Millet. First ex- 
hibited at the Salon in 1859. In 1870 he visited London with Monet 
and later became one of the well-known painters of the impressionist 
group. 


P22 THE LOUVRE; MORNING. A view of the Louvre from 
across the Seine. In the foreground is the Isle de la Cite, and in the 
middle distance, the Pont des Arts. Numbers of small craft on the 
river supply bright color notes. The pigment has been applied in 
broken, scintillating patches. 


On canvas, 29x3614 inches. Signed in lower right-hand corner: C. 
Pissarro, 1901. 


Purchased, 1976. 


PITTS, LENDALL AMERICAN 


Born in Detroit, Mich. Studied in Paris under Jean Paul Laurens 
and Benjamin Constant. 


P15 GOLDEN SHORES. The scene is a lake among the mountains. 
One looks across, to the picturesque red roofs of the houses and trees 
grouped at the foot of high hills and up pasture slope to a glimpse 
of distant snow peaks. Cloud masses are sweepingly arranged in 
the lower sky, and tinged with pale color from the sun behind the hill. 


On canvas, 22x29 inches. Signed in lower left-hand corner: L. Pitts. 
Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund roro. Lent to the Museum. 


7O 


PLANELLA y RODRIQUEZ, JUAN SPANISH 


Born in Barcelona. 


P16 THE LITTLE WEAVER. The interior of a factory with a 
little girl working at a loom. The complicated machinery is painted 
with considerable detail. The general color inclines to grayness. 
The child wears a pinkish-gray skirt and light blue waist. 


On canvas, 27x22 inches. Signed in lower left-hand corner: J. Planella 
y Rodriquez, 1889. Exhibited in the Spanish Section, Department 
of Fine Arts, World’s Columbian Exposition, Chicago, 1893, and 
awarded a medal. 


Presented to Washington University by the Fall Festivities Association 
of St. Louis, 1893. Lent to the Museum, 


POLENOFF, HELENE |[ -1898] RUSSIAN 
Died in Moskow, 1898. 


Pi7 AFTER THE BATH. A nude child, sitting upon a white 
sheet thrown across a chair or sofa, is putting on a stocking. Her 
head is bent down, the face half hidden in the dark hair. At the 
right on the floor, is a brass basin. 


Water color (gouache) on paper, 26x17 inches. Signed: Héléne Polenoff, 
Moscow. 


Purchased by subscription and presented to Washington University, 1893. 
Lent to the Museum. 


PUVIS DE CHAVANNES, PIERRE CECILE 
[1824-1899] FRENCH 


Born in Lyons, France, 1824; died, 1899. Studied under Ary Scheffer 
and Thomas Couture. Devoting his talent especially to mural de- 
coration, in which he had no superior, he produced a large number 
of works, including the famous “History of the Various Sciences,” 
in the great amphitheatre of the Sorbonne; the ‘Saint Genevieve,” 
in the Pantheon, and “Summer” and “‘ Winter” in the Hotel de Ville, 
Paris; ‘‘ Marseilles as a Greek Colony,”’ in the Hotel de Ville at Mar- 
(ie and the notable decorations in the Public Library at Boston, 
ass. 


P2o LA CHARITE. Study for one of a series of eleven architect- 
ural decorations in the Hotel de Ville, Paris, representing “Les Vertus 
Parisiennes.”’ 


Two children and woman, half-clad, are huddled in the protection 
of a wall of rock which projects into the picture from the left; beneath 
them, a little bundle of straw. The mother kneels upon the straw, 
holding a child whose arm is around her neck; an older child stands 
by the wall. The symbolic figure of a woman takes the mother by 


7s 


the hand, and stretches out her arm in a gesture of sympathy and 
blessing. The ground is snow-clad, a few trees help to form the com- 
position. 


On canvas, 36x28 inches. Signed in lower right-hand corner: 94, 
P. Puvis de Chavannes. 


Purchased by Washington University, 1905. Lent to the Museum. 


PYLE, HOWARD [1853-1911] AMERICAN 


Born in Wilmington, Del., 1853; died in Florence, Italy, 1911. Painter 
and illustrator. Pupil of the Art Students’ League of New York; 
instructor at the Drexel Institute, Philadelphia. 


P21 ROGER BACON. English philosopher and man of science of 
the 13th century. 

He is clothed in the habit of a monk and sits upon a bench in an at- 
titude of study. By his side, set in the wall, is an open furnace. A 
book and vessels lie upon the floor. Through a partly opened door 
at the right appear two women. 


On canvas, 35x20 inches. Signed: H. Pyle. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1908. Lent to the Museum. 


RAEBURN, SIR HENRY [1756-1823] BRITISH 


Born in a suburb of Edinburgh, 1756; died in Edinburgh, 1823. He 
was educated at Heriot’s Hospital, and at the age of fifteen began 
his artistic career as an apprentice to a goldsmith at Edinburgh. From 
the careful work of the goldsmith, he passed naturally to miniature 
painting and eventually to portraits in oil. He is ranked as one of 
the greatest portrait painters of the British school, having few rivals 
either in technique or power of characterization. His life was spent 
in Edinburgh among his countrymen, where he had as sitters most 
of the prominent men of the day. 


Rr KIRKMAN FINLEY, M. P. The subject is seated in a red 
upholstered chair and wears a brown coat, open at the front to reveal 
a white waistcoat and cravated stock. The flesh color, the deeper 
tinted lips, and the heavily shadowed dark blue eyes, topped by loose 
gray hair, are relieved against a dark brown background. The head 
and hands are treated simply, with excellent draughtsmanship and 
smoothly modeled flesh tones. 


On canvas, 35x27 inches. Not signed. Purchased by Asher 
Wertheimer at Christie’s, where it was sold for the account of the 
Finley family, having come from Castle Toward on the Clyde, the 
seat of the Finley family. Kirkman Finley was member of Parlia- 
ment for Glasgow in 1812 and Lord Rector of Glasgow University 
in 1819. The portrait is said to have been presented to the family 
by the University. 


Purchased, 197}. 
72 





TA GLA RAYE 
iver reeR RE PUVIS DETCHAVANNES 





KIRKMAN FINLE Yee there 
BY SIR HENRY RV 


RANGER, HENRY W. [1858-1916] AMERICAN 


Born in Western New York, 1858; died, 1916. Studied art outside 


of academies and during several years’ residence in France, England 
and Holland. 


R7 NEW ENGLAND VILLAGE. Between the intervening trunks 
of stately elms is revealed a glimpse of the village of Old Mystic, 
Conn., which is situated about five miles from Noank. In the im- 
mediate foreground is a pool of water beyond which a level, grassy 
plot stretches toward the village. Beneath one of the trees are two 
figures. A warm flood of sunshine spreads over the landscape, piercing 
the mist-laden atmosphere and spreading brilliant tones of yellow 
and orange over houses and foliage. The mist-obscured trees and 
shrubbery in the distance have been handled with feeling for their 
atmospheric qualities. 


On canvas, 36x48 inches. Apparently signed in the lower left corner, 
but with the signature rendered indistinct by subsequent brush strokes. 


Purchased, 1916. 


REDFIELD, EDWARD W. [1868- | 
AMERICAN 


Born in Bridgeville, Del., 1868. Studied at the Pennsylvania Academy 
of the Fine Arts, and in Paris with Bouguereau and Fleury. 


R2 THE BROOK. A partially snow-covered landscape, suggestive 
of Pennsylvania country. A few scattered wooden buildings and 
groups of bare brown trees are divided by a highway from which, 
under a stone bridge, a brook flows into the nearer picture. The 
dark water with thin floating ice and reflections is expressively painted, 
as is the general topographical character of the picture. 


On canvas, 38x50 inches. Signed in lower left-hand corner: E. W. 
Redfield, 1908. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1909. Lent to the Museum. 


REMINGTON, FREDERIC [1861-1909] 
AMERICAN 


Born in Canton, N. Y., 1861; died in Ridgefield, Conn., 1909. Educated 
at Yale Art School. Was clerk in a business office, then cowboy 
and stockman on a ranch in the West, becoming later an illustrator 
for magazines dealing with military and western subjects. Was also 
a sculptor. Drew Cuban scenes during the Spanish-American War, 
1897-98. Was essentially an illustrator, and became very popular 
through his pictures of Indian warfare and cowboy adventure. 


73 


R3 A DASH FOR TIMBER. A mounted squad of western 
scouts, pursued by a band of Indians, gallops toward the spectator 
across an arid plain. Several of them have turned in their saddles 
to fire at their pursuers. To the left is a group of trees toward which 
the men are hastening for shelter. 


On canvas, 48x84 inches. Signed in lower left-hand corner: Frederic 
Remington, 1899. 


Presented to Washington University by the Fall Festivities Association 
of St. Louis, 1893. Lent.to the Museum. 


REYNOLDS, SIR JOSHUA [1732-1792] 
ENGLISH 


Born, Plympton, Devonshire, 1723; died, London, 1792. Reynolds 
began the study of art under Thomas Hudson in 1740 in London. 
In 1749 he was taken by Commodore Keppel in a long tour of the 
Mediterranean, visiting Lisbon, Florence, Leghorn and finally settling 
at Rome for two years. Here he met many artists and made ex- 
tensive studies of the older masters. His notebooks show that 
this visit greatly influenced his subsequent work. The year 1752 
found him again in London ready to embark upon that remarkable 
career which gives him a just claim to the title of the greatest of all 
English portrait painters. He numbered among his friends Dr. John- 
son, Goldsmith and David Garrick. In 1768 he was elected the first 
president of the newly organized Royal Academy, to the work of 
which he devoted much attention. More than seven hundred con- 
temporary plates were engraved after his numerous works. 


Rit JOHN JULIUS ANGERSTEIN (1735-1823). London mer- 
chant and patron of the fine arts. Thirty-eight paintings from his 
collection were purchased by the government in 1824 and formed 
the nucleus of the National Gallery, London. 


A half-length portrait, turned to the right, but with the face toward 
the front; seated, with the left arm resting on a pedestal. The subject 
wears a dark Van Dyck suit with lace at neck and wrist. The work- 
manship is marked by the solid, substantial modeling and full, rich 
impasto of Reynolds’ portraiture. 


On canvas, 36x28 inches. Painted, 1765. From the collection of 
Lieutenant-General Angerstein, 1864, and William Beatty, Esq., 
Glasgow. Engraved by G. S. Shury, 1864 (Works of Sir Joshua 
Reynolds, published by H. Graves, Vol. II, P. 16). Catalogued: 
“Reynolds,” by Sir Walter Armstrong, p. 191; “Reynolds,” by 
Graves and Cronin, Vol. I, p. 24. 


Purchased, 1922. 
R12 ADMIRAL SAMUEL BARRINGTON (1729-1800). One or 
the six replicas painted for the six officers who served on board the 


Admiral’s ship, “The Prince of Wales,” at the taking of Santa Lucia 
in 1778. One of these now belongs to the Royal collection, another 


74 


USAONVA MAAN AG VT EN a NeW Siok SNe Ne 





Qa Tat a aM al Vom a At Wooud AAL 





to the Earl of Normanton, and another (engraved by R. Earlom, 1780) 
to the Greenwich Hospital, having been presented by the Admiral’s 
brother, Bishop Shute Barrington, in 1824. 


Half-length portrait looking to the left, in blue naval uniform with 
wide lapels faced with white and embroidered with gold braid; white 
hair and ruddy complexion; the background dark. 


On canvas, 29x24 inches. Not signed. Catalogued by Sir Walter 
Armstrong, “Reynolds,” p. 192. From the collection of W. Fuller 
Maitland, London. 


Purchased, 1922. 


RICHARDS, WILLIAM TROST [1833-1905] 
AMERICAN 


Born in Philadelphia, 1833; died in Newport, R. I., 1905. His first 
instruction was received from Paul Weber. In 1855, he went to Europe, 
studying in Florence, Rome and Paris. Returning to America, he 
settled in Philadelphia in 1856. Landscapes and marines were his 
principal subjects. 


R8 THE SEA. The sea is comparatively calm. Low waves wash 
upon a flat beach in the foreground, and, having spent their force, 
flow smoothly back. A bank of gray mist which stretches across the 
horizon, is broken on the left by the rays of the rising sun. Above 
the fog bank, the sky is streaked with silvery rays of reflected light, 
and this illumination is mirrored upon the water below. 


On canvas, 2434x4214 inches. Signed in lower right-hand corner: 
Wm. T. Richards, 1874. 


Presented by Mrs. Daniel Catlin, 1977. 


RITSCHEL, WILLIAM [1864- ] AMERICAN 


Born in Nuremberg, Germany, 1864. Pupil of Professors A. Kaulbach 
Lindner and Raupp, Munich. 


R4 SHORES OF MONTEREY, CALIFORNIA. One looks over 
low, boulder-like rocks, that jut up a little above the water, out to 
the breakers and beyond to the sea. Nearby, long shadows mark 
where the tops of the stones are unsubmerged. The white foam is 
faintly pink where it reflects the sky. The rocks of the lower picture 
are massive, and clearly defined. 


On canvas, 48x58 inches. Signed in lower right-hand corner: W. 
Ritschel. 


Purchased, 1913. 
75 


ROBINSON, THOMAS [1770?-1810] ENGLISH 


Born, Windermere, before 1770; died at Dublin, 1810. He studied 
under Romney (c. 1785) with whom he lived for some years. Migrat- 
ing to Ireland, he practiced at Belfast (1801-1808) and later at Dublin 
where he became president of the Society of Artists. He painted 
portraits and military scenes. 


R13. BARRY YELVERTON (1736-1805). Irish judge, first Vis- 


count of Avonmore. 


Almost half-length portrait, toward the right, the head turned to 
the spectator. The hair, of grayish brown tone, falls to the cheeks. 
He wears a gray cape with embroidered edge, lined with pink stuff, 
beneath which is a white collar with lace or embroidered trimming. 
The background is of silvery gray color. 


On canvas, 2914x24% inches. Signed: T. Robinson, 1792. 
Purchased, 1978. 


RYDER, ALBERT P. [1847-1917] AMERICAN 


Born at New Bedford, Mass., 1847; died, 1917. Pupil of William E. 
Marshall, engraver, and of the National Academy of Design, New 
York. Practically self-taught. Studied abroad in 1877 and 1882, 
His pictures are usually small in size and remarkable for their color. 
His works have been described as being “not transcriptions from 
nature but creations of the imagination..... striving to convey ideas, 
vague but poetic.’ 


Rg THE SISTERS. In a landscape setting of mellow browns, 
greens and orange are the dimly seen figures of a woman and two 
small girls, one of whom the woman carries, while the other nestles 
at her knees. The elements of the landscape and the outlines of the 
figures are suggested merely to give significance to the composition, 
which, with its range in color from the flesh tints upon the figures 
to the deep golden-brown of the landscape, is a study in color and tone 
harmony, so developed that it appeals strongly to the sense of the 
romantic. 


On wooden panel 11 %x5 5% inches. Not signed. 
Purchased, 1917. 


RYDER, CHAUNCEY F. [1868- ] 
AMERICAN 


Born in Danbury, Conn., 1868. Pupil of Art Institute of Chicago; 
Julian Academy, Paris, under Colin, Laurens and Max Bohm. 


Rio PACK MONADNOCK. A stretch of agricultural lands, dotted 
with farm-houses, rises gradually in the distance toward the summit 
of the mountain, Pack Monadnock. In the foreground a number 


76 





ettiererOr MONTEREY, CALIFORNTA 
hee Wisi A M ARE SOLVE lL 





PACK MONADNOCK 
BY CHAUN CE Your Vio 


of trees lift leafless branches against the sky and the distance. Beyond, 
on the left, is a group of low farm buildings, about which are shrubs 
and the dark outlines of evergreens. 


On canvas, 4514x5714 inches. Signed in lower left-hand corner: 
Chauncey F. Ryder. $ 


Purchased, 1917. 


SARGENT, JOHN SINGER [1856- ] 
AMERICAN 


Born, Florence, Italy, 1856, of American parents. His training, begun 
at the Academy of Fine Arts in Florence, was continued in the atelier 
of Carolus-Duran in Paris, to which he was admitted at the age of 
eighteen. Under this master were laid the foundations of Sargent’s 
brilliant technical ability. His first well-known portrait, painted is 
1879, was a likeness of Carolus-Duran. It was soon followed by other 
brilliant canvases, “El Jaleo” (1882), ‘‘Carmencita,” (Luxembourg 
Gallery, Paris) and “Carnation, Lily, Lily, Rose,’’ (Royal Academy, 
London.) Sargent is also distinguished for his work in water color 
and for his mural decorations in the Boston Public Library and the 
Museum of Fine Arts, Boston. 


S37 PORTRAIT OF MRS. GEORGE AUSTEN, (née Isabel Valle) 
of St. Louis. Three-quarter length standing figure, against a gray 
background. She has dark hair and eyes, and her hands are clasped 
before her. The sheen of the white satin dress which she wears is 
attractively painted. Dark brown cuffs and scarf, and red roses at 
the bosom, adda note of color. The portrait is a sensitive and charming 
likeness, marked by poise and reserve. 


On canvas, 50x32 inches. Signed at top: John S. Sargent, Paris, 
1882. Described and illustrated, Bulletin of the City Art Museum, 
September, 1917. 


Lent by Mrs. George Austen. 


SARTE, MARIE MADELEINE DEL 
7 FRENCH 


Born in Paris. Student of Fleury, Boulanger and Lefebvre. 


S3 THE BLIND BEGGAR. An old mendicant and a young girl 
in the city street, asking alms. The figures stand in the recess of a 
building. The old man’s head is thrown back in a pose of dumb 
appeal, and the child’s face wears the expression which she has learned 
so well. The composition is of sentimental interest. The coloring 
is dark, in the academic style. 


On canvas, 5534x42 inches. Signed in lower right hand-corner: M. 
del Sarte, 1886. 


Presented by Mrs. William Stix, 1914. 
13 


ANDREA DEL SARTO, SCHOOL OF ITALIAN 


S4 VIRGIN AND CHILD ENTHRONED. The Virgin, Child 
and St. Ann are seated against a pier between two archways; on either 
hand through each archway, opens a romantic landscape view. St. 
Ann is in purple robes, a white drapery about her head, one hand 
upon the Virgin’s shoulder, the other extended. At her feet is seated 
Mary, holding the infant Christ in her lap. She wears a red upper 
dress, blue skirt, and a cloak of blue green. The infant is nude. 
Further down two saints are kneeling. The one, in gray monastic 
robe in an attitute of prayer, or homage. The other also is offering 
homage. He is garbed in purple tunic with red mantle, and carries 
in his hand a book. On either hand partly relieved against the open 
archways and the landscape beyond, stand two figures—St. Sebastian 
and St. Roch. Numerous arrows symbolize the manner of martyr- 
dom of the former, and the palm, his place as a martyred saint. St. 
Roch at the right rests his right hand upon a staff and with his left 
hand holds up the edge of his tunic. 


On canvas, 59x45 inches. 


Presented to Washington University by Thomas Gould Appleton. Lent 
to the Museum. 


SAVAGE, EUGENE F. [1885- ] AMERICAN 


Born, Covington, Ind., 1885. Studied at the Corcoran Gallery of 
Art, Washington, D. C., Art Institute of Chicago, and abroad, as a 
Fellow of The American Academy at Rome. Mural painter and 
illustrator. 


S38 THE EXPULSION. Adam and Eve as they are being driven 
from the Garden of Eden. They are in attitudes of despair, Eve 
stoops forward, one hand resting on a stone, Adam covers his face 
with his left forearm. The background is a conventionalized land- 
scape of mountains and forest. 


On wood panel, 53x46 inches. Signed: Eugene Francis Savage XXII. 
Awarded the Norman Wait Harris Silver Medal, Art Institute of 
Chicago, 1922; the Thomas B. Clark Prize and the Saltus medal, 
National Academy of Design, New York, 1923. The original sketch, 
from which this differs in detail, was one of a series of decorations 
illustrating the works of Basil King. 


Purchased, 1923. 


SCHENCK, AUGUST [1828-1901] DANISH 


Born at Gliickstadt, Holstein, 1828; died, 1901. He was a pupil of 
L. Cogniet; and after working in England and Portugal, studied at 
the Ecole des Beaux-Arts, Paris. Eventually, he settled at Ecouen, 
near Paris; and thenceforth was a frequent contributor to the Salon. 
Landscapes, and especially snow scenes with horses, sheep and dogs, 


78 





PORTRAIT. OF MRS. GEORGE AUSTEN 
Byte! OH Nees NGL Ree AR GE ONE 





JOHN JULIUS ANGE Rew 
BY SIR JOSHUA REY NGI 





Mow okRAL SAMUEL BARRINGTON 
ees ts YO Sat UA REYNOLDS 





THE, EXPULS £OR 
BY EUGENE Fo SAV 


were his favorite subjects. He was awarded a Salon medal in 1865 
and the Legion of Honor in 188s. 


S35 THE CHALLENGE. Two droves of turkeys face each other 
in belligerent attitudes. The gobbler which leads the white flock on 
the right struts with outspread feathers. On the left, the leader of 
the opposing black flock stands with extended neck. In the back- 
ground are a man and a woman, accompanied by two dogs. High 
mountains rise in the distance. 


On canvas, 27x51 inches. Signed in lower right-hand corner: Schenck. 
Presented by Mrs. Daniel Catlin, ror7. 


SCHLEGELL, GUSTAV VON [1877- ] 
: AMERICAN 


Born in St. Louis, Mo., 1877. Studied under Robert Koehler in 
Indianapolis; Carl Marr, Munich; Laurens and Laurent in Paris. 


S5 FINISTERRE. Across a level foreground is a body of water 
almost enclosed by jutting headlands, its more distant shore lost at 
the horizon in mist and clouds. At the edge of the nearer shore, a 
man urges two animals to drag a load. 


On canvas, 32x37 inches. Signed in lower right-hand corner: G. 
von Schlegell. 


Purchased, 1913. 


SCHMITT, ALBERT FELIX [1873- ] 
AMERICAN 


Born in Boston, 1873. Studied at the Massachusetts Normal Art School; 
Cowles Art School; Museum of Fine Arts, Boston. 


S6 SYMPHONY IN BLUE. Pottery, glass and lacquer objects 
are grouped upon a dark polished surface against a blue background. 
They are treated broadly, with feeling for texture, color and value. 


Water color, 16x25 inches. Signed in upper right-hand corner: Albert 
F. Schmitt, 1906. 


Purchased by Washington University from the Crow Acquisition Funda. 
Lent to the Museum. 


SCHOFIELD, W. ELMER [1867- ] 
AMERICAN 


Born in Philadelphia, Pa., 1867. Studied at the Pennsylvania Academy 
of the Fine Arts, Philadelphia; in the Academie Julian, Paris, under 
Bouguereau, Doucet, Ferrier and Aman-Jean. 


79 


S8 THELOCK. A short stretch of canal is shown in the foreground 
with a number of boats. Beyond is a suggestion of a lock. At the 
left is a bank covered with yellow grass and half melted snow. Beyond 
the canal are mills and houses. Both sky and water are leaden in 
color. 


On canvas, 38x48 inches. Signed in lower right-hand corner: Schofield, 
1908. 


Purchased, 1910. 


SCHOPFER, HANS (the Elder) GERMAN 


German painter of the sixteenth century. Died after 1548. Worked 
at Munich, and is mentioned in documents there after 1535. Ex- 
amples of his work may be found in the museums at Munich, Nurn- 
berg and Sigmaringen. 


So PORTRAIT OF A LADY. A portrait of a young woman with 
yellow hair in braids, dressed in brown, and wearing also a quantity 
of jewels, gold and silver chains. The flesh color is very pink and 
there is great attention to detail in the costume, jewelry and lace. 


On wood panel, 2114x15 inches. An inscription in upper right-hand 
corner: “‘Aetatis Sue XX Jar” and also a crest, a red shield (chevron). 
with a helmet and a mantling of red. Attribution endorsed by Dr. 
Friedlander of Berlin. . 


Purchased, 1915. 


SCHREYER, ADOLPHE [1828-1899] GERMAN 


Born at Frankfort-on-the-Main, July, 9, 1828; died at Kronberg, 
Prussia, July 29, 1899. Studied art as a pupil of Stadel Institute at 
Frankfort; then at Stuttgart, Munich, Disseldorf and Paris. 


In 1862 he located in Paris, where he developed his style. His subjects 
he found in the east of Europe, in Egypt, Syria, Algiers, Western 
Asia, and on the African Mediterranean coast. Is esteemed as a 
painter of horses, of incidents in battle and of the peasant life in Wal- 
lachia and Moldavia. Returned to Germany in 1870 and settled at 
Kronberg. 


S32 THE STAMPEDE. A group of Arabs are riding precipitantly 
across a rough plain. They glance back as though pursued. The 
horseman on the left bears a flag. His three companions are armed 
with long-barrelled rifles. In the distance are other fleeing figures, 
likewise mounted. 


On canvas, 18!4x33 inches. Signed in lower right-hand corner: Ad. 
Schreyer. 


Presented by Mrs. Daniel Catlin, 1977. 
80 


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SCHULTZBERG, ANSHELM LEONARD 
[1 862- ] SWEDISH 


Born in Stockholm, Sweden, 1862. 


Sio LILACS, EVENING EFFECT. An arched trellis covered 
with blossoming lilacs occupies the principal part of the composition. 
Through the opening in the shrubbery a table is visible and further, 
a body of water. The grassy foreground is sprinkled with flowers. 


On canvas, 39x43 inches. Signed: A. Schultzberg. 


Purchased by subscription and presented to Washington University. 
Lent to the Museum. 


SHANNON, SIR JAMES J. [1863-1923] 
| ENGLISH 


Born, Auburn, N. Y., 1863; died, London, 1923. He went to England 
in seks and studied under Poynter and Sparks at the South Kensington 
School. 


S36 PORTRAIT OF MRS. JONATHAN RICE. Seated in a red 
upholstered arm chair, against a dark background. She wears a black 
dress with transparent sleeves. The left arm rests upon a chair, the 
right holds a fan, At the left is a vase of red roses upon a table. 


On canvas, 4934x4o inches. Signed: J. J. Shannon, 1922. 
Presented by Charles M. Rice, 1922. 


SHIRLAW, WALTER [1838-1909] AMERICAN 


Born of American parents in Paisley, Scotland, 1838; died in Madrid 
Spain, 1909. Brought to the United States, 1840. Became bank- 
note engraver, but later devoted himself to painting. Pupil of the 
Bavarian Royal Academy, and of Raab, Wagner, Ramberg and 
Lindenschmidt in Munich. 


S11 SHEEP SHEARING IN THE BAVARIAN HIGHLANDS. 
In a stable of vaulted masonry, men and women are seated upon the 
floor shearing sheep, which they hold in their laps. Back of them, 
partly in the shadow of the arch, other figures are variously engaged. 
One man is pouring wine; another carries a burden. At the right is 
a cow and a wheelbarrow. 

On canvas, 50x84 inches. Signed: Walter Shirlaw. 


Purchased, rgro. 


S12 STUDY FOR SHEEP SHEARING. Four detail study sketches of 
sheep; three of the animals stretched out as in the operation of shearing. 


SI 


On canvas, 8x12 inches. Signed in upper right-hand corner: Ww. 
Shirlaw. 


Presented by Mrs. Walter Shirlaw, 1912. 


S13. STUDY FOR SHEEP SHEARING. Detail sketches of heads 
of several sheep, as though ranged at feeding troughs. 

On wood panel, 8x12 inches. Signed in lower left-hand corner: W. 
Shirlaw. 


Presented by Mrs. Walter Shirlaw, 1912. 


S14 STUDY FOR SHEEP SHEARING. Detail sketch of cow’s 
head, at stall. 


On canvas, 814x104 inches. Signed in lower left-hand corner: W. 
Shirlaw. 


Presented by Mrs. Walter Shirlaw, 1912. 


S1s STUDY FOR SHEEP SHEARING. Detail for sheep shearing. 
On canvas, 8x12 inches. Signed in lower left-hand corner: W. Shirlaw. 
Presented by Mrs. Walter Shirlaw, 1972. 


SIMMONS, EDWARD E. [1852- ] 
: AMERICAN 


a in Concord, Mass., 1852. Pupil of Boulanger and Lefebvre in 
aris. 


S17. TIRED OUT. At the side of the bed where her baby sits, 
the mother has fallen asleep. Her head has fallen over upon her 
arm that is lying on the bed. One hand hangs limply, and from it 
has dropped the knife she was using in her household work. She 
was peeling potatoes; some are in her apron, others on the floor. 


On canvas, 32x24 inches. Signed in lower left-hand corner: E. E. 
Simmons, Concarneau. 


Presented to Washington University by the Exposition and Music Hall 
Association of St. Louis, Lent to the Museum, 


SISLEY, ALFRED [1839-1899] FRENCH 


Born at Paris of English parents, 1839; died at Moret, 1899. He was 
a student with Renoir in the atelier of Gleyre, until Monet induced 
them to leave it. At first he painted conventional landscapes rather 
after the style of Coubert. After passing under the influence of Corot, 
he evolved an individual style, rich in color and agreeable in line. 
He painted in England at Hampton Court, on the Thames, and in 
London; and in France on the outskirts of Fontainebleau, along 
the banks of the Seine, the Loing and in the little towns of Moret 
and St. Mammés. He is regarded as having been one of the leading 
exponents of the Impressionist movement. 


82 





TRE Ds OUT 
BY EDWARD bs Sia MONS 


VGLUSY € ALVt1oOs OS ONT AON OL ond ALIAAAOUVY AW ADPALON V 





S33 THE SEINE AT MORET. A view of the river Seine near its 
junction with the Loing, about forty miles from Paris. Beneath a 
brilliant blue sky, in which are a few vaporous clouds, the river flows 
uietly, reflecting dimly from its surface the heights which form its 
urther shore. In the middle distance, the stream is spanned by a 
steel bridge with approaches of arched masonry. On the sunny level 
of the nearer shore are boats and groups of figures. 


On canvas, 20x24) inches. Signed in the lower right-hand corner: 
Sisley, S. 784. 


Purchased, 1976, 


SMITH, F. HOPKINSON [1838-1915] 
AMERICAN 


Born in Baltimore, Md., 1838; died in New York, 1915. Self-taught. 


Si8 THE CANONICA. A Venetian canal between tall buildings. 
It is crossed by two bridges, on the nearer of which are a number of 
people in various colored costumes. Several gondolas are moored in 
front of the houses. 


Water color, 31x24 inches. Signed: F. Hopkinson Smith. 
Purchased, 1912. 


SOROLLA y BASTIDA, JOAQUIN [1863-1923] 
SPANISH 


Born in Valencia, Spain, 1863; died 1923. Student of the Academia 
de Bellas Artes of San Carlos. 


S20 ANOTHER MARGUERITE. A young woman with down- 
cast head and an expression of suffering in her shrinking face, sits, 
with manacled wrists, in a compartment of a Spanish third-class 
railway carriage. Two armed guards sit in the seat behind her. The 
sides of the compartment are painted a dull yellow; the guards are 
in dark blue cloaks with dark red facings, and the woman wears a 
black dress with white spots, and a dark shawl. 


The story is that of the young woman, who, like her prototype of the 
Faust legend, in her despair has murdered her child, has been arrested 
and is now being conveyed to prison. 


On canvas, 51x78 inches. Signed near lower left-hand corner: J. 
Sorolla. 


Presented to Washington University by Charles Nagel, 1894. Lent to 
the Museum. 


S21 BEFORE THE BATH, VALENCIA. A little girl sits upon 
a board at the side of a bath house, her clothes piled near, as she twists 
up her hair. Her poise, the natural pose and movements of her body, 


83 


are innocent and naive. The little figure is beautiful, in its color, 
its outlines, and modeling of the form and in its play of light reflected 
from the great white cloth that flaps in the wind and blows toward 
her. 

On canvas, 69x44 inches. Signed in lower left-hand corner: J. Sorolla, 
1909. 

Purchased, 197i. 


S22 UNDER THE AWNING, ZARAUS. A scene on the coast of 
Spain, where the blazing sand, ‘the gleaming sea, and even the deep 
blue sky seem hot. There is a breeze, and it spreads back a little 
the dresses of three girls, and streams out their veils, as they stand 
beneath a canvas shelter, looking out over the sea. The awning is 
not so conspicuously painted, but is felt in the picture through its 
influence upon the light. Beyond its protection, figures on the sands 
are in the sunshine. 


On canvas, 39x45 inches. Signed in lower right-hand corner: J. 
‘Sorolla, 1g1to. ; 


Purchased, rozr. 


S23 THE GARDEN OF THE ADARVES, ALHAMBRA, 
GRANADA. The composition shows a corner in a formal garden 
with masses of old stones, and of green foliage. The construction 
is broad and sketchy. There are formally trimmed hedges, and 
blossoms here and there, and passages of sunshine. A doorway in 
the farther wall opens to more distant sunlit landscape. 


On-canvas, 32x41 inches. Signed in lower right-hand corner: J. 
Sorolla, 1gIo. 


Purchased, 1911. 


SOYER, PAUL CONSTANT [1823-1903] 
FRENCH 


Born in Paris, 1823; died, 1903. Pupil of L. Cogniet. 
S24 THE BLACKSMITH. A seated figure of a man in leather 
apron, enjoying his pipe after the day’s work. 


On canvas, 1334x104 inches. Signed in lower left-hand corner: 
Paul Soyer. 


Presented to Washington University by Miss Ellen F. McKee. Lent 
to the Museum. 


STEELE, THEODORE C. [1847- ] 
AMERICAN 


Born in Owens County, Ind., 1847. Pupil of the Munich Royal 
Academy under Benczur and Loefftz. 


84 





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S2s THE MUSCATATUCK. An autumn lanscape with gray-blue 
sky reflected in the water of the river in the left of the foreground. 
A low shore in grays and yellow-greens is covered with large boulders. 
epee is a hillside with trees in bright greens, reds, browns and 
yellows. 


On canvas, 1814x26% inches. Signed in lower right-hand corner: 
T. C. Steele, 1893. 


Purchased by subscription and presented to Washington University. 
Lent to the Museum. 


STEVENS, ALFRED [1828-1906] BELGIAN 


_ Born in Brussels, 1828; died in Paris, 1906. While yet a young man, 
he accompanied the French painter, Roqueplan, to Paris. He dwelt 
in the French capital for the remainder of his life, devoting his brush 
almost exclusively to the delineation of the grace and charm of the 
society of the day. His paintings are mostly of women, and he has 
been called the historical painter of the fashionable Parisienne of his 
century. Although accurate and truthful, his works have a charm 
of color and a breadth of execution which elevates them above the 
plane of merely illustrative art. 


S34. IN DEEP THOUGHT. A woman clad in a dress of light 
mauve, is seated at a small round table. One arm rests upon the 
back of her chair, the other supports her head. She gazes in abstrac- 
tion toward the sea, which stretches into the distance on the left side 
of the composition. On the right is a mass of foliage, the dark browns 
and grays of which serve as a background for the mauve-clad figure, 
enriching its color tones and accentuating its outlines. 

On canvas, 181%4x21% inches. Signed in lower right-hand corner; 
A. Stevens, ’81. 


Purchased, 1916. 


STEVENSON, R. MACAULAY [1864- ] 
ENGLISH 


Born in Glasgow, Scotland, 1864. 


S26 A PASTORAL. A Scottish hillside, near a loch, in early eve- 
ning. The moon is ascending above a clump of trees in the middle 
distance. There is still in the eastern sky, a slight suggestion of 
the glow of sunset. 

On canvas, 12x15 inches. Signed at left of center, lower margin; 
R. Macaulay Stevenson. 


Purchased by subscription and presented to Washington University, 1896° 
Lent to the Museum. 


85 


STORY, JULIAN [1857-1919] AMERICAN 


Born at Walton-on-Thames, England, 1857, of American parents, 
his father being the sculptor, William Wetmore Story. Died, Phila- 
delphia, 1919. Pupil of Frank Duveneck in Florence; Boulanger 
and Lefebvre in Paris. 


S27, AN INCIDENT OF THE FRENCH REVOLUTION. The 
picture, so far as its subject is concerned, is best described by the 
excerpt from Lamartine’s “‘History of the Girondins.” 


““Sombreuil, who has been condemned, appears; the door opens; his 
daughter springs forward and hangs about the old man’s neck, covers 
him with her body, begs the assassins to spare her father or to strike 
her with the same blow. The sublimity of her devotion, the ardour 
of her entreaties, softens these murderers. A cry of mercy: arises 
from the crowd; the weapons are lowered, and they give the daughter 
the life of her father—but at a horrible price: they demand, as a sign 
that she denounces aristocracy, that she shall moisten her lips from 
a glass filled with the blood of the aristocrats. Madamoiselle de 
Sombreuil grasps the glass with a firm hand, carries it to her lips, 
and drinks to the health of her father. This action saves them.”’ 


On canvas, 156x198 inches. Signed in lower left-hand corner: Julian 
Story, 1887. 


Purchased, 19174. 


STUART, GILBERT [1756-1828] AMERICAN 


Born in Narragansett, R. I., 1756; died in 1828. He received his 
first lessons in art from Cosmo Alexander, a Scotch painter who came 
to America in 1770. Stuart accompanied him to Scotland, and later 
in life studied with Benjamin West in London, where he painted 
portraits of Sir Joshua Reynolds, Benjamin West, John Kemble, 
Alderman Boydell and others. He returned to America in 1793 and 
resided in New York, Philadelphia and Washington alternately until 
1806, when he settled in Boston. 


S28 STUDY HEAD. Portrait sketch of an unknown sitter; about 
life size; facing toward the front, but slightly turned to the right; 
on a background of neutral brown. The coloring is fresh and the 
brushwork free. Certain portions have the appearance of having 
never been finished, particularly the right shoulder, where the ground 
color shows through. 


On canvas, 14x15 inches. Not signed. 

Purchased, 19175. 

S37 GEORGE WASHINGTON (1732-1799). President of the 
United States, 1789-97. Replica of the Athenaeum portrait type. 
Purchased from the artist at Boston in 1823 by George Douglas. 


The portrait hung first in his house at Place and Church Street, New 
York, and later at his new house on Fourteenth Street, which he 


86 


loaned to the Metropolitan Museum of Art, and where the portrait 
was exhibited for five years. It afterward hung in his home at 12 
West Seventy-sixth Street. The last owner was William Proctor 
Douglas, the son of George Douglas. 

Bust to left, powdered hair, ruffled linen jabot, full neck cloth. Dark 
olive background. 


On wood panel, 27x21% inches. Not signed. 
Purchased, 1923. 


SYLVESTER, FREDERICK OAKES 
[1869-1915] AMERICAN 


Born in Brockton, Mass., 1869; died in St. Louis, 1915. Pupil of the 
Massachusetts Art School, Boston. 


S29 THE RIVER’S GOLDEN DREAM. From over a gap in the 
heights above the Mississippi, one looks down into the smooth water, 
and across its wide sweep to the distant, low-lying, shore. Beyond, 
from the farther shore, pale gray-green trees in a line that fringes 
the stream are reflected picturesquely in the water, and further are 
green fields, groves, distant ridges, all shrouded in gray atmosphere, 
and softened in the approaching dusk. Above, the sky is half screened 
with gray cloud, but shows blue or green and partly tinged with rose. 


On canvas, 40x30 inches. Signed in lower left-hand corner: F. O. 
Sylvester, I91I-12. 


Purchased, 1913. 
S30 THE LIGHT THAT MAKES THE HEART GLAD. | One of 


the artist’s characteristic vistas through groups of trees out into the 
open country. The entire foreground is filled with a small stream 
between banks of crumbling earth, in shadow, accenting the great 
expanse of sky and distance in strong unbroken light. 

On canvas, 80x54 inches. Signed in lower left-hand corner: F. O. 
Sylvester. 


Presented by the artist, 191}. 


SYMONS, GARDNER [1861- ] AMERICAN 


Born in Chicago, IIl., 1861. Studied at the Art Institute, Chicago; 
in Paris, Munich and London. 


$31 THROUGH SNOW-CLAD HILLS AND VALLEYS. The 
immediate foreground is a steep snow covered hill. Beyond, a small 
stream flows diagonally across the picture, its banks fringed with 
cedars and other trees. In the distance are level fields and farm- 
houses. High hills form the horizon, their slopes dotted with forests 
interspersed with snow covered fields. 


On canvas, sox6o0 inches. Signed: Gardner Symons. 


Purchased, 1914. 
87 


TARBELL, EDMUND C.[1862- ] AMERICAN 


Born in West Groton, Mass., 1862. Pupil of the School of the Mu- 
seum of Fine Arts, Boston, under Otto Grundmann; and in Paris 
under Boulanger, Lefebvre and Bonnat. 


Tr PREPARING FOR THE MATINEE. A young woman seen 
in profile, is adjusting her hat. She sits in an upholstered chair before 
a glass of which only the edge is in the picture. She wears a high- 
necked, short-sleeved waist of creamy white, a dark gray skirt, a blue 
ribbon about the neck, and a purple flower upon the hat. 


On canvas, 45x35 inches. Signed in lower left-hand corner: Tarbell— 
1907. 

Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1909. Lent to the Museum. 


TER BORCH, GERARD [1617-1681] DUTCH 


Born at Zwolle, Guelderland, 1617; died, 1681. He was first taught 
by his father, who was a painter, and later studied under Peter Molyn 
at Haarlem. He traveled extensively in England, Germany, Italy 
and France. He was at Minster during the sitting of the peace congress 
of 1646 and painted a picture of the delegates in session, which is 
considered one of his greatest works. In 1648 he went to Spain, 
where he was especially interested in the paintings by Velasquez. 
He eventually settled in Deventer, Holland, spending the remainder 
of his life there. Only about eighty pictures from his brush are known, 
and these, both portraits and genre subjects, are distinguished by 
a degree of delicacy and refinement characteristic of the best pro- 
ductions of the school of the “Little Dutchmen,” of whom Ter Borch 
has been called the greatest. 


T12 PORTRAIT OF ADRIAEN DE GRAEFF. Adriaen de 
Graeff was Seigneur de Zuid-Polsbroek, Prunerland et Ilpendam. 
His coat-of-arms appears in the lower right-hand corner. 


Three-quarter length portrait on a dark background. The subject 
wears a long coat of dark material, its sleeves turned back at the 
wrist to show their satin lining. A sword hangs from the right shoulder 
by a long, richly ornamented band. The right hand grasps a walking 
stick. The various fabrics are painted with feeling for their character- 
istic textures. 


On wooden panel with circular top, 21%x14 inches. Not signed’ 
Formerly in the collections of Andreas Achenbach, Diisseldorf, and 
of Count Van der Groelen, Bonn, Germany. Mentioned in G. Hof- 
stede de Groot’s ‘‘Catalogue Raisonné,”’ Vol. V, p. 80. Another 
version of the same subject was in the de Ridder Collection, Cronberg. 


Purchased, 1916. 
THAULOW, FRITZ [1847-1906] NORWEGIAN 


Born in Christiania, Norway, 1847; died, 1906. Studied in Christiania 
Carlsruhe and Paris. 


88 





GORGE  W-AS HUN GLOW 
BY G1: BER Ay eS rk UAaRSE 





NOW-CLAD HILLS ANDY A 


BY GARDNER WS.Y MON 


TO ROT G Hs 


S 


T, BEHIND THE MILLS. A stretch of water behind a line of 
pale red brick buildings, between two of which are old-fashioned 
undershot mill-wheels, the out-take from which makes a strong, foam- 
ing current. The red reflections of the buildings in the pale-green 
water are broken by the wavelets. In the foreground, the water 
has a purple hue, reflecting the sky. 


On canvas, 32x48 inches. Signed in lower right-hand corner: Fritz 
Thaulow, 1892. 


Purchased by subscription and presented to W ashington University, 1893. 
Lent to the Museum. 


Ts IN MARCH. A cold, wintry landscape, an ice-bound river 
with a farther shore rising abruptly through the upper picture. There 
is a little group of farm buildings, and a curl of blue smoke; thin ice 
extends nearly across, almost into the foreground, where the water 
runs black and swirling. 


Pastel, 24x38 inches. Signed in lower right-hand corner: Fritz Thaulow, 
1892. 


Presented to Washington University by the St. Louis Artists’ Guild, 
1894. Lent to the Museum. 


TOULMOUCHE, AUGUSTE [1828-1890] 
FRENCH 


Born at Nantes, 1828; died at Paris, 1890. Toulmouche was a pupil 
of Gleyre, and first exhibited at the Salon of 1848. He became well 
known for his genres and portraits, and was awarded a medal of the 
third class, 1852; second class, 1861; silver medal, 1889; Legion of 
Honor, 1870. 


T13 GIRL AND ROSES. A young woman has halted her stroll 
through a garden to enjoy the odor of a cluster of roses, and leans 
forward to smell them. She is clad in a white satin dress with gathered 
skirt and train, after the fashion of the period. At her feet is a row 
of blossoming geraniums, In the background is a high wall, and 
beyond this a dense growth of trees and shrubbery. 


On canvas, 25x17}4 inches. Signed in lower left-hand corner: A. 
Toulmouche, 1879. 


Presented by Mrs. Daniel Catlin, 1917. 


TRYON, DWIGHT W. [1849- | AMERICAN 


Born in Hartford, Conn., 1849. Studied in Paris, under Jacquesson 
de la Chevreuse, Daubigny, Guillemet and Harpignies. 


Tg NIGHTFALL. A level landscape with groups of trees, shrubbery 
and stones. In the middle distance a number of trees with slender 
trunks raise a tracery of branches against the sky, which is luminous 


89 


with orange and yellow light from the setting sun. The new moon 
is sketchily suggested. The principal tone of the painting is a warm 
gray with touches of browns and orange. 


On canvas, 22x30 inches. Signed: D. W. Tryon, 1905-6. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund. Lent to the Museum. 


Tio BEFORE SUNRISE. A fringe of slender trees along a water- 
way is silhouetted against a pale gray sky which is faintly yellow 
near the horizon. In the distance groups of trees and a low-roofed 
building are outlined against the warmer light of the lower sky. The 
grassy foreground is of dull gray greens and browns. 


On canvas, 30x40 inches. Signed: D. W. Tryon, 1906-7. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 19r0. Lent to the Museum, 


T1g AUTUMN IN NEW ENGLAND. A wide expanse of country 
stretches out before the spectator, with low, flat-topped hills rising 
on either side. The soil 1s covered with a sparse growth of grass, 
and trees are scattered here and there in straggling groves. A blue 
autumnal mist hangs over the distant hills; and the foliage tints are 
the rich, warm browns, oranges and greens typical of the latitude of 
New England in early fall. 


On canvas, 36x60 inches. Signed in lower left-hand corner: D. W. 
Tryon, 1903. 

Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1915. Lent to the Museum. 


T15 CLEARING AFTER A SHOWER, AFTERNOON. The 
grassy foreground is empty, save for a few stones and clumps of bushes. 
In the middle distance are groups of trees, and beyond rises a barren 
ridge. The sky is filled with vaporous, shifting clouds. 


On canvas, size 32x40 inches. Signed in lower left-hand corner’ 
D. W. Tryon, 1898-9. | 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1917. Lent to the Museum. 


T16 THE SEA. A smooth beach occupies the foreground, and 
beyond is the sea, comparatively calm and barren of sails except for 
the suggestion of a ship at the sky-line. Along the horizon is a purple 
gray fog bank; and above is a streak of blue sky with rose and violet 
tinted clouds. . 


On canvas, size 24x36 inches. Signed in lower right-hand corner: 
D. W. Tryon, 1907. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1917. Lent to the Museum. 


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PREPARING FOR TH EOMATINER 
Bay) ED MAP NED) Ge STAR DD EL 





PORTRAIT OF ADRIAEN -D EG eee 
BY GERARD TER BO ea 


T18 SPRINGTIME IN FRANCE. A level landscape, with a few 
trees; a bank of clouds rising from the horizon. On the left a man 
is ploughing with two horses, the moist earth colors of the freshly 
turned soil contrasting with the green of the grass. 


On canvas, 20xjo inches. Signed: D. W. Tryon, 1882. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1922. Lent to the Museum. 


Tig DECEMBER LANDSCAPE. Foreground covered with dead, 
yellow brown grass, interspersed with patches of snow and pools of 
water which reflect a leaden sky; in the distance a strip of forest 
in dark red brown; sketchily executed. 


On wood panel, 11x14% inches. Signed: D. W. Tryon. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1922. Lent to the Museum. 


Too EVENING AFTER STORM. A dark, sketchily executed, 
wooded landscape in dark browns and _ blues; the sky illuminated 
along the horizon. 


On canvas, 10x135% inches. Signed: D. W. Tryon. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1919. Lent to the Museum, 


T21 NEW ENGLAND FARMIN WINTER. A flat, snow covered 
landscape with a group of farm buildings and hay stacks in the center, 
the farmhouse at the extreme left. Overcast sky and cold, wintry 
atmosphere. 

On wood panel, 11x15 34 inches. Signed: D. W. Tryon. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1919. Lent to the Museum. 


TURNER, J. M. W. [1778-1851] ENGLISH 


Born, London, 1778; died, London, 1851. Exhibited artistic ability 
at an early age, and became a student of the Royal Academy in 1799. 
Did much work as an illustrator during his early years. In 1802 he 
was elected to membership in the Royal Academy and in the same 
year made his first tour of the Continent, which resulted in six pictures 
of foreign subjects, including the Calais Pier. The “Liber Studiorum”’ 
was begun in 1807. A trip to Italy in 1819 marked the beginning 
of his bolder excursions into color. Upon his return he began the 
series of works in oil and water-color upon which his fame as a colorist 
must chiefly depend. Among these are Caligula’s Palace and Bridge 
(1831), Bay of Baiae with Apollo and the Sibyl (1824) and Childe 
Harold’s Pilgrimage (1832). His last great picture, “The Fighting 
Temeraire”, was shown in the Academy of 1839. 


To2 CLIFFS OF DOVER. One of about fifteen water-color draw- 
ings of this locality by Turner which are extant. 


gi 


A view across a shallow arm of the ocean with fishermen and small 
craft, toward high cliffs topped by houses. Other buildings nestle at 
the foot of the cliff and occupy the inclines. The foreground is in 
warm orange, giving way to delicate blues and purples in the water 
and faint yellows and blues in the more distant cliffs. 


Water-color, on paper 55¢x81% inches. Not signed. 
Purchased, 1921. 


TWACHTMAN, JOHN HENRY [1853-1902] 
AMERICAN 


Born in Cincinnati, Ohio, 1853; died in Gloucester, Mass., 1902. Pupil 
of the Cincinnati School of Design under Frank Duveneck, with whom 
he later went to Venice. In 1876,-he went to Munich, working for 
two years under Loefftz, and later at the Academie Julian in Paris 
under Boulanger and Lefebvre. With the group which numbered 
Metcalf, Hassam, Reid and Weir among its members, he was one of 
the first American painters to manifest in his work the influence of 
“impressionism.” His pictures are marked by feeling for grace, for 
tonal variation and for subtle analysis of color. ; 


T23. THE RAINBOW’S SOURCE. The foreground is filled with 
a wide expanse of water pouring over the stones which impede its 
course, and in the middle distance is a waterfall. The further reaches 
of the stream are obscured by the mist from the swirling water. As 
the mist rises it is tinged by the sunlight with the delicate, prismatic 
colors which give the painting its title. The principal colors are subtle 
tones of gray blue, violet and green. 


On canvas, 34/4x24% inches. Signed: J. H. Twachtman. Bulletin 
of the City Art Museum, April, 1922. 


Purchased, 1921. 


T24. MARCH WOODLANDS. A composition of simple elements: 
a hillside rising to a high horizon, a few gnarled. and leafless trees 
casting pale shadows across the bare brown earth. The color scheme 
is likewise simple; a sensitive harmony in delicate low toned russets, 
orange and yellow relieved by dim violet shadows of mildly impres- 
sionistic flavor. A delicate atmosphere evoked by elusive nuances of 
color pervades the composition. 


On canvas, 32x44 inches. Signed: J. H. Twachtman. Bulletin of 
the City Art Museum, January, 1923. 


Purchased, 1922. 


UHDE, FREDERICH HERMANN KARL VON 
[1848-1911] GERMAN 
Born in Walkenburg, Saxony, 1848; died, 1911. Was an officer in 


the German army until 1877. First studied painting in Munich; 
went to Paris in 1879, becoming a pupil of Munkacsy. Was one of 


92 








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the first of the Munich painters to feel the influence of French Natu- 
ralism. Painted many Biblical scenes, utilizing modern settings and 
costumes. 


U1 A SEWING BEE IN HOLLAND. An_ interior of a Dutch 
house, witha group of young women, seated about a table, in front 
of a large window, sewing. An open doorway leads into an adjoining 
room, in which a woman sits by a table. With a single exception 
they wear black dresses. The woman across the table—seen over 
the shoulder of the principal figure in the foreground—is garbed in 
dull yellow. All have white caps. Strong notes of color are given 
by a green jug on top of a hanging cabinet, a black-framed landscape 
and the red cushion of the chair in which the woman sits facing the 
spectator. The wall is a warm gray. The work belongs to von 
Uhde’s earlier method. 


On canvas, 40x54 inches. Signed in upper right-hand corner: F. 
Uhde. 


Purchased by subscription and presented to Washington University, 1894. 
Lent to the Museum. 


VANDERLYN, JOHN [1776-1852] AMERICAN 


Born at Kingston, Ulster County, N. Y., 1776; died in Kingston, 
1852. Pupil of Gilbert Stuart and studied in Paris from 1796 to 
1801, where he painted from 1803 to 1815. 


V1 AARON BURR (1756-1836). Third vice-president of the 
United States, 1801-05. He was patron of the artist. 


A broadly painted sketch. A third of the figure is shown in profile. 
There is a background of formal arrangement, characteristic of the 
official portraiture of the time, and a grayish column, past which 
one looks toward a glimpse of sunset sky at the right, and a suggestion 
of red curtain at the left, all softly toned. The whites have been 
repainted. 


On canvas, 914x7% inches. Not signed, but marked on stretcher: 
Paris, 1809. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1910. Lent to the Museum. 


VERESTCHAGIN, VASSILI [1842-1904] 
RUSSIAN 


Born in Tcherepovets, Novgorod, Russia, 1842; died 1904. Pupil of 
St. Petersburg Academy, and of J. L. Gérdme, and 1’Ecole des Beaux- 
Arts, Paris. A battle and genre painter, he spent much time in the 
Caucasus and Turkestan, and in 1874-76, he visited China and India; 
on his return he settled in Paris. Mr. Verestchagin met his death 
on board the Petropavlovsk, February 13, 1904. 


93 


V3 THE SHIPKA PASS IN THE BALKANS. On the main road 
from Rumelia to Bulgaria, the scene of heavy fighting during the 
Russo-Turkish war of 1877-78. 


Among the rocks of the pass, deeply covered by snow, is a group of 
Russian soldiers, some standing on sentry duty, some seated together, 
talking. It is a scene of desolation. From the steely blue sky the 
snow is falling. 


On canvas, 48x78 inches. Not signed. 


Presented to Washington University by Mrs. Phoebe Hearst. Lent to 
the Museum. 


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VERNIER, EMILE LOUIS [1831-1887] FRENCH 
Born in Lons le Saulnier, Jura, 1831; died in Paris, 1887. 


V4 THE THAMES AT LONDON. A view of the Thames below St. 
Paul’s—the dome of which is dimly visible through the fog. In the 
foreground is a tangled mass of shipping, out of which a black steamer, 
with black and red funnel, advances into the stream. The water is 
a light gray-green and the sky is a purple-gray. There is a sugges- 
tion of mistiness in the atmosphere. 


On canvas, 36x60 inches. Signed in lower right-hand corner: Emile 
Vernier, 1883. 


Presented to Washington University by F. G. Chapman, 1884. Lent 
to the Museum. 


VIBERT, JEHAN GEORGES [1840-1902] 
FRENCH 


Born at Paris, 1840; died there, 1902. A pupil of Barrias and Picot; 
he first became known for his vigorous historical paintings and his 
portraits, which were executed with a freedom and directness un- 
usual for the period. About 1867, his broad, free handling was sup- 
planted by a more detailed and niggling manner. A little later, 
ecclesiastical subjects attracted him, and he painted numerous pictures 
of priests and monks. He was one of the founders of the French 
Water Color Society. 


Vio THE CARDINAL’S BIRTHDAY. The cardinal is exhibiting 
to his caller, an archbishop, the various gifts he has received. In 
his hands he holds a case containing a jeweled cross, and on a table 
behind him are elaborate floral tributes and other presents. In the 
background are two liveried footmen, one of whomis amused at - 
the seeming discomfiture of the other. All details are painted with 
the accuracy and precision characteristic of Vibert’s style. The sheen 
and texture of fabrics are well realized. ° 


On wooden panel, 2834x36 inches. Signed in lower right-hand corner: 
J. G. Vibert. 


Presented by Mrs. Daniel Catlin, 1977. 
94 





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VINTON, FREDERICK P. [1846-1911] 
AMERICAN 


Born in Bangor, Me., 1846; died, 1911. Pupil of William M. Hunt 
and of Dr. William Rimmer, of Boston; Leon Bonnat and J. P. Laurens, 
Paris; he also studied in Munich. 


V7 PORTRAIT OF WAYMAN CROW. Half-length, life-sized 
portrait of an elderly gentleman, seated, facing slightly toward the 
right, with his right arm resting on the arm of the chair. He ts of 
ruddy complexion with blue eyes, white hair and beard. 


On canvas, 3514x28 inches. Not signed. 


Presented to Washington University by the Wayman Crow Heirs, 1900. 
Lent to the Museum. 


VORGANG, PAUL [1860- ] GERMAN 
Born in Berlin, 1860. Studied in Berlin Academy under E. Bracht. 


V8 THE OUTSKIRTS OF BERLIN. A marshy bit of land with 
pools in the foreground, the borders of which are of caving earth. 
Several sheep are in the middle ground. In the distance are scattered 
houses and a grove of trees. The tops of the houses and trees are 
reddened by the last rays of the setting sun. The foreground is of 
rich, warm green. The purple-clouded sky is reflected in the water 
of the pools. 


On canvas, 40x75 inches. Signed in lower right-hand corner: P. 
Vorgang, 1891. 


Presented to Washington University by Charles Nagel, 1594. Lent to 
the Museum. . 


VOS, CORNELIS DE [1585-1651] FLE MISH 


Born, Hulst, 1585; died, Antwerp, 1651. Pupil of David Remeeus. 
He became master of the Guild of St. Luke at Antwerp in 1608, and 
dean of the Guild 1619-20. He painted historical pictures and portraits, 
the latter resembling strongly the early portraits by Van Dyck. 


Vir PORTRAIT OF A WOMAN. Three-quarter length portrait of 
a woman, turned toward the left. She wears a dark dress with flaring 
skirt, ribbon laced sleeves, and waist elaborately embroidered in gold. 
About her neck is a wide ruff and over her head is a lace cap. Her 
hair is dark brown and is combed back from the forehead. The right 
hand rests on a chair and the left holds a handkerchief. On each 
hand are rings and bead bracelets. The background is dark green 
with a blue drapery behind the head. 


On canvas, 45x34% inches. Not signed. Described and illustrated 
Bulletin of City Art Museum, October, 1923. Authentication by 
Dr. Wilhelm Bode. 


Presented by Edward Mallinkrodt, 1922, 
95 


WALKER, HORATIO [1858- ] AMERICAN 


Born in Listowel, Canada, 1858. Studied under J. A. Fraser, in 
Toronto; later in New York. For the most part self-taught. 


W:1 THE WOODCUTTERS. Two men are working a bow saw, 
upon split wood which they are cutting into shorter lengths. Each 
holds a foot against the saw buck, and puts vigorous action into the 
work. Just beyond, the cordwood is piled against a stake fence that 
encloses the yard. Strong sunlight illuminates the figures and other 
objects in the foreground. In the distance is a forest, its outlines 
enveloped in haze. 


On canvas, 38xso inches. Signed in lower left-hand corner: Copy- 
right 1905 by Horatio Walker. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund. Lent to the Museum. 


W2 EVENING; MILKING. Near a slab fence, and under the 
trees, a man is milking a cow; a woman comes toward him carrying 
two buckets suspended from a yoke. Two cows are lying down in 
the foreground and others are farther off. The composition is full 
of warm light, with long sunset shadows. 


On canvas, 34x46 inches. Signed in lower right-hand corner: Horatio 
Walker, 1912. 


Purchased, 1915. 
WARNER, EVERETT L. [1877- JAMERICAN 


Born, Vinton, Ia., 1877. Studied at the Art Students’ League in 
Washington and New York; Julian Academy in Paris. 


W3 MOUNTAIN VILLAGE, TYROL. In the foreground is a 
small group of houses and in the middle distance are other buildings 
and wooded slopes which lead up to high, snow-covered mountains. 


On canvas, 32x26 inches. Signed: Everett Warner. 
Purchased, 1915. 


DA WSON-WATSON, DAWSON [1864- 
ENGLISH 


Born in London, England, 1864. Pupil of Mark Fisher, in England; 
Duran, Chartran, Collin, Aimé Morot and Leon Glaize, in Paris. 


Ws LIGHT BREEZE. Long grasses, white and _ rose-colored 
flowers waving in the wind. The gnarled trees and a long line of 
hedge vanishing in the distance, under a light-blue sky, with patches 
of white clouds. 


On academy board, 20x24 inches. Not signed. 
Bequest of Halsey C. Ives, 1972. 


96 


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WAUGH, FREDERICK J. [1861- ] 
AMERICAN 


Born in Bordentown, N. J., 1861. Studied at the Pennsylvania 
Academy of the Fine Arts, Philadelphia; at the Academie Julian, Paris. 


W6 THE SEA. One looks down upon a rough hollow, where the 
surf boils, to the ocean beyond. A great green wave rolls in, its ad- 
vancing lower edge lapping the ledge of rock that spreads out to meet 
it, broken, and storm worn. Upon either hand the water of preceding 
waves pours down from its crevices into the hole where the beaten 
water boils as it plays back and forth, The sky is leaden, and so is 
the glimpse of farther water surface not hidden by the breaker that 
is rolling in. 


On canvas, 52x66 inches. Signed in lower right-hand corner: Waugh. 
Purchased, 1913. 


WEIR, J. ALDEN [1852-1919] AMERICAN 


Born, West Point, N. Y., 1852; died, New York, 1919. Pupil of his 
father, Robert W. Weir; of the National Academy of Design in New 
York; and Ecole des Beaux-Arts in Paris under Géré6me. He was 
with Twachtman, Hassam, and others, one of the early group of 
American impressionists, trying the methods of the school of Manet 
and Monet and adapting them to American portraiture and land- 
scape. His work is marked by harmony of color with “a peculiar 
feeling for delicate browns and grays and silvery tones.” 


W7 WINDHAM VILLAGE. On a quiet passageway or side street, 
bordered by tall trees, a woman is attending a small fire. Beyond 
are dwellings and outbuildings. Long, gray shadows stretch across 
the foreground. 


Mahogany panel, 25x30 inches. Signed: J. Alden Weir. 
Purchased, 19175. 


WEISS, JOSE [1859-1889] ENGLISH 


Born, 1859; became a naturalized Englishman, 1889. 


Ws LANDSCAPE. A summer landscape of rolling pasture land 
with groups of large trees, in warm gray greens with brown shadows. 
The sky is gray and filled with clouds. In the foreground is a small 
pool of water; beyond it are cows grazing in a meadow, scattered 
trees and a distant hill. 


On canvas, 32x44%4 inches. Signed: Jose Weiss. 
Purchased, 1914. 


97 


WEST, BENJAMIN [1738-1820] AMERICAN 


Born in Springfield, Pa., 1738, of a Quaker family from Buckingham- 
shire, England; died in London, 1820. Studied in Philadelphia and 
New York, and after working in these cities as a portrait painter, 
he painted in Italy from 1760 to 1763, after which he settled in London. 
He became court painter in 1772, was one of the early members of | 
the Royal Academy, and succeeded Reynolds as president of the 
Royal Academy. 


Wio THE SUBMISSION OF PRINCE JOHN TO RICHARD I. 
The literary subject of this historical painting has been described 
by Sir Walter Scott, and other writers who have drawn upon old 
English history. Richard, the Lion-Hearted, has returned from the 
crusades to find his brother John a would-be usurper. 


The king in robes, crown and sceptre, stands upon the steps of his 
throne, in a stately hall. Before him kneels Prince John. The Queen 
mother intercedes for him. Beyond, are prelates, soldiers in armor 
and the Queen’s ladies. Horsemen with banners, look in upon the 
scene, through an archway. 


On canvas, 86x60 inches. Signed in lower left-hand corner: B. West. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund. Lent to the Museum. 


WEST, WILLIAM E. [1788-1857] AMERICAN 


Born, 1788; died, Nashville, Tenn., 1857. Illustrator and portrait 
painter. Made illustrations for some of Irving’s works. Was a fol- 
lower of the English school, and is said never to have traveled with- 
out a copy of Sir Joshua Reynolds’ Discourses. - 


Wi1 PORTRAIT OF LORD BYRON. Portrait from life of the 
poet, Lord Byron (George Gordon, the sixth Lord Byron). Painted 
at the Villa Rossa, near Leghorn, Italy, 1822; and said to have been 
the last portrait of the poet. The circumstances of the sittings for 
this portrait are set forth in the artist’s own words on p. 602, Vol. 
II, Moore’s Life of Byron, also Tuckerman’s Book of the Artists. 


Third-length portrait; on dark background; body in profile to the 
left, head turned toward the spectator; life size. Head apparently 
somewhat idealized. Romantically garbed in a deep crimson cloak 
that falls over a loose silk shirt with open collar. 


On canvas, 29x28 inches. Not signed. Illustrated in Life of Byron 
published by John Murray, London. Formerly in the possession of 
Louis Joseph Henri Count Ori d’Hegenheim, who purchased it before 
1853; later owned by members of the Kent family. 


Purchased for Washington University from the W. K. Bixby American 
Art Acquisition Fund, 1908. Lent to the Museum. 


98 


WILLIAMS, FREDERICK BALLARD 
[1871- ] AMERICAN 


Born in Brooklyn, N. Y., 1871. Pupil of Cooper Union and the 
National Academy of Design, New York. 


W24 LANDSCAPE; A GLIMPSE OF THE SEA. The view is 
across the wooded slopes of a hill, from which ledges of weathered 
rock outcrop. Patches of sparse grass struggle for a foothold among 
the stones. The foliage is painted in autumnal tints. On the right 
the landscape recedes into the distance, with a glimpse of the sea, 
revealed near the skyline. 


On canvas, 30x45™% inches. Signed in the lower left-hand corner: 
Fredk. Ballard Williams. 


Purchased, 1916. 


WI MAR, CHARLES F. [1828-1863] AMERICAN 


Born in Siegburg, Germany, 1828; died in 1863. Was brought to the 
United States when fifteen years of age, and soon thereafter to St. 
Louis, where he studied painting with Léon de Pomarede. Becoming 
fascinated with the picturesqueness of Indian life and character, 
Wimar devoted himself to its portrayal. In order to fit himself for 
this, he spent five years in Dusseldorf, as a student of Leutze. 
Upon his return to America, he visited many Indian tribes and painted 
numerous pictures of conditions of human life that no longer exist. 
Wimar’s last work was the painting of scenes representing the history 
of Missouri, in the dome of the Court House in St. Louis. 


Wi3 THE WOUNDED BUFFALO. In a mountain recess, three 
animals, a wounded buffalo cow, her calf and a bull, are at bay. 
Wolves are creeping up, and buzzards are gathering near; the bull 
fiercely turns upon the wolves. The setting sun flushes the tops of 
the hills, and dyes the horizon with red. 


On canvas, 18x27 inches. Signed in lower right-hand corner: C. 
Wimar, 1859. 


Bequeathed to Washington University by Dr. Van Zandt, 7886, Lent 
to the Museum. ; 


W14 BUFFALO CROSSING THE YELLOWSTONE. The murky 
night is lit by a prairie fire whose yellow flames are fast approaching; 
thick smoke overhangs the nearer shores. Into the foreground and 
up the heights rush the escaping beasts. Some with dripping hides 
are scrambling out of the water; others dashing across the narrow 
landing space. Still more are coming through the water. The horns 
of a moose or elk also appear, out of the water’s surface in the distance, 
and a few coyotes hang on the outskirts of the herd. 


On canvas, 24x48 inches. Signed in lower right-hand corner: Charles 
Wimar, 1859. 

Bequeathed to Washington University by Dr. Van Zandt, 1886. Lent 
to the Museum. 


99 


Wis INDIANS APPROACHING FORT BENTON. A panoramic 
vista, on the upper Missouri River, characteristic of the flat river 
country. Far away, the farther edge of the valley is defined by ridges 
that are sharply outlined on an evening sky. The river winds through 
the levels; the stretches of bared sand are cut by rivulets, and side 
channels, that belong to the low-water season. The new moon, and 
passages of clear blue sky, show out from behind colorful strata clouds, 
red, purple, yellow. 

Nearby, on lower. heights, a group of Indians are assembled. Looking 
over their heads we see the fort on a yet lower level near the river, - 
and a curl of smoke that shows it occupied. The Indians are in march- 
ing array, on horse and on foot, or in drags, drawn by ponies and dogs. 


On canvas, 24x48 inches. Signed in lower left-hand corner: C. Wimar. 
1859. 

Bequeathed to Washington University by Dr. Van Zandt, 1886. Lent 
to the Museum. 


Wi6 THE BUFFALO HUNT. A portrayal of aboriginal life on 
the plains. At a little distance the animals are galloping past, hotly 
pursued. The Indians on horseback have come up to the herd and 
are attacking the stampeded buffaloes with arrows and spears. It is 
a summer picture, and the men are clothed chiefly for ornamentation, 
with their feather gear streaming back as they swiftly move through 
the air. The landscape, turning brown, stands out beneath a blue sky. 


On canvas, 36x60 inches. Signed in lower left-hand corner: C. Wimar, 
1860. 


Bequeathed to Washington University by Dr. Van Zandt, 1886. Lent 
to the Museum. 


WOODBURY, CHARLES H. [1864- | 
AMERICAN 


Born in Lynn, Mass., 1864. Pupil of the Massachusetts Institute 
of Technology, Boston, and the Academie Julian, Paris, under Bou- 
langer and Lefebvre. 


W25 THE RAINBOW. A view of the ocean occupied by wind- 
tossed waves. Deep transparent blues in the trough of the waves 
give way to lighter greens and vaporous whites at their crests. On 
the right the arcs of a double rainbow mingle their colors with the 
tones of wave and mist. 


On canvas, 48x72 inches. Signed in lower left-hand corner: Chas. 
H. Woodbury, 1914. 


Purchased, 1917. 


W26 PORPOISES. In a swirl of blue water and a cloud of spray, 
a school of porpoises disports, probably in pursuit of the small fish 
and crustaceans which form their prey. Three of the porpoises swim 


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through the water with only their black backs and dorsal fins visible. 
Three others, with powerful strokes, have lifted their bodies wholly 
or partially from the water. 


Water color, 1634x21 inches. Signed in lower left corner: Chas. H. 
Woodbury. 


Purchased, 1917. 


WUERPEL, EDMUND H. [1866- 
AMERICAN 


Born in St. Louis, Mo., 1866. Pupil of the St. Louis School of Fine 
Arts; of the Julian Academy, in Paris, under Bouguereau, Robert- 
Fleury, Ferrier, Aman-Jean and Doucet; and of 1|’Ecole des Beaux 
Arts. 


W138 AN EVENING SONG. The composition is a harmony of 
evening color, of green accentuated by yellows and reds; still water 
stretches away to a little distance, where there is a gently rising shore; 
beyond, a reach of meadow is ended by a wall of trees, heavily foliaged 
and standing darkly against the sky, opening, however, a narrow 
path to make way for the last rays of the sun. 


On canvas, 24x18 inches. Signed in lower right-hand corner: mono- 
gram of E. H. 


Purchased by subscription and presented to Washington University. 
Lent to the Museum. 


Wig MAPLE AND BIRCH. A landscape of a cluster of thin 
young birches in the foreground against a heavier mass of trees beyond. 
A pool is in the foreground; the grassy slope rises from it, and a few 
surface stones crop out. The light is low and a haze is in the air. 


On canvas, 54x39 inches. Signed in lower right-hand corner: mono- 
gram, 


Presented by Mrs. A. R. Smyth as a Memorial to her father, Sylvester 
Watts, 191}. 


WYANT, ALEXANDER H. [1836-1892] 
AMERICAN 


Born at Defiance, Ohio, 1836. Displayed talent for drawing while 
yet a boy. In the early fifties, removed to Cincinnati, where he saw 
his first paintings. About 1856, he went to New York, studying art 
under the influence of the Hudson River School and of George Inness, 
who encouraged him to continue. Went to Carlsruhe and studied 
under Hans Gude, to whom, it has been said, his emphasis of form 
and construction, and dignity of composition can_be traced. Sub- 
sequently studied in London, returning to New York about 1865. 
Accompanied a government exploring expedition in the West, and 
endured privations which resulted in partial paralysis, so that after 


IOI 


1869, he was compelled to paint with his left hand. Painted for 
many years in Keene Valley, Adirondacks, and at Arkville, in the 
Catskills, where most of his best known works were executed. He 
was a semi-invalid during the latter part of his life, and died in New 
York in 1892. 


W2o PATH TO THE CHAPEL POND. A vista of wooded hill 
country. One looks along an opening in the woods where a path 
leads to a pool in the middle distance. The trunk of a foreground 
tree at the right raises its spreading top through the upper picture, 
and near it a sapling grows. The foreground is in shadow, but just 
beyond the tree, a passage of sunlight brightens the nearer distance. 


On canvas, 24x20 inches. Signed in lower right-hand corner: A. H. 
Wyant. 
Purchased, 191}. 


W21 WINONA FALLS. A mountain stream rushes down its rocky 
channel into the foreground in a cascade and breaks into spray and 
foam. The immediate foreground is in gray transparent shadow, 
broken with low toned, cool greens. The middle distance, higher 
up, is open and sunlit. Then the vista recedes into foliage depths. 


On canvas, 28x22% inches. Not signed. 
Purchased, 1915. 


W22 SUMMER MORNING. A pasture level extending to the 
distance, broken by groups of trees that come into the picture upon 
either hand; rising ground slopes from the left to the middle distance 
where there is water which catches the light of the gray sky. A smaller 
bit of water is in the foreground, and cattle are grazing. 

On canvas, 20x30 inches. Signed in lower left-hand corner: A. H. 
Wyant. 


Purchased, 1974. 


WYNFIELD, W. DAVID [1837- +] ENGLISH 
Born in 1837. 


W23 LADY OF SHALOTT. A river, smoothly flowing, occupies 
the foreground, bearing upon its surface the boat with the “‘Lady of 
Shalott.”” Beyond, the figuies of two men stand at the water’s edge, 
and about and beyond them, the park-like wooded landscape stretches 
to distant blue hills, and to quiet evening sky. 


On canvas, 27x49 inches. Signed in lower right-hand corner: W. D. 
Wynfield. 


Bequest of Ezra H. Linley, rozz. 
Io2 


ZORN, ANDERS LEONARD [1860-1920] 
SWEDISH 


Born, Mora, Sweden, 1860; died, Stockholm, 1920. Painter, etcher 
and sculptor. Studied at the Academy of Fine Arts, Stockholm, and 
also during extensive travels abroad. His earlier works were etchings 
and water colors, he did not work in oils until 1888. He spent much 
time abroad, residing alternately in Spain, England and France, 
making frequent trips to America. 


Z1 HEAD OF A WOMAN. The head, neck and shoulder of a 
woman appear from a black background. The torso is in partial 
profile, showing a bare arm; the face is turned, until the eyes look 
directly at one and the mouth is partly open. 


On canvas, 243%4x20% inches. Signed in lower left-hand corner: 
Zorn, Ig0!. 


Presented to Washington University by the artist, 1901. Lent to the 
Museum. 


Z3 PORTRAIT. (Mrs. Duncan Joy). Head and bust of a woman, 
about life size; facing toward the front; light gray background. The 


subject is seated upon a green upholstered chair or sofa, and wears 
a dress of black material, with wide sleeves and low neck. 


On canvas, 2334x30 inches. Signed in the upper right-hand corner: 
Zorn, 1/1, 1897. 


Purchased, 1917. 


ZULOAGA y ZABALETA, IGNACIO [1870- ] 
SPANISH 


Born July 26, 1870, in the Basque village of Eibar in northern Spain. 
His father was a skilled metal worker and armorer, a calling which 
had almost become hereditary in the Zuloaga family; and Ignacio 
was early made an apprentice in his father’s workshop, A visit to 
the Prado in Madrid awakened in the young Basque a desire to become 
a painter; and at the age of nineteen he went to Rome and later to 
Paris. A brief stay in London was followed by his return, penniless 
and unsuccessful, to Spain. Here he devoted himself to the deli- 
neation of the national types of Spain, having gained by personal 
contact an intimate knowledge of the racial characteristics of his 
countrymen. 


His painting, ‘Daniel Zuloaga and his Daughters,’’ was exhibited 
in the Paris Salon of 1899 and immediately purchased for the Luxem- 
bourg. Following this success, his works have been exhibited and 
purchased by the principal art museums of Europe and America. 


Z4 THE HERMIT. An old man, of Spanish type, stands with 


bowed head before a rude wooden crucifix. His hair and long 


103 


beard are gray; his skin is wrinkled and weather-beaten. He wears 
a shirt of white material dnd dark brown trousers. About his waist 
is a scarlet sash, and in his left hand he holds a book enclosed in bat- 
tered leather covers. The modeling of flesh and the texture of fabrics 
are executed with swinging strokes of a full brush, and are without 
the appearance of repainting. 


On canvas, 46x42'% inches. Signed in lower right-hand corner: I. 
Zuloaga. 


Purchased, 19106. 


104 





POR TRA LT, OF FA W Os AN 
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THE CITY ART MUSEUM COLLECTION 


ARTIST TITLE No 
ALBRIGHT, ADAM EMory The Bow Knot A 2 
ALEXANDER, Joun W. Phyllis A 3 
AMBERGER, CHRISTOPHER Portrait of a Man Wearing 

a Red Cap A 6 
ANDERSON, KARL Sisters A 8 
ANnTONIAzzO (ROMANO) Virgin and Child A 9g 
BaiL, JOSEPH The Linen Room B 2 
BarneEtTT, Tom P. Winter Day B 4 


BarTOLOoMMEO D1 Giovanni Madonna and Child, with SS. 
Louis of Toulouse, John 


and Donors. B29 
Beckwith, J. CARROLL Ingeborg By 
Benson, Frank W. - ~ Summer Afternoon B 8 
BERNINGHAUS, Oscar E. Waiting B 9 
BincHam, GeorceE C. Portrait of F. Oscar Potter B13 
BincHam, GEorGE C. Landscape B33 
BITTINGER, CHARLES Bibliothéque du Dauphin, 

Versailles B32 
BLAKELOCK, RALPH A. Wood Interior Bi4 
Bock, THEOPHILE DE Edge of the Wood Bis 
Bosspoom, JOHANNES Kerke Alkmaar B3o 
BRANGWYN, FRANK The Return of Columbus B31 
Bruyn, BARTHOLOMAUS Portrait of a Woman B23 
Bruyn, BARTHOLOMAUS Portrait of a Man B24 
CamMpBELL, EpwarpD M. When the Evening Sun is 

Low Cry 
CarLsEN, Emi. Coast of Maine Oe: 
CaRLSEN, EMIL Still Lite Se 
Car.sENn, EmiIL Still Life, The Fan ie 
CarpENTER, Freperick G. A Brittany Maid ea 
Cassatt, Mary Portrait of a Girlin Green C33 
CuHapMAN, Carton T. Bonhomme Richard Captur- 

ing the Serapis C 6 
Cuase, Witt1am Merritr Still-life; Fish C 8 
CuIcHARRO, EpuarDo A Castilian Peasant Ci2 
Ciaesz, PIETER Still-life C34 
CLEEF, JOOST VAN Madonna and Child 39 
CLovET, JEAN Portrait of Guillaume 

Gouffier ay 
CorNELISZ OF AMSTERDAM, 

JacosB Mary Magdalen C36 


107 


THE CITY ART MUSEUM COLLECTION 


ARTIST TITLE No. Pace 
Cornoyer, PAuL The Plaza After Rain Ca3 22 
CRAEYER, GASPER DE Portrait of Father Andreas 

Rosa C25 23 
CRANE, FREDERICK Among the Mountains of 

Northern New Jersey C30 23 
Currier, J. FRANK Canal at Dachau C26 23 
Daso, LEon Dawn; The Hudson River D1 24 
DAINGERFIELD, ELLIOTT An Arcadian Huntress D2 24 
DAINGERFIELD, ELLIOTT Swirling Mists, Water Color D38 24 
DavucHEz, ANDRE The Walled Town; 

Concarneau, Brittany Di7 24 
Davis, Cuar_Les H. Clouds and Hills D 3 25 
DeartH, Henry GOLDEN A Quiet Pool; Picardy D4 25 
De Camp, JosEPH Roses D 5 25 
Dessar, Louis Pau Oxen Drinking D 9 27 
DeEwinc, THomas W. Lady with Lute, Pastel Dig 28 
Dewinca, THomas W. Lady in Yellow, Pastel D20 27 
Dewinc, THomas W. Lady in Green, Pastel Dar 28 
Dickinson, SIDNEY E. The Young Painter D26 28 
Dickinson, SipneEy E, The Black Cape D27 29 
Dore, Pau. Gustave Loch Lomond | D13 29 
DouGHErty, PAuL After the Gale D23 29 
Dupre, JULES Landscape D28 29 
DuveENECK, FRANK Study Head, Man with Hat D29 31 
DuveENEcK, FRANK The Bridges, Florence D3o0 3I 
Foster, BEN October End F 2 43 
FRIESEKE, FREDERICK Cart Torn Lingerie F 8 3% 
FULLER, GEORGE Old Age F 7 33 
GarRBER, DANIEL September Fields G 2 34 
GEROME, JEAN LEON The Sentinel at the Sultan’s 

Tomb G5 34 
GIANPIETRINO Portrait of a Young 

Patrician Lady G13 35 
Goren, JAN VAN Skating in Holland G16 35 
Gro, ALBERT L. The Enchanted Mesa Gi4 36 
Guipo REnNI Sainte Marie Madeleine Gi2 37 
Hassam, CHILDE The East Window H17 40 
Hassam, CHILDE The Fete of Lannion, 

Water Color Betts ye 40 
HAWTHORNE, CHARLES W. Adoration H 8 40 


108 


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® 


THE CITY ART MUSEUM COLLECTION 


ARTIST 


Henri, RoBertT 


Howe, Wit.1aM H. 
InnEss, GEORGE 
IsHAM, SAMUEL 

Ives, Hatsey C. 
Jurres, JoHannes H. 
KoniINCK, PHILIPS DE 
Kroii, Leon 
Laturop, WILiIAM L. 


LawRENCE, SIR THOMAS 


Lawson, ERNEST 
LEEMPOELS, JEF. 
LitTLe, PHILP 


Loss, Louis 
Loss, Louis 
LorRAIN, CLAUDE 


Low, Mary FatrcHILD 
Low, Mary FatrcHILD 
Low, Mary FarrcHILpD_ 


Manet, EpovarpD 
Martin, Homer D. 
Maury, CorneE tia F. 
MeELcuHe_ers, Gari 
Merca.tr, WILLARD L. 
Miter, RicuarpD E. 
Micter, RicuarD E. 
Monet, CLAUDE 
“Monrtice.uy, A. J. T. 
Moro, Sir ANTONIO 
MosTaErtT, JAN 
Mourpuy, J. Francis 
MytTens, DANIEL 
(Tue E.per) 
Nevuuuys, ALBERT 
Orpen, WILLIAM 
Orr, RALPH CHESLEY 
Patrick, Joun D. 


TITLE No. 
Betalo Rubino, Dramatic 

Dancer Hig 
In the Meadow H14 
The Approaching Storm 1% 
A Fairy Tale I 3 
Waste Lands I 4 
Christ Healing the Sick Je3 
Heyman Dullaert K 8 
Sleep K 9 
Misty Day Ls 
Portrait of Captain Stewart L24 
A Road by the Palisades L20 
The Child Jesus Lai 
Where Hawthorne Wrote 

and Derby Traded Lio 
Head of a Girl Lit 
Summer Li2 
The Flight into Egypt L25 
Gathering Flowers bis 
Gathering Apples Li17 
Five O’Clock Tea L18 
The Reader M22 
Headwaters of the Hudson M 4 
The Little Sister, Paste/ M 5 
Vespers M26 
Old Homestead, Connecticut M29 
Reverie Mit 
Landscape M12 
Charing Cross Bridge M13 
The Arrival of the Guests M14 
Portrait of a Boy M30 
Portrait of a Man M18 
At Sunset M20 
Portrait of Charles I M3! 
The Seamstress INS2 
Portrait of Mr. Orpen O 3 
Portrait of Taxile Doat O 4 
Luna P 4 


109 


THE CITY ART MUSEUM COLLECTION 


ARTIST 


PiomBo, SEBASTIANO DEL 
PissArRRO, CAMILLE 
RAEBuRN, Sir HENRY 
RanceEr, Henry W. 
REYNOLDS, SIR JOSHUA 


REYNOLDS, SiR JOSHUA 


RItscHEL, WILLIAM 


Rosinson, THOMAS 
RYDER, ALBERT P. 
Ryper, CuHauncey F. 
SARTE, MADELEINE DEL 
SAVAGE, EUGENE F. 
SCHLEGELL, Gustav Von 
SCHOFIELD, W. ELMER 
ScHoprer, Hans 
SHANNON, SIR JAMEs J. 


SHIRLAW, WALTER 


SHIRLAW, WALTER 
SHIRLAW, WALTER 
SHIRLAW, WALTER 
SHIRLAW, WALTER 
SIsLEY, ALFRED 
SmitH, F. Hopkinson 


Soro.ia Y BastTIpA, 
JoaQuiNn 


SoROLLA Y BastTIpDA, 
Joaquin 


Soro.ia y Bastipa, 
Joaquin 


STEVENS, ALFRED 
Story, JULIAN 


STUART, GILBERT 


TITLE 


Portrait of a Musician 
The Louvre; Morning 
Kirkman Finley, M. P. 
New England Village 


Portrait of Admiral Samuel 


Barrington 
Portrait of John Julius 
Angerstein 


Shores of Monterey, 
California 


Portrait of Barry Yelverton 


The Sisters 

Pack Monadnock 
The Blind Beggar 
The Expulsion 
Finisterre 

The Lock 

Portrait of a Lady 


Portrait of Mrs. Jonathan 
Rice 


Sheep Shearing in the 
Bavarian Highlands 
Study for Sheep Shearing 


- Study for Sheep Shearing 


Study for Sheep Shearing 
Study for Sheep Shearing 
The Seine at Moret 

The Canonica 


Before the Bath, Valencia 


Under the Awning, Zaraus 


Garden of the Adarves, 
Alhambra, Granada 
In Deep Thought 


An Incident of the French 
Revolution 


Portrait of George 
Washington 


I1o 


No. 


P23 
Pa2 
R41 
Roy 


Ri2 


PAGE 


69 
7O 
72 
73 


74 


74 


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IG 


Box 


THE CITY ART MUSEUM COLLECTION 


ARTIST 


Stuart, GILBERT 


SYLVESTER, FREDERICK O. 
SYLVESTER, FREDERICK O. 


Symons, GARDNER 


Ter Borcu, GERARD 
Turner, J. M. W. 
TwacuTMANn, Joun H. 
TwacHTMAN, Joun H. 
Vos, CORNELIS DE 
Wacker, Horatio 
Warner, Everett L. 
Watson, Dawson 
Waucu, FREDERICK J. 
Weir, J. ALDEN 
WeIss, JosE 
WILLIAMS, FREDERICK 
BALLARD 


Woopsury, Cuartes H. 
Wooppsury, Cuartes H. 


WueErPeL, Epmunp H. 
Wyant, ALEXANDER H. 
Wyant, ALEXANDER H. 
Wyant, ALEXANDER H. 
WynrieELp, W. Davip 
Zorn, ANDERS L. 
ZuLoaGA, IGNACIO 


TITLE No. 


Study Head S28 
The River’s Golden Dream S29 
The Light that Makes the 


Heart Glad S30 
Through Snow-clad Hills and 
Valleys S31 


Portrait of Adriaen De Graeff T12 


Cliffs of Dover, Water color T22 
The Rainbow’s Source T23 
March Woodland T24 


Portrait of a Woman Vii 


Evening; Milking W 2 
Mountain Village, Tyrol W 3 
Light Breeze W5 
The Sea W 6 
Windham Village W 7 
Landscape W 8 
Landscape; A Glimpse of the 

Sea W24 
The Rainbow W25 
Porpoises, Water Color W26 
Maple and Birch Wi9 
Path to the Chapel Pond W20 
Winona Falls W21 
Summer Morning W22 
The Lady of Shalot W23 
Portrait “hie: 
The Hermit Dt 


THE CITY ART MUSEUM COLLECTION 


THE DANIEL CATLIN MEMORIAL COLLECTION 


Presented by Mrs. Daniel Catlin 


ARTIST TITLE 
AUBERT, JEAN Louts The Lesson in Astronomy 
BonueEur, Rosa Relay of Hunting 
BreETON, JULES The Wounded Sea-Gull 
Casanova Y Estoracn, 

ANTONIO The Sick Monk 
Cazin, JEAN CHARLES Sunrise 
Cazin, JEAN CHARLES Sunset 
DEFREGGER, FRANz Von Beauty of Tyrol 
Diaz DE LA Pena, Narcisse- 

VIRGILE Figure Composition 
Dupre, JULES Landscape 
Dupre, JULIEN Haying Scene 
GILBERT, Victor G. Flower Market, Paris 
GROLLERON, PAUL The Big Gun 
InpDoNI, FILippo Garden Borghese 
Jacque, CHARLES EmILe Little Boy Blue 
Knaus, Lupwic Head 
LEFEBVRE, JULES Morning Glory 
L’HermitTE, Leon A. End of Day 
MAIGNAN, ALBERT Head 
Mauve, ANTON By the River 
Mauve, ANTON Twilight 
Mauve, AnTon Cows 
MeEnz_er, W. Woman 
Mespac, Henprikx Wittem Ships 
NEUVILLE, ALPHONSE DE The Prussian Deserter 
PERRAULT, LEon BaziILe Evening Prayer 
Ricuarps, WILLIAM T. The Sea 
SCHENCK, AuGUST The Challenge 
SCHREYER, ADOLPHE The Stampede 
TouLMoucHE, AUGUSTE Girl and Roses 
VIBERT, JEHAN GEORGES The Cardinal’s Birthday 


II2 


WASHINGTON UNIVERSITY COLLECTION 


ARTIST 


ACHENBACH, OswALD 


ALLSTON, WASHINGTON 
Bincuam, Georce C. 


Bocert, GeorceE H. 


Bonueur, Marie Rosa 
BossoomM, JOHANNES 
BrissoT DE WARVILLE, F. S. 
Brunin, LEon 

Cuase, Harry 


Criays, PAuL JEAN 
Cock, CAESAR DE 
ConsTANnT, JEAN BENJAMIN 
Cooper, Cotin CAMPBELL 


Cooper, CoLin CAMPBELL 
Detort, CHarLtes EpouarpD 
Dupre, JULIEN 

Fau_xner, H. W. 

Frencu, Avice H. 
GEGERFELT, WILLIAM VAN 
GuILLEMET, JEAN BaptTiIsTE 
Hami.ton, J. WHITELAW 
Harrison, ALEXANDER 
HartTMan, KARL 
Hircucock, GEORGE 
Horne, EpwarD ATKINSON 
Howe, Witit1am HENRY 
Hunt, Witt1am Morris 
JoHansEN, VIGGO 


Konic, Huco 
KrusHitsky, CoNnsTANTIN J. 


KueuL, GoTTHARD 


Larsson, CaRL 


TITLE No. 
An Italian Courtyard with 

Figures I 
Paul and Silas in Prison A 5 
Daniel Boone Escorting a 

Band of Pioneers Bi2 
The English Channel from 

St. Ives to Lelant Bi6 
Cattle in the Highlands B17 
Interior of a Dutch Church B18 
The Sheepfold B21 
The Antiquary B22 
Dutch Fishing Vessels Off the 

Coast of Scheveningen Sey, 
On the Scheldt Cis 
A Wood Interior C16 
Head of a Spanish Woman C19 
Festival Hall, Louisiana 

Purchase Exposition C20 
The Plaza, New York Car 
Fugitives D 8 
In Pasture Dis 
Gondola Station, Venice Fit 


The Path Through the Drifts F 4 


Venice G 4 
A Fishing Village G 9 
A Clyde Ship-yard Hes 
Le Crepuscule (Twilight) H 4 
The Apple of Discord H 6 
Flower Girl Hio 
Primroses Hi1 
A Norman Bull H13 
Fontainebleau Forest His 
Children at Their Evening 

Work 1a 
By the Riverside Ks 
A Night in Little Russia K 6 
A Mighty Fortress is our 

God Kes 
A Swedish Fairy Tale Lax 


113 


PAGE 


WASHINGTON UNIVERSITY COLLECTION 


ARTIST 


LEFEBVRE, JULES JOSEPH 
L’HeErmitTte, Leon A. 
LitjErors, Bruno 

Loir, Lute1 

LotsEAu, GUSTAVE 
Maxkowsk1, VALpimirR E. 
Marr, Cari 

-Mespac, Henprix WILLEM 
Mitier, Ricuarp E. 
Moret, Henry 


Morton, T. Corsan 
MunTuHeE, GERHARD 
Naupin, J. 

Nose, Tuomas S, 
Park, STUART 
ParrisH, MAxFiELD 


PATERSON, JAMES 

PELousE, LEon GERMAIN 

PicarpD, GEORGES 

PicarD, GEORGES 

PLANELLA y RopriQueEz, 
Juan 

Po.Lenorr, HELENE 

Puvis DE CHAVANNES, 
PIERRE 

REMINGTON, FREDERICK 

Sarto, ANDREA DEL 
(School of) 

ScumiTT, ALBERT FELIx 

SCHULTZBERG, ANSHELM L. 

Simmons, Epwarp E. 

SoroLta ¥ Bastipa, 
Joaquin 

Soyer, Pau. 

STEELE, THEODORE C, 

STEVENSON, R. MacauLay 


TITLE No. 
La Cigale L 6 
La Moisson L 8 
Wild Geese La 
The End of Autumn L13 
La Pointe du Jars Li4 
The Miser M 1 
Evening M 3 
In Danger M 8 
At Her Devotions Mio 
Calm Weather on the 

Brittany Coast M15 
The Turning of the Plow M16 
Evening, Eggedal, Norway Mig 
Ecce Homo N 1 
Head of a Bavarian Girl N 4 
White Violets P 1 
A Venetian Night’s 

Entertainment P 2 
Coast of Teneriffe ae 


Sand Dunes, Southern France P 6 


A Book in the Harem Pit 
The Sisters Pi2 
The Little Weaver P16 
After the Bath Piz 
La Charité P20 
A Dash for Timber R 3 
Virgin and Child Enthroned S 4 
Symphony in Blue S 6 
Lilacs, Evening Effect S1o 
Tired Out S17 
Another Marguerite S20 
The Blacksmith S24 
The Muscatatuck S25 
A Pastoral - $26 


114 


PAGE 


50 
51 


WASHINGTON UNIVERSITY COLLECTION 


ARTIST TITLE No. Pace 
THAULOW, FRITz Behind the Mills T 4 88 
THAULOw, FRITz In March 1X, 89 
Unpe, Friepricu H. K. von A Sewing Bee in Holland Ui 92 
VERESTCHAGIN, VASSILI The Shipka Pass in the 

Balkans V3 93 
VeRNIER, EmILe Louis The Thames at London V 4 94 
Vinton, FREDERICK P. Portrait of Wayman Crow V 7 95 
Vorcana, Pau. The Outskirts of Berlin V 8 95 
Wimar, Cuar.es F. The Wounded Buffalo W13 99 
Wimar, CuHartes F. Buffalo Crossing the 

Yellowstone Wi4 99 
Wimar, Cuartes F. Indians Approching Fort 

Benton Wi5 ~~ 100 
Wimar, CuHar.es F. The Buffalo Hunt ‘W16~ 100 
WueErpeEL, Epmunp H. An Evening Song W118 itor 
Zorn, ANDERS L. Head of a Woman ‘AVE Ate. 


115 


WASHINGTON UNIVERSITY COLTECTIGn 


W. K. BIXBY AMERICAN ART ACQUISITION 
FUND: COLLECT Ii 


ARTIST 


Cuurcu, Frepericx S. 
CoLMAN, SAMUEL 

De Haas, M. F. H. 
Dewinc, THomas W. 
Dewinc, THomas W. 
FuLLER, GEORGE 

FuLLER, GEORGE 

Grover, OLiver DENNETT 
Harrison, L. Birce 


Hart, WILLIAM 
Hassam, CHILDE 


InnEss, GEORGE 

La Farce, Joun 
OcHTMAN, LEONARD 
Peters, CHARLES ROLLo 
Pitts, LENDALL 

Pyie, Howarp 
REDFIELD, Epwarp W. 
TarBELL, Epmunp C, 
Trron, Dwicut W. 
Tryon, Dwicut W. 
Tryon, Dwicut W. 
Tryon, Dwicut W. 


Tryon, Dwicut W. 
Tryon, Dwiaut W. 
Tryon, Dwicut W. 
Tryon, Dwicut W. 
Tryon, Dwicut W. 


VANDERLYN, JOHN 
WaLKER, Horatio 
West, BENJAMIN 


West, WiL.14M E. 


TITLE 


Black Wolves 

Autumn Pastures 
Sandgate, English Channel 
Brocart de Venice 

The White Birch 

Bringing Home the Cow 
The Fuller Boy 

Emerald Lake 


The Flat-iron. Building 
After Rain 


Autumn 


Diamond Cove, Isle of 
Shoals 


Storm on the Delaware 
The Wolf Charmer 
Frosty Acres 

Nocturne 

Golden Shores 

Roger Bacon 

The Brook 

Preparing for the Matinee 
Nightfall 

Before Sunrise 

Autumn in New England 


Clearing After a Shower; 
Afternoon 


The Sea 

Springtime in France 
December Landscape 
Evening After Storm 


New England Farm in 
Winter 


Aaron Burr 
The Woodcutters 


The Submission of Prince 
John to Richard I 


Portrait of Lord Byron 


116 


Pace 


18 
21 
26 
27 
27 
33 
33 
37 


39 
39 


40 
44 
48 
65 
68 
79 
72 


“ 


¥ 
7 


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GETTY CENTER LIBRARY 


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